Film Review – THE ITALIAN JOB (1969)

THE ITALIAN JOB (UK, 1969) ***½
      Distributor: Paramount British Pictures; Production Company: Oakhurst Productions / Paramount Pictures Corporation; Release Date: 5 June 1969 (UK), 3 September 1969 (USA); Filming Dates: began 24 June 1968; Running Time: 99m; Colour: Eastmancolor; Sound Mix: Mono; Film Format: 35mm; Film Process: Panavision (anamorphic); Aspect Ratio: 2.35:1; BBFC Cert: PG.
      Director: Peter Collinson; Writer: Troy Kennedy-Martin; Producer: Michael Deeley; Associate Producer: Robert Porter; Director of Photography: Douglas Slocombe; Music Composer: Quincy Jones; Film Editor: John Trumper; Casting Director: Paul Lee Lander; Production Designer: Disley Jones; Art Director: Michael Knight; Costumes: Dinah Greet (uncredited); Make-up: Freddie Williamson; Sound: John Aldred, Gerry Humphreys, Stephen Warwick; Special Effects: Pat Moore.
      Cast: Michael Caine (Charlie Croker), Noël Coward (Mr. Bridger), Benny Hill (Professor Simon Peach), Raf Vallone (Altabani), Tony Beckley (Freddie), Rossano Brazzi (Beckerman), Margaret Blye (Lorna), Irene Handl (Miss Peach), John Le Mesurier (Governor), Fred Emney (Birkinshaw), John Clive (Garage Manager), Graham Payn (Keats), Michael Standing (Arthur), Stanley Caine (Coco), Barry Cox (Chris), Harry Baird (Big William), George Innes (Bill Bailey), John Forgeham (Frank), Robert Powell (Yellow), Derek Ware (Rozzer).
      Synopsis: Comic caper movie about a plan to steal a gold shipment from the streets of Turin by creating a traffic jam.
      Comment: Visually stylish caper comedy that is typical of its time, mixing late-sixties excess and imagery with stunning locations and quirky performances. Caine and Coward are in good form, with the latter making for a memorable imprisoned crime lord who enjoys all the luxuries of life from his cell. Troy Kennedy Martin’s script appears to have been used lightly by director Collinson. The set pieces – notably the heist and the ironic finale – are the main selling points alongside Douglas Slocombe’s gorgeous photography and Quincy Jones’ witty score.
      Notes: Remade in 2003.

Film Review – GOLD (1974)

GOLD (UK, 1974) ***½
      Distributor: Hemdale Film Distribution (UK), Allied Artists Pictures (USA); Production Company: Killarney Film Studios; Release Date: 5 September 1974 (UK), 16 October 1974 (USA); Filming Dates: October 1973; Running Time: 120m; Colour: Technicolor; Sound Mix: Mono; Film Format: 35mm; Film Process: Panavision (anamorphic); Aspect Ratio: 2.35:1; BBFC Cert: 12.
      Director: Peter R. Hunt; Writer: Wilbur Smith, Stanley Price (based on the novel “Gold Mine” by Wilbur Smith); Producer: Michael Klinger; Director of Photography: Ousama Rawi; Music Composer: Elmer Bernstein; Film Editor: John Glen; Casting Director: Irene Lamb; Production Designer: Syd Cain, Alex Vetchinsky; Art Director: Robert W. Laing; Costumes: Marjory Cornelius; Make-up: Paul Engelen; Sound: John W. Mitchell; Special Effects: Cliff Richardson, Bill Warrington.
      Cast: Roger Moore (Rod Slater), Susannah York (Terry Steyner), Ray Milland (Hurry H. ‘Pops’ Hirschfeld), Bradford Dillman (Manfred Steyner), John Gielgud (Farrell), Tony Beckley (Stephen Marais), Simon Sabela (Big King), Marc Smith (Tex Kiernan), John Hussey (Plummer), Bernard Horsfall (Dave Kowalski), Bill Brewer (Aristide), Norman Coombes (Frank Lemmer), George Jackson (Gus, Mine Doctor), Ken Hare (Jackson), Ralph Loubser (Mine Captain), Denis Smith (Radio Commentator), Paddy Norval (Daniele, Girl in Bar), Garth Tuckett (Miner), Albert Raphael (Miner), Lloyd Lilford (Miner), Alan S. Craig (Miner), John Kingley (Miner), Carl Duering (Syndicate Member), Paul Hansard (Syndicate Member), André Maranne (Syndicate Member), Nadim Sawalha (Syndicate Member), Gideon Kolb (Syndicate Member), John Bay (Syndicate Member).
      Synopsis: Rod Slater is the newly appointed General Manager of the Sonderditch gold mine, but he stumbles across an ingenious plot to flood the mine, by drilling into an underground lake, so the unscrupulous owners to make a killing in the international gold market.
      Comment: Whilst the basic plot may be a little far-fetched, the grippingly authentic and well-filmed mining action scenes are tremendous. Hunt directs these set-pieces with a visceral intensity, which is helped by superb stunt work and whole-hearted performances, from Moore and Sabela in particular. Glen’s slick editing helps to heighten the suspense during these scenes. Dillman makes for a suitably eccentric and cold-hearted villain and Milland enjoys himself as the grumpy rich mine owner. York plays Dillman’s bored and unfaithful wife who falls for Moore’s charms and Gielgud leads the remote investors whose plot to make a killing on the stock market is the catalyst. A rousing final act makes up for some slow spots when the action moves above ground, where tighter editing could have made for a more efficient end-product. Overall, despite the reservations concerning pacing and plot, this is an entertaining thriller that deserves a re-appraisal.
      Notes: Many members of the production crew had connections to the James Bond film franchise.