CANNON: HE WHO DIGS A GRAVE (TV) (1973, USA) ***
Action, Crime, Mystery
dist. Columbia Broadcasting System (CBS); pr co. Quinn Martin Productions (QM); d. Richard Donner; w. Stephen Kandel (based on the novel “He Who Digs a Grave” by David Delman); exec pr. Quinn Martin; pr. Adrian Samish; ph. Jack Swain (Colour. 35mm. Spherical. 1.33:1); th m. John Carl Parker; m sup. John Elizalde; ed. Ray Daniels, Jerry Young; ad. Bill Kenney; set d. Frank Lombardo; rel. 12 September 1973 (USA); cert: PG; r/t. 100m.
cast: William Conrad (Frank Cannon), Anne Baxter (Mayor Helen Blyth), Barry Sullivan (Sheriff Jesse Luke), David Janssen (Ian Kirk), Murray Hamilton (Arthur Gibson), Tim O’Connor (Martin Ross), Louise Troy (Louise Gibson), Lee Purcell (Marion Luke), Martine Bartlett (Hanna Freel), Royal Dano (Doctor), Robert Hogan (Deputy Coleman), R.G. Armstrong (Banner), Dabbs Greer (Windom Salter), Jerry Ayres (Deputy Reber), Lenore Kasdorf (Sherry Benson), Cathy Lee Crosby (Irene Kirk), Dennis Rucker (Wade Gibson), Virginia Gregg (Dr. Emma Savonka), Bill Quinn (Ben Salter).
Cannon (Conrad) travels to the quiet, remote town of Mercer, California to help his friend Ian Kirk (Janssen, in a rare late career guest slot) who is suspected of murdering his rich wife (Crosby) and her paramour Wade Gibson (Rucker). As Cannon tries to prove his friend’s innocence, he gets help from the mayor (Baxter) but is stymied in his efforts by the sheriff (Sullivan)’s office. Several other viable suspects present themselves, people who had reason to hate Wade, including his stepfather (Hamilton) and the sheriff’s daughter (Purcell). This feature-length opener to season three of the popular TV series is a more complex mystery than the standard TV fare, reflecting its literary roots (it was based on a novel by David Delman). There is a great role for Baxter as the small town’s mayor who seems to be the only one in turn willing to give Conrad a fair crack of the whip. The action scenes are well-mounted, and Donner works the script well, but the camera work is largely unimaginative, lacking the hand-held realism of the pilot film. Nevertheless, the strong cast and script make this an enjoyable episode. Shot on location in Grass Valley, northern California.
CANNON (TV) (1971, USA) ***
Action, Crime, Mystery, Drama
dist. Columbia Broadcasting System (CBS); pr co. Quinn Martin Productions / Columbia Broadcasting System (CBS); d. George McCowan; w. Edward Hume; exec pr. Quinn Martin; pr. Arthur Fellows, Adrian Samish; ass pr. Howard P. Alston; ph. John A. Alonzo (Colour. 35mm. Spherical. 1.33:1); m. John Carl Parker; ed. Jerry Young; ad. Philip Barber; set d. Ray Molyneaux; cos. Dorothy H. Rodgers, Eric Seelig; m/up. Richard Cobos, Gloria Montemayor; sd. Robert J. Miller (Mono (Westrex Recording System)); rel. 26 March 1971 (USA), 21 October 1972 (UK); cert: PG; r/t. 98m.
cast: William Conrad (Frank Cannon), J.D. Cannon (Lt. Kelly Redfield), Lynda Day George (Christie Redfield), Murray Hamilton (Virgil Holley), Earl Holliman (Magruder), Vera Miles (Diana Langston), Barry Sullivan (Calhoun), Keenan Wynn (Eddie), Lynne Marta (Trudy Hewett), Norman Alden (Mitchell), Ellen Corby (Teacher), John Fiedler (Jake), Lawrence Pressman (Herb Mayer), Ross Hagen (Red Dunleavy), Robert Sorrells (Tough in Blue Moon bar), Pamela Dunlap (Laverne Holley), Jimmy Lydon (Betting Clerk), William Joyce (Ken Langston), Wayne McLaren (Jackie / T.J.).
William Conrad stars as portly private detective Frank Cannon who investigates the murder of his ex-girlfriend (Miles)’s husband and gets entangled in small-town corruption. This is the pilot for the long-running series, which ran for five seasons from 1972-76. The story may be a standard mystery, but Conrad’s colourful performance and a strong guest cast make it an enjoyable movie. McCowan directs with some flair and adds a gritty realism through his frequent use of hand-held camera. A reunion movie THE RETURN OF FRANK CANNON (1980) appeared later.
JAWS (USA, 1975) *****
PRODUCTION: Distributor: Universal Pictures (USA), Cinema International Corporation (CIC) (UK); Production Company: Zanuck-Brown Productions / Universal Pictures; Release Date: 20 June 1975 (USA), 25 December 1975 (UK); Filming Dates: 2 May 1974 – 18 September 1974 and October 1974 – December 1974; Running Time: 124m; Colour: Technicolor; Sound Mix: Mono (Westrex Recording System) | Dolby (Dolby Digital Surround 5.1) | Dolby Surround 7.1 (Blu-ray release); Film Format: 35mm; Film Process: Panavision (anamorphic); Aspect Ratio: 2.35:1; BBFC Cert: 12.
CREW: Director: Steven Spielberg; Writer: Peter Benchley, Carl Gottlieb (based on the novel by Peter Benchley); Producer: David Brown, Richard D. Zanuck; Director of Photography: Bill Butler; Music Composer: John Williams; Film Editor: Verna Fields; Casting Director: Shari Rhodes; Production Designer: Joe Alves; Set Decorator: John M. Dwyer; Costumes: Louise Clark, Robert Ellsworth, Irwin Rose; Make-up: Del Armstrong, John Chambers, Jim Gillespie; Sound: John R. Carter, Robert L. Hoyt; Special Effects: Robert A. Mattey.
CAST: Roy Scheider (Brody), Robert Shaw (Quint), Richard Dreyfuss (Hooper), Lorraine Gary (Ellen Brody), Murray Hamilton (Vaughn), Carl Gottlieb (Meadows), Jeffrey Kramer (Hendricks), Susan Backlinie (Chrissie), Jonathan Filley (Cassidy), Ted Grossman (Estuary Victim), Chris Rebello (Michael Brody), Jay Mello (Sean Brody), Lee Fierro (Mrs. Kintner), Jeffrey Voorhees (Alex Kintner), Craig Kingsbury (Ben Gardner), Robert Nevin (Medical Examiner), Peter Benchley (Interviewer).
SYNOPSIS: When a gigantic great white shark begins to menace the small island community of Amity, a police chief, a marine scientist and grizzled fisherman set out to stop it.
COMMENT: Brilliantly filmed and edited with not a minute of screen time wasted. It was credited as the movie that created the summer blockbuster, but this remains an everyman movie full of thrills. Spielberg’s inventive framing and decision to leave the shark largely unseen until the final act demonstrate his astute approach to genre direction. Great performance from Shaw, Scheider and Dreyfuss and memorable music score from Williams helps to heighten the tension. The movie remains today a textbook example on how to shoot a thriller and maximise character empathy through great direction to actors.
NOTES: Won three Oscars – for Editing, Music and Sound. Extended version runs to 130m. Followed by three sequels beginning with JAWS 2 (1978).
THE DROWNING POOL (USA, 1975) ***½
Distributor: Warner Bros. Pictures; Production Company: First Artists / Coleytown / Turman-Foster Company / David Foster Productions; Release Date: 25 June 1975 (USA), 14 September 1975 (UK); Filming Dates: began 16 October 1974; Running Time: 108m; Colour: Technicolor; Sound Mix: Mono; Film Format: 35mm; Film Process: Panavision (anamorphic); Aspect Ratio: 2.39:1; BBFC Cert: 12.
Director: Stuart Rosenberg; Writer: Tracy Keenan Wynn, Lorenzo Semple Jr., Walter Hill (based on the novel by Ross Macdonald); Producer: David Foster, Lawrence Turman; Associate Producer: Hawk Koch; Director of Photography: Gordon Willis; Music Composer: Michael Small; Film Editor: John C. Howard; Casting Director: Alan Shayne; Production Designer: Paul Sylbert; Art Director: Edwin O’Donovan; Costumes: Richard Bruno, Donald Brooks; Make-up: Monty Westmore; Sound: Larry Jost; Special Effects: Chuck Gaspar, Henry Millar.
Cast: Paul Newman (Lew Harper), Joanne Woodward (Iris Devereaux), Anthony Franciosa (Broussard), Murray Hamilton (J.J. Kilbourne), Gail Strickland (Mavis Kilbourne), Melanie Griffith (Schuyler Devreaux), Linda Haynes (Gretchen), Richard Jaeckel (Franks), Paul Koslo (Candy), Joe Canutt (Glo), Andrew Robinson (Pat Reavis), Coral Browne (Olivia Devereaux), Richard Derr (James Devereaux), Helena Kallianiotes (Elaine Reavis), Leigh French (Red Head), Peter Dassinger (Peter), James Fontenot (Bartender), Tommy McLain (Nightclub Band), Martin Ahrens (Cajun Heavy #1), Philippe Blenet (Cajun Heavy #2), Jerome Greene (Butler), Cecil Elliott (Motel Switchboard Operator).
Synopsis: Sequel to HARPER (1966), in which the big-city private detective travels to the Deep South to help out an old girlfriend who is being blackmailed.
Comment: Newman returns to the role that fit him like a glove nine years earlier. This new case has more depth to the plot and also benefits from a strong supporting cast – with Hamilton’s sleazy oil magnate the most notable. A young Griffith takes on the role of rich couple’s spoilt daughter. The overall set-up may be familiar to noir fans and certainly to fans of Macdonald’s novel – despite the switch of setting – so it packs few surprises. Rosenberg’s direction is a little flat at times, but overall this is an enjoyable mystery.
Notes: During post-production, director Stuart Rosenberg hired Composer Charles Fox to do additional scoring, integrating the composer’s melody “Killing Me Softly With His Song”, into the movie.
New Mexican Connection, The (TV) (1972; USA; Technicolor; 75m) *** d. Russ Mayberry, Hy Averback; w. Glen A. Larson; ph. William Cronjager; m. John Andrew Tartaglia. Cast: Dennis Weaver, J. D. Cannon, Ricky Nelson, Gilbert Roland, Jackie Cooper, Murray Hamilton, Diana Muldaur, Terry Carter, Ray Danton, Ken Lynch, Sharon Gless. A TV reporter decrying police brutality criticizes McCloud’s reaction to kidnapping threats. Entertaining entry in the McCloud series with Weaver making maximum use of some good dialogue. The plot is perfunctory, but the character interaction and a strong guest cast take this up a notch. [PG]