TV Review – CRACKER (2006)

Image result for cracker a new terrorCRACKER (TV) (UK, 2006) ***½
      Distributor: Granada Television; Production Company: Granada Television / ITV Productions; Release Date: 1 October 2006; Running Time: 109m; Colour: Colour; Sound Mix: Dolby Stereo; Film Format: Super 16; Aspect Ratio: 1.78:1; BBFC Cert: 15.
      Director: Antonia Bird; Writer: Jimmy McGovern; Executive Producer: Andy Harries; Producer: John Chapman; Director of Photography: Florian Hoffmeister; Music Composer: Gillian Gilbert, Stephen Morris, Conboy Corker; Film Editor: Chris Barwell; Casting Director: Andy Pryor; Production Designer: Tom Bowyer; Art Director: Anna Pritchard; Costume Designer: Rhona Russell; Make-up: Jessica Taylor; Sound: Dennis Cartwright.
      Cast: Robbie Coltrane (Fitz), Barbara Flynn (Judith Fitzgerald), Anthony Flanagan (Kenny Archer), Nisha Nayar (DS Saffron Saleh), Richard Coyle (DI Walters), Rafe Spall (DS McAllister), Kieran O’Brien (Mark Fitzgerald), Andrea Lowe (Elaine Archer), Stefanie Wilmore (Katy Fitzgerald), Lisa Eichhorn (Jean Molloy), Demetri Goritsas (Harry Peters), Sara Roache (Chief Super), Matt Rippy (Molloy – American Comedian), Leo Gregory (Wallet Thief), Rosina Carbone (Maria Fitzgerald).
      Synopsis: Fitz returns to Manchester for his daughter’s wedding, but is soon involved in another murder investigation when an American comedian is killed, apparently without motive.
      Comment: Ten years after the last special (CRACKER: WHITE GHOST) was broadcast, Cracker returned along with its creator and chief writer, Jimmy McGovern. The result is an absorbing and heavily political portrait of a former soldier struggling to come to terms with PTSD. Faced with self-loathing and a hatred for Americans due to their perceived support of the IRA and their response to Nine-Eleven. There are echoes of McGovern’s masterpiece TO BE A SOMEBODY in this story’s portrayal of the soldier’s descent into murder in order to extract his own form of justice. Coltrane slips easily back into his role of psychologist Fitz, called in by the police to help track down the murderer. Flanagan is also excellent as the damaged soldier. Where this story falls short in comparison to the series is in its portrait of the detectives – who here are two-dimensional in characterisation and lacking in the dark humour of their earlier counterparts. On the whole, though, this is a satisfying conclusion to the series and significantly better than the last couple of stories – although the finale, which again resorts to genre convention, lacks the finesse seen across the rest of the story.

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