Film Review – THE FOUR MUSKETEERS (THE REVENGE OF MILADY) (1974)

Image result for the four musketeers swordfightTHE FOUR MUSKETEERS (THE REVENGE OF MILADY) (Spain/Panama/USA/UK, 1974) ****½
     Distributor: Twentieth Century Fox (USA), Fox-Rank (UK); Production Company: Alexander, Michael and Ilya Salkind Productions / Film Trust S.A. / Este Films; Release Date: 26 February 1975 (USA), 25 March 1975 (UK); Filming Dates: May-September 1973; Running Time: 108m; Colour: Technicolor; Sound Mix: Mono; Film Format: 35 mm (Eastman 100T 5254); Film Process: Spherical; Aspect Ratio: 1.85:1; BBFC Cert: PG.
     Director: Richard Lester; Writer: George MacDonald Fraser (based on the novel “The Three Musketeers” by Alexandre Dumas); Executive Producer: Ilya Salkind, Alexander Salkind (uncredited); Producer:  Ilya Salkind, Michael Salkind (both uncredited); Associate Producer: Wolfdieter von Stein; Director of Photography: David Watkin; Music Composer: Lalo Schifrin; Film Editor: John Victor-Smith; Production Designer: Brian Eatwell; Art Director: Leslie Dilley, Fernando González; Costumes: Yvonne Blake; Make-up: José Antonio Sánchez, Cristóbal Criado, Charlene Roberson; Sound: Don Challis, Don Sharpe; Special Effects: Pablo Pérez; Visual Effects: Doug Ferris (uncredited).
     Cast: Oliver Reed (Athos), Raquel Welch (Constance de Bonancieux), Richard Chamberlain (Aramis), Michael York (D’Artagnan), Frank Finlay (Porthos), Christopher Lee (Rochefort), Geraldine Chaplin (Queen Anne of Austria), Jean-Pierre Cassel (Louis XIII), Roy Kinnear (Planchet), Michael Gothard (Felton), Nicole Calfan (Maid Kitty), Ángel del Pozo (Jussac), Eduardo Fajardo (Captain), Simon Ward (Duke of Buckingham), Faye Dunaway (Milady), Charlton Heston (Cardinal Richelieu), Sybil Danning (Eugenie), Gitty Djamal (Beatrice), Jack Watson (Busigny), Bob Todd (Firing Squad Officer), Tom Buchanan (Firing Squad Sergeant), Leon Greene (Swiss Officer), Lucy Tiller (Mother Superior), Norman Chappell (Submarine Inventor), Richard Adams (Tortured Thug), Tyrone Cassidy (English Officer).
     Synopsis: D’Artagnan has become a Musketeer. Protestants hold La Rochelle, and the Queen loves Buckingham, who’ll soon send ships to support the rebels. Richelieu enlists Rochefort to kidnap Constance, the Queen’s go-between and D’Artagnan’s love. The Cardinal uses the wily, amoral Milady de Winter to distract D’Artagnan. But soon, she is D’Artagnan’s sworn enemy, and she has an unfortunate history with Athos as well.
     Comment: Shot at the same time as THE THREE MUSKETEERS (THE QUEEN’S DIAMONDS) – originally it was intended to be one long film with an intermission – this segment covers the second half of Dumas’ novel. As such the tone is slightly darker although the spirit of the first half still permeates via some swashbuckling set pieces, battle scenes and nifty pieces of comedy. The stakes have been raised as Dunaway’s Milady seeks revenge on York’s D’Artagnan and Welch’s Constance after they foiled her attempts to discredit Chaplin’s Queen Anne. Once again the sumptuous production and costume design are wonderfully captured by Watkin’s radiant cinematography and enhanced by Schifrin’s boisterous score. Reed and Dunaway come to the fore and their scenes together add significant depth to the drama. The finale as the Musketeers fight Lee’s Rochefort and the Cardinal’s guards contains some of the best sword fighting in screen history.
     Notes: Followed by THE RETURN OF THE MUSKETEERS (1989).