Film Review – FORCE 10 FROM NAVARONE (1978)

Force 10 from Navarone (1978) - Photo Gallery - IMDbFORCE 10 FROM NAVARONE (1978, UK) **½
Action, Drama, War
dist. Columbia-Warner Distributors (UK), American International Pictures (AIP) (USA); pr co. Columbia Pictures Corporation  / Navarone Productions; d. Guy Hamilton; w. Robin Chapman, Carl Foreman (based on the novel by Alistair MacLean); exec pr. Carl Foreman; pr. Oliver A. Unger; ass pr. David W. Orton; ph. Christopher Challis (Technicolor. 35mm. Panavision (anamorphic). 2.39:1); m. Ron Goodwin; ed. Raymond Poulton; pd. Geoffrey Drake; ad. Fred Carter; cos. Emma Porteous; m/up. Peter Robb-King, Colin Jamison; sd. Dino Di Campo, Derek Holding, William Trent (4-Track Stereo); sfx. René Albouze, Giuseppe Carozza, Peter Hutchinson; vfx. Geoffrey Drake; st. Eddie Stacey; rel. 16 August 1978 (Spain), 7 December 1978 (UK), 8 December 1978 (USA); cert: PG/15; r/t. 118m.

cast: Robert Shaw (Mallory), Harrison Ford (Barnsby), Barbara Bach (Maritza), Edward Fox (Miller), Franco Nero (Lescovar), Carl Weathers (Weaver), Richard Kiel (Drazak), Alan Badel (Petrovitch), Michael Byrne (Schroeder), Philip Latham (Jensen), Angus MacInnes (Reynolds), Michael Sheard (Sgt. Bauer), Petar Buntic (Marko), Leslie Schofield (Interrogation Officer 1), Anthony Langdon (Interrogation Officer 2), Richard Hampton (Interrogation Officer 3), Paul Humpoletz (Sgt. Bismark), Dicken Ashworth (Nolan), Christopher Malcolm (Rogers), Nick Ellsworth (Salvone).

This is an at times lacklustre sequel to the 1961 hit THE GUNS OF NAVARONE. Here Shaw and Fox, taking on the roles vacated by Gregory Peck and David Niven, are assigned to assassinate a German spy who has infiltrated a resistance unit in Yugoslavia. They are unwanted passengers on Ford’s mission to blow up a bridge as the two missions become entwined. Much of the fun of this film is in the banter between Shaw and Fox and their interactions with Ford’s crack squad. The plot is a little stale and recalls earlier better films – not least the film on which this sequel is based. Hamilton’s direction feels workmanlike and unimaginative and his early use of stock footage jars – some of it is even in black and white. The acting is mixed, with Shaw, Ford and Fox the standouts, whilst Bach is awfully miscast. Kiel does well in his rebel leader role as does Weathers as an escaped prisoner who gets involved with the mission. Nero’s performance as the potential spy lacks depth. The production uses the location scenery to good advantage, but there is a lack of the bigger picture of a war taking place – it all feels too naturally beautiful and unspoiled. the result is an adequate, but ultimately disappointing sequel that is only of interest to fans of the original and the lead actors. It was originally intended the film be made in 1967, but it was reportedly deemed that Peck and Niven were too old to reprise their roles as Mallory and Miller. Alistair MacLean adapted his original screenplay into the novel he published in 1968. Some of Robert Shaw’s lines were dubbed, as the actor died before post-production had finished. This was the last film Shaw completed. He would die during the making of AVALANCHE EXPRESS (1979). The restored/extended version runs 126m.

Film Review – THE DEEP (1977)

THE DEEP (1977, USA) ***
Adventure, Mystery, Thriller
dist. Columbia Pictures (USA), Columbia-Warner Distributors (UK); pr co. Columbia Pictures / EMI Films / Casablanca Filmworks; d. Peter Yates; w. Peter Benchley, Tracy Keenan Wynn (based on the novel by Peter Benchley); pr. Peter Guber; ass pr. George Justin; ph. Christopher Challis; underwater ph. Al Giddings, Stan Waterman (Metrocolor. 35mm. Panavision (anamorphic). 2.39:1); m. John Barry; s. “Down Deep Inside” m/l. John Barry, Donna Summer (performed by Donna Summer); ed. David Berlatsky; pd. Anthony Masters; ad. Jack Maxsted; set d. Vernon Dixon; cos. Ron Talsky; m/up. Edouard F. Henriques, Pat McDermott; sd. Robin Gregory (4-Track Stereo | Mono); sfx. Ira Anderson Jr.; st. Howard Curtis, Bob Minor, Jimmy Nickerson, Richard Washington; rel. 17 June 1977 (USA), 23 September 1977 (UK); cert: PG; r/t. 123m.

cast: Jacqueline Bisset (Gail Berke), Nick Nolte (David Sanders), Dick Anthony Williams (Slake), Robert Shaw (Romer Treece), Earl Maynard (Ronald), Bob Minor (Wiley), Louis Gossett Jr. (Henri Cloche), Eli Wallach (Adam Coffin), Teddy Tucker (The Harbor Master), Robert Tessier (Kevin), Lee McClain (Johnson).

Nolte and Bisset are a vacationing couple who are exploring shipwrecks for treasure off the coast of Bermuda. When they find an uncharted wreck of a WWII ship containing thousands of vials of morphine they enlist the help of local salvage expert Shaw then run into trouble with local gangster Gossett. Riding on the coat-tails of JAWS (1975), this underwater adventure lacks the sustained thrills and tight editing of its inspiration but is not without its moments of excitement. The positives include the sumptuous location and underwater photography and Barry’s lush score. Shaw is also at his abrasive best, whilst Nolte and Bisset look good for the camera. Wallach is on hand too, playing a war veteran looking to fill his own pockets. The stunt work is excellent and the sporadic action scenes are well shot. The version aired in the original ABC network telecast contained 53m of extra footage. Nominated for an Oscar for Best Sound.

Film Review – JAWS (1975)

Image result for jaws 1975JAWS (USA, 1975) *****
PRODUCTION: Distributor: Universal Pictures (USA), Cinema International Corporation (CIC) (UK); Production Company: Zanuck-Brown Productions / Universal Pictures; Release Date: 20 June 1975 (USA), 25 December 1975 (UK); Filming Dates: 2 May 1974 – 18 September 1974 and October 1974 – December 1974; Running Time: 124m; Colour: Technicolor; Sound Mix: Mono (Westrex Recording System) | Dolby (Dolby Digital Surround 5.1) | Dolby Surround 7.1 (Blu-ray release); Film Format: 35mm; Film Process: Panavision (anamorphic); Aspect Ratio: 2.35:1; BBFC Cert: 12.
CREW: Director: Steven Spielberg; Writer: Peter Benchley, Carl Gottlieb (based on the novel by Peter Benchley); Producer: David Brown, Richard D. Zanuck; Director of Photography: Bill Butler; Music Composer: John Williams; Film Editor: Verna Fields; Casting Director: Shari Rhodes; Production Designer: Joe Alves; Set Decorator: John M. Dwyer; Costumes: Louise Clark, Robert Ellsworth, Irwin Rose; Make-up: Del Armstrong, John Chambers, Jim Gillespie; Sound: John R. Carter, Robert L. Hoyt; Special Effects: Robert A. Mattey.
CAST: Roy Scheider (Brody), Robert Shaw (Quint), Richard Dreyfuss (Hooper), Lorraine Gary (Ellen Brody), Murray Hamilton (Vaughn), Carl Gottlieb (Meadows), Jeffrey Kramer (Hendricks), Susan Backlinie (Chrissie), Jonathan Filley (Cassidy), Ted Grossman (Estuary Victim), Chris Rebello (Michael Brody), Jay Mello (Sean Brody), Lee Fierro (Mrs. Kintner), Jeffrey Voorhees (Alex Kintner), Craig Kingsbury (Ben Gardner), Robert Nevin (Medical Examiner), Peter Benchley (Interviewer).
SYNOPSIS: When a gigantic great white shark begins to menace the small island community of Amity, a police chief, a marine scientist and grizzled fisherman set out to stop it.
COMMENT: Brilliantly filmed and edited with not a minute of screen time wasted. It was credited as the movie that created the summer blockbuster, but this remains an everyman movie full of thrills. Spielberg’s inventive framing and decision to leave the shark largely unseen until the final act demonstrate his astute approach to genre direction. Great performance from Shaw, Scheider and Dreyfuss and memorable music score from Williams helps to heighten the tension. The movie remains today a textbook example on how to shoot a thriller and maximise character empathy through great direction to actors.
NOTES: Won three Oscars – for Editing, Music and Sound. Extended version runs to 130m. Followed by three sequels beginning with JAWS 2 (1978).

Film Review – THE DEEP (1977)

Image result for the deep 1977 movie posterDeep, The (1977; USA; Metrocolor; 123m) ***  d. Peter Yates; w. Peter Benchley, Tracy Keenan Wynn; ph. Christopher Challis; m. John Barry.  Cast: Robert Shaw, Jacqueline Bisset, Nick Nolte, Louis Gossett Jr., Eli Wallach, Dick Anthony Williams, Bob Minor, Robert Tessier, Earl Maynard, Teddy Tucker, Lee McClain, Peter Benchley, Peter Wallach, Colin Shaw. A pair of young vacationers are involved in a dangerous conflict with treasure hunters when they discover a way into a deadly wreck in Bermuda waters. Riding on the coat-tails of JAWS, this underwater adventure lacks the thrills and tight editing of its inspiration. The positives are the sumptuous photography, shot on location in Bermuda, and Barry’s lush score. Shaw is also at his abrasive best, whilst Nolte and Bisset look good for the camera. The version aired in the original ABC network telecast contained 53m of extra footage. Based on the novel by Peter Benchley. [PG]

Film Review – THE STING (1973)

Image result for the sting 1973Sting, The (1973; USA; Technicolor; 129m) ****½  d. George Roy Hill; w. David S. Ward; ph. Robert Surtees; m. Marvin Hamlisch (adaptor), Scott Joplin.  Cast: Paul Newman, Robert Redford, Robert Shaw, Robert Earl Jones, Charles Durning, Ray Walston, Eileen Brennan, Harold Gould, Dana Elcar, Jack Kehoe, John Heffernan, Dimitra Arliss, James Sloyan, Charles Dierkop, Sally Kirkland. In 1930s Chicago, a young con man seeking revenge for his murdered partner teams up with a master of the big con to win a fortune from a criminal banker. Newman and redford along with director Hill repeat the success of their teaming on BUTCH CASSIDY AND THE SUNDANCE KID with this caper. Great period design and a memorable score add to the charm and humour provided by a splendid cast. Won seven Oscars including Best Picture; Director; Screenplay; Art Direction (Henry Bumstead, James W. Payne); Costume Design (Edith Head); Editing and Music Adaptation. Followed by THE STING II (1983). [PG]