Film Review – BUTCH CASSIDY AND THE SUNDANCE KID (1969)

VINTAGE MOVIE / FILM POSTER SUPERB QUALITY BUTCH CASSIDY AND THE ...BUTCH CASSIDY AND THE SUNDANCE KID (USA, 1969) *****
      Distributor: Twentieth Century Fox; Production Company: Campanile Productions / Newman-Foreman Company; Release Date: 23 September 1969 (USA), 5 February 1970 (UK); Filming Dates: 16 September 1968 – 13 March 1969; Running Time: 110m; Colour: DeLuxe; Sound Mix: Mono (Westrex Recording System); Film Format: 35mm; Film Process: Panavision (anamorphic); Aspect Ratio: 2.39:1; BBFC Cert: PG.
      Director: George Roy Hill; Writer: William Goldman; Executive Producer: Paul Monash; Producer: John Foreman; Director of Photography: Conrad L. Hall; Music Composer: Burt Bacharach; Film Editor: John C. Howard, Richard C. Meyer; Art Director: Philip M. Jefferies, Jack Martin Smith; Set Decorator: Chester Bayhi, Walter M. Scott; Costumes: Edith Head; Make-up: Daniel C. Striepeke, Edith Lindon; Sound: David Dockendorf, Bill Edmondson; Visual Effects: L.B. Abbott, Art Cruickshank.
      Cast: Paul Newman (Butch Cassidy), Robert Redford (The Sundance Kid), Katharine Ross (Etta Place), Strother Martin (Percy Garris), Henry Jones (Bike Salesman), Jeff Corey (Sheriff Bledsoe), George Furth (Woodcock), Cloris Leachman (Agnes), Ted Cassidy (Harvey Logan), Kenneth Mars (Marshal), Donnelly Rhodes (Macon), Jody Gilbert (Large Woman), Timothy Scott (News Carver), Don Keefer (Fireman), Charles Dierkop (Flat Nose Curry), Pancho Córdova (Bank Manager), Nelson Olmsted (Photographer), Paul Bryar (Card Player #1), Sam Elliott (Card Player #2), Charles Akins (Bank Teller), Eric Sinclair (Tiffany’s Salesman).
      Synopsis: Two Western bank/train robbers flee to Bolivia when the law gets too close.
      Comment: Classic Western came after the end of the golden period for the genre but was massively popular due to the charismatic chemistry between Newman and Redford as Butch and Sundance. The stars make the most of Goldman’s witty screenplay dealing with the outlaws’ final days as they flee a dogged posse to Bolivia. The themes of the passing of the old west and its values into a more modern society is given poignancy through Hill’s direction and his use of visual dynamics emphasised by Hall’s evocative cinematography. One of the great Westerns that bears repeated viewings. Sam Elliott’s feature film debut. Won Oscars for Screenplay, Cinematography, Music and Song for “Raindrops Keep Falling on My Head”. Followed by a prequel BUTCH AND SUNDANCE: THE EARLY DAYS (1979). The movie also inspired the TV series Alias Smith and Jones (1970-3).

Film Review – ROOSTER COGBURN (1975)

Image result for rooster cogburn 1975Rooster Cogburn (1975; USA; Technicolor; 108m) ***½  d. Stuart Millar; w. Martha Hyer (as Martin Julien); ph. Harry Stradling Jr.; m. Laurence Rosenthal.  Cast: John Wayne, Katharine Hepburn, Richard Jordan, Anthony Zerbe, Strother Martin, John McIntire, Paul Koslo, Jack Colvin, Warren Vanders, Lane Smith. Marshal Rooster Cogburn unwillingly teams up with Eula Goodnight to track down the killers of her father. Sequel to 1969’s TRUE GRIT coasts on the wonderful chemistry and performances of Wayne and Hepburn. The story itself is slim and formulaic, but the banter between the stars is more than enough to make this a rousing entertainment. Followed in 1978 by a TV adaptation of the character, with Warren Oates in the lead under the title of the original. [PG]

Film Review – TRUE GRIT (1969)

Image result for true grit 1969True Grit (1969; USA; Technicolor; 128m) ****  d. Henry Hathaway; w. Marguerite Roberts; ph. Lucien Ballard; m. Elmer Bernstein.  Cast: John Wayne, Kim Darby, Robert Duvall, Glen Campbell, Strother Martin, Jeremy Slate, Dennis Hopper, Jeff Corey, Donald Woods, Alfred Ryder, Ron Soble, John Fiedler, James Westerfield, John Doucette, Edith Atwater. A drunken, hard-nosed U.S. Marshal and a Texas Ranger help a stubborn young woman track down her father’s murderer in Indian territory. Scenic western with Wayne enjoying himself immensely in one of his best-remembered performances as Rooster Cogburn and Darby also excellent as young Mattie Ross. Hathaway paces the story just right and Duvall impresses as Wayne’s outlaw nemesis. Superbly photographed utilising stunning Colorado locations aided by a rousing Bernstein score. The only film for which Wayne ever won an Oscar. Based on the novel by Charles Portis. Followed by ROOSTER COGBURN (1975) and a TV pilot in 1978. Remade in 2010. [PG]

Film Review – McLINTOCK! (1963)

McLintock! (1963; USA; Technicolor; 127m) ***  d. Andrew V. McLaglen; w. James Edward Grant; ph. William H. Clothier; m. Frank De Vol.  Cast: John Wayne, Maureen O’Hara, Yvonne De Carlo, Patrick Wayne, Stefanie Powers, Chill Wills, Jerry Van Dyke, Edgar Buchanan, Strother Martin, Aissa Wayne, Jack Kruschen, Bruce Cabot, Perry Lopez, Robert Lowery, Hank Worden. A cattle baron fights his wife, his daughter, and political land-grabbers, finally “taming” them all in this Western comedy with “Taming of the Shrew” overtones. High-spirited, if rather empty, Western-comedy is carried by the performances of its leads, with Wayne and O’Hara sparring off each other as they trade insults. The movie’s two big set-pieces – a slapstick fight in a mud pool and Wayne’s pursuit of O’Hara through the town in the climax are the most memorable sequences in this big, brawling and politically incorrect entertainment. [U]

Film Review – THE MAN WHO SHOT LIBERTY VALANCE (1962)

Image result for the man who shot liberty valanceMan Who Shot Liberty Valance, The (1962; USA; B&W; 123m) ****½  d. John Ford; w. James Warner Bellah, Willis Goldbeck; ph. William H. Clothier; m. Cyril J. Mockridge.  Cast: John Wayne, James Stewart, Vera Miles, Lee Marvin, Strother Martin, Edmond O’Brien, Andy Devine, Jeanette Nolan, John Carradine, John Qualen, Ken Murray, Willis Bouchey, Carleton Young, Woody Strode, Denver Pyle. A senator, who became famous for killing a notorious outlaw, returns for the funeral of an old friend and tells the truth about his deed. Ford’s last great Western is dominated by three strong central performances. Wayne represents the old-west values, whilst Stewart stands for the civilisation of law and order. Marvin’s outlaw stands in the middle as the evil which must be dealt with. Meanwhile, Miles must decide whether her heart lies with Wayne or Stewart. Rich in detail with a strong script and boisterous performances from a quality supporting cast and sumptuously shot in black and white by veteran cinematographer Clothier. In 2007, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant.” Based on the story by Dorothy M. Johnson. [U]

Film Review – THE HORSE SOLDIERS (1959)

Image result for the horse soldiers 1959Horse Soldiers, The (1959; USA; DeLuxe; 115m) ***½  d. John Ford; w. John Lee Mahin, Martin Rackin; ph. William H. Clothier; m. David Buttolph.  Cast: John Wayne, William Holden, Constance Towers, Althea Gibson, Strother Martin, Hoot Gibson, Anna Lee, Russell Simpson, Carleton Young, Ken Curtis, Judson Pratt, Willis Bouchey, Bing Russell, O.Z. Whitehead, Hank Worden. A Union Cavalry outfit is sent behind confederate lines in strength to destroy a rail/supply centre. Solid Civil-War Western sees Cavalry Colonel Wayne and army medic Holden sparring with their ideals as rebel hostage Towers watches over and gradually warms to Wayne. Ford directs efficiently, handling the action scenes and spectacle with his usual aplomb. Whilst not amongst Ford-Wayne’s classics, this is still a sturdy character study. Loosely based on Harold Sinclair’s 1956 novel of the same name, which in turn was based on the historic 17-day Grierson’s Raid and Battle of Newton’s Station in Mississippi during the Civil War. [PG]