Film Review – BATTLESTAR GALACTICA (1978)

Battlestar Galactica (1978) - Binge Watch Like A Pro!BATTLESTAR GALACTICA (1978, USA) **½
Adventure, Sci-Fi
dist. Universal Pictures (USA), Cinema International Corporation (CIC) (UK); pr co. Glen A. Larson Productions / Universal TV; d. Richard A. Colla; w. Glen A. Larson; exec pr. Glen A. Larson; pr. John Dykstra; sup pr. Leslie Stevens; ass pr. Winrich Kolbe; ph. Ben Colman (Technicolor. 35mm. Spherical. 1.33:1 (Television ratio), 1.85:1 (theatrical ratio)); m. Stu Phillips; s. “It’s Love, Love Love” m/l. Sue Collins, John Andrew Tartaglia; m sup. ; ed. Robert L. Kimble, Leon Ortiz-Gil, Larry Strong; ad. John E. Chilberg II; set d. Lowell Chambers, Mickey S. Michaels; cos. Jean-Pierre Dorléac; m/up. Scott H. Eddo, Marvin C. Thompson, Paul Griffin, Joy Zapata; sd. James R. Alexander (Mono | Sensurround (theatrical print)); sfx. Joe Goss, Karl G. Miller, John Peyser; vfx. John Dykstra; st. Hubie Kerns Jr.; rel. 7 July 1978 (Canada), 12 April 1979 (UK), 18 May 1979 (USA); cert: PG; r/t. 125m.

cast: Richard Hatch (Captain Apollo), Dirk Benedict (Lieutenant Starbuck), Lorne Greene (Commander Adama), Herbert Jefferson Jr. (Lieutenant Boomer), Maren Jensen (Lieutenant Athena), Tony Swartz (Flight Sergeant Jolly), Noah Hathaway (Boxey), Terry Carter (Colonel Tigh), Lew Ayres (President Adar), Wilfrid Hyde-White (Sire Anton), John Colicos (Count Baltar), Laurette Spang (Cassiopeia), John Fink (Dr. Paye), Jane Seymour (Serina), Ray Milland (Sire Uri), Ed Begley Jr. (Ensign Greenbean), Rick Springfield (Lieutenant Zac), Randi Oakes (Blonde Taurus), Norman Stuart (Statesman), David Greenan (Flight Officer Omega).

The Twelve Colonies of Man are annihilated by the Cylons. Adama (Greene), commanding the last surviving Battlestar, takes it upon himself to lead all remaining survivors aboard 220 ships to find a new home. After the Galactica’s fighter pilots successfully navigate a path through the Nova of Madagon minefield, the spoiled Sire Uri proposes to settle down on Carillon, where food and entertainment are provided by the natives. However, Adama suspects a Cylon trap. Released theatrically on the back of the phenomenal success of STAR WARS (1977), this edited version of the TV series pilot cannot escape its small-screen origins. This despite some excellent model work and a well-edited and pacey space battle in the opening scenes. The story meanders on from this point into standard episodic TV fare, with a workmanlike approach to photography and direction. Benedict’s roguish fighter pilot is an obvious riff on Han Solo, but the actor lacks Harrison Ford’s nuance, whilst Hatch makes a bland hero. There is a strong guest cast assembled, including Ayres, Milland, Hyde-White, Begley, Jr. and Seymour, which is underused. Costumes and set design are typical of genre TV of the period and there is even a disco-styled song sung by a unique female trio. The TV pilot version, broadcast in the USA on 17 September 1978 as “Saga of a Star World”, runs 133m. Followed by a TV series 1978-9, two more big-screen features MISSION GALACTICA: THE CYLON ATTACK (1979) and CONQUEST OF THE EARTH (1980) were compiled from TV episodes. Later followed by a re-imagined and far grittier TV series 2003-9.

Film Review – GIVE MY REGRETS TO BROADWAY (TV) (1972)

Give My Regrets to Broadway (TV) (1972; USA; Technicolor; 75m) **½  d. Lou Antonio; w. Peter Allan Fields; ph. Harry L. Wolf; m. Billy Goldenberg.  Cast: Dennis Weaver, J. D. Cannon, Milton Berle, Barbara Rush, Janette Lane Bradbury, Diana Muldaur, Terry Carter, Eric Christmas, Vic Tayback. An explosion kills an officer filling in for McCloud. The plot here is routine in this McCloud series entry and there is plenty of filler with a musical number for Weaver and also Bradbury. Berle has a guest role as a Broadway producer. [PG]

Film Review – SHARKS! (TV) (1975)

Sharks! (TV) (1975; USA; Technicolor; 98m) **½  d. E.W. Swackhamer; w. Lou Shaw, Stephen Lord; ph. Ben Colman; m. Stu Phillips.  Cast: Dennis Weaver, J. D. Cannon, Terry Carter, Christopher George, Lynda Day George, A Martinez, Dick Haymes, Herb Jefferson, Jr., Pat Hingle. McCloud disobeys a lieutenant to investigate a loan shark he suspects of murder. Good use of NYC locations in this McCloud entry. Story runs out of steam in its final act with protracted plane chase, but Weaver’s easy-going charm and a strong cast make the most of the routine situations. [PG]

Film Review – THE 42ND STREET CAVALRY (TV) (1974)

42nd Street Cavalry, The (TV) (1974; USA; Technicolor; 96m) ***  d. Jerry Jameson; w. Michael Gleason; ph. Ben Colman, Sol Negrin; m. Stu Phillips.  Cast: Dennis Weaver, J. D. Cannon, Terry Carter, Julie Sommars, Peter Mark Richman, Rafael Campos, Victor Campos, Michael Parks. The mounted patrol, McCloud and a sergeant probe a weapons robbery and death. Neatly packaged entry in the McCloud series mixing action and humour alongside Weaver’s laconic charm. Transition from location to studio footage sometimes jars, but the cast work hard. Richman played McCloud’s boss, Chief Clifford, in the original pilot before Cannon took the role for the series. [PG]

Film Review – THIS MUST BE THE ALAMO (TV) (1974)

This Must Be the Alamo (TV) (1974; USA; Technicolor; 96m) ***½  d. Bruce Kessler; w. Glen A. Larson; ph. Alric Edens; m. Stu Phillips.  Cast: Dennis Weaver, J. D. Cannon, Terry Carter, Van Johnson, Laraine Stephens, Ray Danton, Eugene Roche, Della Reese, Jack Kelly, Gregory Sierra, Ken Lynch, Teri Garr, Sidney Klute. A football gambling operation begins eliminating witnesses and clues, leading to an attack on police headquarters. One of the best entries in the McCloud series with a witty script and a strong ensemble cast. The formula would be repeated in RETURN TO THE ALAMO the following year. [PG]

Film Review – THE COLORADO CATTLE CAPER (TV) (1974)

Colorado Cattle Caper, The (TV) (1974; USA; Technicolor; 75m) ***  d. Robert Day; w. Michael Gleason; ph. Alric Edens; m. Frank De Vol.  Cast: Dennis Weaver, J. D. Cannon, Terry Carter, Claude Akins, Patrick Wayne, John Denver, Ed Ames, Robert Sampson, Farrah Fawcett, Vic Tayback, Austin Stoker. In Colorado to pick up a suspect, McCloud helps a local sheriff catch cattle rustlers. Enjoyable entry in the McCloud series reverses the concept of the series by having NYC cops Cannon and Carter ship out west. A deft blend of action and humour with a strong support cast including an early role for Fawcett as well as Denver as a singing deputy. [PG]

Film Review – THE NEW MEXICAN CONNECTION (TV) (1972)

New Mexican Connection, The (TV) (1972; USA; Technicolor; 75m) ***  d. Russ Mayberry, Hy Averback; w. Glen A. Larson; ph. William Cronjager; m. John Andrew Tartaglia.  Cast: Dennis Weaver, J. D. Cannon, Ricky Nelson, Gilbert Roland, Jackie Cooper, Murray Hamilton, Diana Muldaur, Terry Carter, Ray Danton, Ken Lynch, Sharon Gless. A TV reporter decrying police brutality criticizes McCloud’s reaction to kidnapping threats. Entertaining entry in the McCloud series with Weaver making maximum use of some good dialogue. The plot is perfunctory, but the character interaction and a strong guest cast take this up a notch. [PG]

Film Review – SHOWDOWN AT THE END OF THE WORLD (TV) (1973)

Showdown at the End of the World (TV) (1973; USA; Technicolor; 74m) ***  d. Lou Antonio; w. Robert Hamner; ph. William Cronjager; m. Lee Holdridge.  Cast: Dennis Weaver, J. D. Cannon, Bradford Dillman, Lee J. Cobb, Eddie Egan, Jaclyn Smith, Terry Carter. McCloud falls for model smuggling drugs to find a missing roommate. Strong entry in the McCloud series with an excellent guest cast and good use of NYC locations – including a finale at the disused observatory towers from 1964/5’s World Fare. [PG]

Film Review – LADY ON THE RUN (TV) (1975)

Lady on the Run (TV) (1975; USA; Technicolor; 97m) **½  d. Russ Mayberry; w. Gilbert Edd; ph. Ben Colman, Gilbert Torres; m. Stu Phillips.  Cast: Dennis Weaver, J. D. Cannon, Terry Carter, Mariette Hartley, Clu Gulager, Ken Lynch. A dead woman’s vengeful sister pursues her brother-in-law to Mexico City, but an assassin finds him first. McCloud entry is one long chase and travelogue. A slight (and old) plot of mistaken identity provides an excuse for fugitive pursuit through the city. Filmed on location in Mexico City, with many fine day and night interiors and exteriors centred around the Grand Hotel. [PG]