Film Review – THE DEEP (1977)

THE DEEP (1977, USA) ***
Adventure, Mystery, Thriller
dist. Columbia Pictures (USA), Columbia-Warner Distributors (UK); pr co. Columbia Pictures / EMI Films / Casablanca Filmworks; d. Peter Yates; w. Peter Benchley, Tracy Keenan Wynn (based on the novel by Peter Benchley); pr. Peter Guber; ass pr. George Justin; ph. Christopher Challis; underwater ph. Al Giddings, Stan Waterman (Metrocolor. 35mm. Panavision (anamorphic). 2.39:1); m. John Barry; s. “Down Deep Inside” m/l. John Barry, Donna Summer (performed by Donna Summer); ed. David Berlatsky; pd. Anthony Masters; ad. Jack Maxsted; set d. Vernon Dixon; cos. Ron Talsky; m/up. Edouard F. Henriques, Pat McDermott; sd. Robin Gregory (4-Track Stereo | Mono); sfx. Ira Anderson Jr.; st. Howard Curtis, Bob Minor, Jimmy Nickerson, Richard Washington; rel. 17 June 1977 (USA), 23 September 1977 (UK); cert: PG; r/t. 123m.

cast: Jacqueline Bisset (Gail Berke), Nick Nolte (David Sanders), Dick Anthony Williams (Slake), Robert Shaw (Romer Treece), Earl Maynard (Ronald), Bob Minor (Wiley), Louis Gossett Jr. (Henri Cloche), Eli Wallach (Adam Coffin), Teddy Tucker (The Harbor Master), Robert Tessier (Kevin), Lee McClain (Johnson).

Nolte and Bisset are a vacationing couple who are exploring shipwrecks for treasure off the coast of Bermuda. When they find an uncharted wreck of a WWII ship containing thousands of vials of morphine they enlist the help of local salvage expert Shaw then run into trouble with local gangster Gossett. Riding on the coat-tails of JAWS (1975), this underwater adventure lacks the sustained thrills and tight editing of its inspiration but is not without its moments of excitement. The positives include the sumptuous location and underwater photography and Barry’s lush score. Shaw is also at his abrasive best, whilst Nolte and Bisset look good for the camera. Wallach is on hand too, playing a war veteran looking to fill his own pockets. The stunt work is excellent and the sporadic action scenes are well shot. The version aired in the original ABC network telecast contained 53m of extra footage. Nominated for an Oscar for Best Sound.

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