Film Review – GUNSMOKE: RETURN TO DODGE (TV) (1987)

Download Gunsmoke, Return to Dodge (Western 1987) James Arness 720p Torrent | 1337xGUNSMOKE: RETURN TO DODGE (TV) (1987, USA) ***
Western
dist. Columbia Broadcasting System (CBS); pr co. CBS Entertainment Production; d. Vincent McEveety; w. Jim Byrnes; pr. John Mantley, Stanley Hough; ph. Charles Correll (Colour. 35mm. Spherical. 1.33:1); m. Jerrold Immel; m sup. Robert Drasnin; ed. Ray Daniels; pd. Albert Heschong; set d. Bruce Sinski; cos. Frances Harrison Hays; m/up. Al Magallon, Iloe Flewelling, Byrd Holland; sd. G. Michael Graham (Mono); st. Billy Burton, Brent Woolsey; rel. 26 September 1987 (USA); cert: 15; r/t. 100m.

cast: James Arness (Matt Dillon), Amanda Blake (Kitty), Buck Taylor (Newly), Fran Ryan (Hannah), Earl Holliman (Jake Flagg), Ken Olandt (Lt. Dexter), William Morgan Sheppard (Digger McCloud), Patrice Martinez (Bright Water), Tantoo Cardinal (Little Doe), Steve Forrest (Will Mannon), Mickey Jones (Oakum), Frank Totino (Logan), Robert Koons (Warden Amos Brown), Walter Kaasa (Judge Collins), Georgie Collins (Mrs. Collins), Tony Epper (Farnum McCloud), Louie Elias (Bubba), Ken Kirzinger (Potts), Denny Arnold (Clyman), Alex Green (The Flogger).

Will Mannon (Forrest) is released from a frontier prison and promptly goes in search of the people who put him there some 12 years ago — Matt Dillon (Arness) and Kitty Russell (Blake). This TV movie plays heavily on nostalgia with a few references to episodes from the latter stages of the series’ original twenty year run. This is a sequel to the episode “Mannon”, which aired in January 1969. Forrest picks up where he left off from that show as the villain sworn on revenge and who has no redeeming characteristics. He shares screen time with a secondary plot line involving Holliman, who escapes prison in an attempt to warn Arness, but become embroiled with former gang members looking to chase him down for the bounty. Arness gives a mean and gritty performance and is briefly reunited with Blake, who slips easily back into her role as Kitty. The finale is an inevitable showdown on the streets of Dodge City which harks back to the early days of the show. Filmed not in the wilds of Kansas but in the picturesque Alberta, Canada. Followed by GUNSMOKE: THE LAST APACHE (1990).

TV Review – THE VIRGINIAN: BELOVED OUTLAW (1966)

Sara Lane in “Beloved Outlaw” (5:11) – The Virginian WeblogTHE VIRGINIAN: BELOVED OUTLAW (1966, USA) ***
Western
net. National Broadcasting Company (NBC); pr co. Universal Television; d. William Witney; w. True Boardman; exec pr. Frank Price; pr. Winston Miller; ph. Enzo A. Martinelli (Technicolor. 35mm. Spherical. 1.33:1); m. Jack Hayes, Leo Shuken; m sup. Stanley Wilson; th. Percy Faith; ed. Edward A. Biery; ad. George Patrick; set d. Claire P. Brown, John McCarthy Jr.; cos. Vincent Dee; m/up. Bud Westmore, Larry Germain; sd. Bill Ford (Mono); tr. 23 November 1966; r/t. 75m.

cast: James Drury (The Virginian), Charles Bickford (John Grainger), Doug McClure (Trampas), Don Quine (Stacey Grainger), Sara Lane (Elizabeth Grainger), John Bryant (Dr. Spaulding), James McCallion (Hostler), Bing Russell (Gabe Sloan), John Archer (Paul Nelson), James Beck (Peters), Don Wilbanks (Jenkins), John Harmon (Auctioneer).

(s. 5 ep. 11) A wild white stallion draws the attention of Elizabeth (Lane) who convinces her grandfather (Bickford) to buy it. Against his wishes, she tames and breaks the stallion when Trampas (McClure) is unable to. Her and the stallion become inseparable, but a problem occurs. The standard story of girl falls in love with wild horse and only she can tame him. All the stock story development is used in this tale, but it is done without becoming cloyingly sentimental and Lane delivers a genuinely charming and engaging performance.

TV Review – GUNSMOKE: P.S. MURRY CHRISTMAS (1971)

Gunsmoke: P.S. Murry Christmas - 1971 - Miss Kitty and Marshall Dillon  (With images) | Miss kitty, Gunsmoke, James arnessGUNSMOKE: P.S. MURRY CHRISTMAS (1971, USA) ***
Western
net. CBS Television Network; pr co. CBS Television Network; d. Herb Wallerstein; w. William Kelley; exec pr. John Mantley; pr. Leonard Katzman; ass pr. Ron Honthaner; ph. Monroe P. Askins (Colour. 35mm. Spherical. 1.33:1); m. Richard Shores; th. Rex Koury (uncredited); ed. Thomas J. McCarthy; ad. William Craig Smith; set d. Herman N. Schoenbrun; cos. Alexander Velcoff; m/up. Glen Alden, Irving Pringle, Esperanza Corona, Gertrude Wheeler; sd. Andrew Gilmore, Jerry Rosenthal (Mono); tr. 27 December 1971; r/t. 50m.

cast: James Arness (Matt Dillon), Milburn Stone (Doc), Amanda Blake (Kitty), Ken Curtis (Festus), Buck Taylor (Newly), Jeanette Nolan (Emma Grundy), Patti Cohoon-Friedman (Mary (as Patti Cohoon)), Jodie Foster (Patricia), Erin Moran (Jenny), Josh Albee (Michael), Brian Morrison (Owen), Willie Aames (Tom), Todd Lookinland (Jake), Jack Elam (Titus Spangler), Glenn Strange (Sam Noonan), Jack Collins (J. Stedman Edgecomb), Ted Jordan (Nathan Burke), Herb Vigran (Judge Brooker), Sarah Selby (Ma Smalley), Maudie Prickett (Mrs. Pretch), Rudy Doucette (Barfly (uncredited)), Jimmy Noel (Barfly (uncredited)), Max Wagner (Barfly (uncredited)).

(s. 17 ep. 15) Handyman Titus Spangler (Elam) rescues seven orphans from an overly stern headmistress, Emma Grundy (Nolan), and winds up in Dodge City at Christmas time. This seasonal episode has all the warmth needed to deliver its typically moralistic story. It is helped by a strong guest cast including Elam as the good-hearted rogue and Nolan as the hard and embittered headmistress of the orphanage. Redemption is the keyword here and rest assured all ends happily ever after on Christmas Day in The Long Branch saloon. The peck on the cheek that Kitty gives to Matt in this episode is as close as the two came to an on- air kiss in the twenty years of Gunsmoke on television.

TV Review – GUNSMOKE: CHATO (1970)

GUNSMOKE: CHATO (1970, USA) ****½
Western
net. CBS Television Network; pr co. CBS Television Network; d. Vincent McEveety; w. Paul F. Edwards; exec pr. John Mantley; pr. Joseph Dackow; ph. Monroe P. Askins (Colour. 35mm. Spherical. 1.33:1); m. John Carl Parker; th. Rex Koury (uncredited); ed. Gerard Wilson; ad. Joseph R. Jennings; set d. Herman N. Schoenbrun; cos. Alexander Velcoff; m/up. Glen Alden, Irving Pringle, Cherie Banks; sd. Andrew Gilmore, Jerry Rosenthal (Mono); tr. 14 September 1970; r/t. 50m.

cast: James Arness (Matt Dillon), Ricardo Montalban (Chato), Miriam Colon (Mora), Peggy McCay (Beth Cooter), William Bryant (Marshal Dan Cooter), Rodolfo Hoyos Jr. (Juanito), Robert Knapp (Surgeon), Pedro Regas (Old Man), Jim Sheppard (Deputy Case).

(s. 16 ep. 1) Chato (Montalban) is a mixed-race Native American with a serious grudge against lawmen. He also has a remarkable athletic ability: he can run and jump over mountain ledges while keeping up a steady fire with his rifle. After an exciting duel, he kills a friend of Matt Dillon’s who was tracking him. Matt (Arness) comes to New Mexico and engages him in a duel of wits with Chato to catch him. Chato’s one soft spot is his common-law wife (Colon). She is shot and severely injured by a group of renegade tribesmen who were also gunning for Chato. Chato calls a truce with Matt so the group can escape and get her to a doctor – but it’s only a truce. Arness declared this episode his favourite of the 635 he starred in. It is easy to see why. This is an intelligent and tense story with fully formed characters and motivations. Montalban is excellent as the proud Indian waging a one-man war against the white man who slaughtered his people. Arness delivers one of his best performances as he hunts down Montalban and then forms a temporary alliance as they both fend off the threat from a renegade tribe. McEveety’s direction is also a great example of how a story can be elevated by the way it is presented. The all-location shoot gives the production the feel of a big-screen feature and Parker’s score perfectly underlines the drama. A real winner of an episode that showcased the series at its best – remarkable considering it was into its sixteenth season. Writer Paul F. Edwards won a Western Writers of America Golden Spur Award for this episode.

TV Review – THE VIRGINIAN: HIGH STAKES (1966)

The Virginian 5x10 High Stakes - ShareTVTHE VIRGINIAN: HIGH STAKES (1966, USA) ***
Western
net. National Broadcasting Company (NBC); pr co. Universal Television; d. Thomas Carr; w. Mark Rodgers, True Boardman (based on a story by Mark Rodgers); exec pr. Frank Price; pr. Winston Miller; ph. Enzo A. Martinelli (Technicolor. 35mm. Spherical. 1.33:1); m sup. Stanley Wilson; th. Percy Faith; ed. John Elias; ad. George Patrick; set d. Claire P. Brown, John McCarthy Jr.; cos. Vincent Dee; m/up. Bud Westmore, Larry Germain; sd. Edwin J. Somers Jr. (Mono); tr. 16 November 1966; r/t. 77m.

cast: James Drury (The Virginian), Jack Lord (Roy Dallman), Michael Ansara (Paul Dallman), Terry Moore (Alma Wilson), Dirk Rambo (Wesley Hedges), Harry Hickox (Charley Kane), Mark Tapscott (Sheriff Adams), William Fawcett (Hostler), Jon Locke (Red Rennick), Walter Reed (Caleb), Robert Carson (Elias Duke), William Vaughn (Ben).

(s. 5 ep. 10) When a friend (Rambo) of The Virginian (Drury) is killed and the posse won’t follow the killer out of the county, The Virginian goes alone. He tracks the killer (Lord) and a woman (Moore) involved to a remote outlaw controlled town but can he get them back to the law? The slow-paced episode is notable for the appearances of Lord and Ansara as outlaw brothers. Unfortunately, the script does not make the most of their talent and the set-up and denouement are disappointing. Drury is at his laconic best and Moore gives a sympathetic performance as escaped prisoner Ansara’s ex-wife.

TV REVIEW – ALIAS SMITH & JONES: THE LEGACY OF CHARLIE O’ROURKE (1971)

Alias Smith & Jones Legacy Of Charlie O' Rourke Women | Notes From  Pellucidar 2 (SCROLL DOWN)ALIAS SMITH & JONES: THE LEGACY OF CHARLIE O’ROURKE (1971, USA) ***
Western
net. American Broadcasting Company (ABC); pr co. Universal/Public Arts Production; d. Jeffrey Hayden; w. Dick Nelson (based on a story by Robert Guy Barrows); exec pr. Roy Huggins; pr. Glen A. Larson; ass pr. Steve Heilpern, Jo Swerling Jr.; ph. Gene Polito (Technicolor. 35mm. Spherical. 1.33:1); th. Billy Goldenberg; ed. Gloryette Clark; ad. Robert Emmet Smith; set d. Joseph J. Stone; cos. Vincent Dee; sd. Robert R. Bertrand (Mono); tr. 7 June 1971; r/t. 51m.

cast: Pete Duel (Hannibal Heyes (alias Joshua Smith)), Ben Murphy (Jed ‘Kid’ Curry (alias Thaddeus Jones)), Joan Hackett (Alice Banion), J.D. Cannon (Harry Briscoe), Guy Raymond (Sheriff Carver), Billy Green Bush (Charlie O’Rourke), Erik Holland (Kurt Schmitt), Hank Underwood (Vic), Steve Gravers (Parson), Gary Van Ormand (Clyde), Al Bain (Townsman (uncredited)), Roger Davis (Narrator (uncredited)), Ben Frommer (Townsman (uncredited)), Joe Phillips (Townsman (uncredited)), Bill Walker (Townsman (uncredited)).

(s. 1 ep. 15) Charlie O’Rourke (Green Bush), a friend of Heyes and Curry (Duel and Murphy) from their outlaw days, is about to be hanged for a robbery which resulted in several deaths. He recognizes Heyes and Curry from his jail-cell window and offers them a map to the gold bars he stole, wanting that to be his “legacy” to them. The boys decline, but others — including Bannerman detective Harry Briscoe (Cannon) — steal the map and head after the gold. In the interests of staying honest and turning the tables on Briscoe, an old foe who might be a friend, the boys start trailing the gold hunters. This episode feels like it has a little too much padding and crossing and double-crossing for its own good. That said, it is always a delight to see Cannon as the snake-like Bannerman man. Hackett also has a lot of charm in her role. The main problem with this episode is that everything feels a little too contrived and neat despite the enthusiastic performances and good levels of humour.

TV Review – GUNSMOKE: MANNON (1969)

GUNSMOKE: MANNON (1969, USA) ****½
Western
net. CBS Television Network; pr co. CBS Television Network; d. Robert Butler; w. Ron Bishop; exec pr. John Mantley; pr. Joseph Dackow; ph. Monroe P. Askins (Colour. 35mm. Spherical. 1.33:1); m. Jaime Mendoza-Nava; th. Rex Koury; ed. Gerard Wilson; ad. Joseph R. Jennings; set d. Herman N. Schoenbrun; cos. Alexander Velcoff; m/up. Glen Alden, Newton Jones, Gertrude Wheeler; sd. Vernon W. Kramer (Mono); tr. 20 January 1969; r/t. 50m.

cast: James Arness (Matt Dillon), Milburn Stone (Doc), Amanda Blake (Kitty), Ken Curtis (Festus), Steve Forrest (Will Mannon), Buck Taylor (Newly), Glenn Strange (Sam Noonan), James Nusser (Louie Pheeters), Roy Barcroft (Roy), Charles Seel (Barney Danches), Ted Jordan (Nathan Burke), Woody Chambliss (Woody Lathrop), Tom Brown (Ed O’Connor), Charles Wagenheim (Ed Halligan), Howard Culver (Howie Uzzell), Michelle Breeze (Chris), Fred Dale (Townsman), Nick Borgani (Townsman (uncredited)), Stephen Burnette (Townsman (uncredited)), Bert Madrid (Townsman (uncredited)), Jimmy Noel (Townsman (uncredited)).

(s. 14 ep. 17) Will Mannon (Forrest), brutal and sadistic, comes to Dodge City planning to kill Matt Dillon (Arness) and cement his fearsome reputation. He first shoots and wounds Festus (Curtis) outside of Dodge, leaving Festus lying in the dirt and taking his mule Ruth to ride into town. He intimidates Dodge City residents, claiming to hold four aces in a poker game with the other players afraid to see his actual hand. Finally, he assaults Kitty (Blake). Finally, Matt returns to Dodge to confront the brutal Mannon. This is one of the series’ greatest episodes. Well-written with an unusual depth and superbly directed, this has an adult frankness rare in the TV of the day. Forrest delivers one of his very best performances as the Quantrill rider out to maintain his reputation ten years after the end of the Civil War. Blake is excellent here and her scenes with Forrest are TV drama at its best. The final shootout is both surprising and a fitting finale. Arness, Blake, Taylor, and Forrest reprised their roles from this episode 18 years later in the television movie GUNSMOKE: RETURN TO DODGE (1987).

TV Review – THE VIRGINIAN: DEAD-EYE DICK (1966)

The Virginian Episode Review~Deadeye Dick |THE VIRGINIAN: DEAD-EYE DICK (1966, USA) **½
Western
net. National Broadcasting Company (NBC); pr co. Universal Television; d. Ida Lupino; w. Joseph Hoffman; exec pr. Frank Price; pr. Winston Miller; ph. Walter Strenge (Technicolor. 35mm. Spherical. 1.33:1); m. Sidney Fine; m sup. Stanley Wilson; th. Percy Faith; ed. Robert F. Shugrue; ad. George Patrick; set d. Claire P. Brown, John McCarthy Jr.; cos. Vincent Dee; m/up. Bud Westmore, Larry Germain; sd. Frank H. Wilkinson (Mono); tr. 9 November 1966; r/t. 77m.

cast: James Drury (The Virginian), Charles Bickford (John Grainger), Doug McClure (Trampas), Don Quine (Stacey Grainger), Sara Lane (Elizabeth Grainger), Alice Rawlings (Marjorie Hammond), David Macklin (Bob Foley), William Schallert (Harry Foley), Patricia Donahue (Mrs. Livvy Underhill), June Vincent (Mrs. Lucille Hammond), Ross Elliott (Sheriff Mark Abbott), Simon Scott (District Attorney), William Phipps (Hank), Dennis McCarthy (3rd Townsman), Chuck Courtney (Blake), Ollie O’Toole (Bank Teller), Walter Woolf King (Judge Winters), Mike Ragan (Burt (uncredited)), Frank Sully (Danny the Bartender (uncredited)).

(s. 5 ep. 9) A woman (Vincent) visits her sister in Medicine Bow bringing her teenage daughter (Rawlings) who is enamoured with a Dead Eye Dick western novel. She develops a crush on The Virginian (Drury) after he settles her horse aggravating a teenage boy she meets who likes her. A lightweight and totally predictable episode, the kind that made a diversion from the more serious material around it. The big positive is Rawlings, who captures the girl’s naive charm well. Everything else in this tale is moderate and instantly forgettable.

TV Review – GUNSMOKE: THE PRISONER (1969)

Gunsmoke Full Episode Season 14 Episode 25 - The Prisoner. A great episode  where Jon Voight may have gotten his start. He s… | Gunsmoke, Jon voight,  Midnight cowboyGUNSMOKE: THE PRISONER (1969, USA) ***½
Western
net. CBS Television Network; pr co. CBS Television Network; d. Leo Penn; w. Calvin Clements Sr.; exec pr. John Mantley; pr. Joseph Dackow; ph. Monroe P. Askins (Colour. 35mm. Spherical. 1.33:1); m. Leon Klatzkin; th. Rex Koury (uncredited); ed. Donald W. Ernst; ad. Joseph R. Jennings; set d. Herman N. Schoenbrun; cos. Alexander Velcoff; m/up. Glen Alden, Newton Jones, Gertrude Wheeler; sd. Vernon W. Kramer (Mono); tr. 17 March 1969; r/t. 50m.

cast: James Arness (Matt Dillon), Milburn Stone (Doc), Amanda Blake (Kitty), Ken Curtis (Festus), Jon Voight (Steven Downing), Ramon Bieri (Jarvis), Ned Glass (Pink Simmons), Buck Taylor (Newly), Paul Bryar (Sheriff Ryan), Kenneth Tobey (Bob Mathison), James Nusser (Louie Pheeters), Glenn Strange (Sam Noonan), Tom Brown (Ed O’Connor), Ted Jordan (Nathan Burke), David Fresco (Barber), Jan Peters (Cardplayer), Nick Borgani (Townsman (uncredited)), Michelle Breeze (Saloon Girl (uncredited)), Stephen Burnette (Townsman (uncredited)), Noble ‘Kid’ Chissell (Townsman (uncredited)), Fred Dale (Townsman (uncredited)), Duke Fishman (Townsman (uncredited)), Raven Grey Eagle (Townsman (uncredited)), Bert Madrid (Townsman (uncredited)), Fred McDougall (Mathison Henchman (uncredited)), Jimmy Noel (Townsman (uncredited)), Sid Troy (Townsman (uncredited)).

(s. 14 ep. 25) Voight is a prisoner being escorted by a bounty hunter (Bieri) to a town where his chance of receiving a fair trial are slim. When the prisoner saves Kitty from a near-death accident, she intervenes by winning his bounty at poker and then trying to protect the young man until the Marshal (Arness) can return. This is a well scripted and directed episode, which gives Blake centre stage. Her poker game with Bieri is well-staged and builds in tension. An embittered Tobey, the husband of the woman Voight has supposedly murdered, enters the scene in the final act to exact his own form of justice. The strong cast and interesting storyline make this an above-average segment.

TV Review – THE VIRGINIAN: TRAIL TO ASHLEY MOUNTAIN (1966)

The Virginian 05x08 Trail to Ashley Mountain part 1/2 - video dailymotionTHE VIRGINIAN: TRAIL TO ASHLEY MOUNTAIN (1966, USA) ***
Western
net. National Broadcasting Company (NBC); pr co. Universal Television; d. Abner Biberman; w. Sy Salkowitz; exec pr. Frank Price; pr. Cy Chermak; ph. Enzo A. Martinelli (Technicolor. 35mm. Spherical. 1.33:1); m sup. Stanley Wilson; th. Percy Faith; ed. Michael R. McAdam; ad. George Patrick; set d. John McCarthy Jr., James M. Walters Sr.; cos. Vincent Dee; m/up. Bud Westmore, Larry Germain; sd. Frank H. Wilkinson (Mono); tr. 2 November 1966; r/t. 76m.

cast: James Drury (The Virginian), Doug McClure (Trampas), Martin Milner (Case), George Kennedy (Huck Harkness), Gene Evans (Blanchard), Steve Carlson (Willy Parker), Hugh Marlowe (Ed Wells), Judi Meredith (Ruth), Raymond St. Jacques (Allerton), Paul Comi (Jack Harlan), Ross Elliott (Sheriff Abbott), Monica Lewis (Connie Wells), Jackie Coogan (Bodey).

(s. 5 ep. 8) Trampas (McClure) leads a two-man posse to capture the brother-in-law (Carlson) of a friend (Marlowe) in jail who is innocent when the Sheriff (Elliott) is injured. They encounter others who hinder their progress and an unhappy couple. But the big problem is Trampas’ partner. The story’s basic premise is of an outlaw on the run from a posse, where the posse, led by McClure, is made up of individuals each with their own reason for being involved. The tension plays off between these individuals through until the inevitable shootout finale. The story is elevated by the strong guest cast and good direction from Biberman.