Film Review – THE WORLD IS NOT ENOUGH (1999)

World Is Not Enough, The (1999; UK/USA; Colour; 128m) ∗∗∗½  d. Michael Apted; w. Neal Purvis, Robert Wade, Bruce Feirstein; ph. Adrian Biddle; m. David Arnold.  Cast: Pierce Brosnan, Sophie Marceau, Robert Carlyle, Denise Richards, Robbie Coltrane, Judi Dench, Desmond Llewelyn, John Cleese, Maria Grazia Cucinotta, Samantha Bond, Michael Kitchen, Colin Salmon, Goldie, David Calder, Serena Scott Thomas. James Bond uncovers a nuclear plot when he protects an oil heiress from her former kidnapper, an international terrorist who can’t feel pain. A return to form with this outing having more depth than most recent Bonds. There is a better balance between plot development and action sequences. Brosnan gives his best performance as 007 and Marceau is excellent as the vulnerable heiress, whilst Carlyle makes an edgy villain. Richards, however, may be the least believable nuclear scientist in screen history. [12]

Film Review – TOMORROW NEVER DIES (1997)

Tomorrow Never Dies (1997; UK/USA; Colour; 119m) ∗∗∗  d. Roger Spottiswoode; w. Bruce Feirstein; ph. Robert Elswit; m. David Arnold.  Cast: Pierce Brosnan, Jonathan Pryce, Michelle Yeoh, Teri Hatcher, Ricky Jay, Götz Otto, Joe Don Baker, Vincent Schiavelli, Judi Dench, Desmond Llewelyn, Samantha Bond, Colin Salmon, Geoffrey Palmer, Julian Fellowes. James Bond heads to stop a media mogul’s plan to induce war between China and the UK in order to obtain exclusive global media coverage. Destruction and mayhem delivered through explosive action set-pieces take over at the expense of plot and a credible threat. Pryce hams it up as the chief villain and Brosnan already seems to be coasting on his charm as Bond. It’s all professionally packaged, but the heart seems to have gone out of the franchise. [12]

Film Review – GOLDENEYE (1995)

GoldenEye (1995; UK/USA; Rankcolor; 130m) ∗∗∗½  d. Martin Campbell; w. Jeffrey Caine, Bruce Feirstein; ph. Phil Meheux; m. Eric Serra.  Cast: Pierce Brosnan, Sean Bean, Izabella Scorupco, Famke Janssen, Joe Don Baker, Judi Dench, Robbie Coltrane, Gottfried John, Alan Cumming, Tchéky Karyo, Desmond Llewelyn, Samantha Bond, Michael Kitchen, Serena Gordon, Simon Kunz. James Bond teams up with the lone survivor of a destroyed Russian research centre to stop the hijacking of a nuclear space weapon by a fellow agent believed to be dead. The plot may misfire occasionally, but Brosnan’s debut outing as 007 is a big, bold adventure with the tried and trusted formula shaken but not stirred. Well directed and with some exceptional action set-pieces. Janssen is both sexy and psychotic, but Bean lacks charisma as the villain. Based on a story by Michael France. [12]

Film Review – LICENCE TO KILL (1989)

Licence to Kill (1989; UK/USA; Technicolor; 133m) ∗∗∗½  d. John Glen; w. Michael G. Wilson, Richard Maibaum; ph. Alec Mills; m. Michael Kamen.  Cast: Timothy Dalton, Carey Lowell, Robert Davi, Talisa Soto, Anthony Zerbe, Frank McRae, David Hedison, Wayne Newton, Benicio Del Toro, Anthony Starke, Everett McGill, Desmond Llewelyn, Pedro Armendáriz Jr., Robert Brown, Priscilla Barnes, Don Stroud, Caroline Bliss. James Bond leaves Her Majesty’s Secret Service to stop an evil drug lord and avenge his best friend, Felix Leiter. The toughest Bond since FROM RUSSIA WITH LOVE. This is an efficient action movie, but lacks some of the ingredients that made the very best Bond films stand out from the crowd. Dalton is again excellent as 007 and the plot has a more realistic base. Gladys Knight delivers the punchy theme song. [15]

Film Review – A VIEW TO A KILL (1985)

View to a Kill, A (1985; UK/USA; Metrocolor; 131m) ∗∗½  d. John Glen; w. Richard Maibaum, Michael G. Wilson; ph. Alan Hume; m. John Barry.  Cast: Roger Moore, Christopher Walken, Tanya Roberts, Grace Jones, Patrick Macnee, Patrick Bauchau, David Yip, Fiona Fullerton, Manning Redwood, Alison Doody, Willoughby Gray, Desmond Llewelyn, Robert Brown, Lois Maxwell, Walter Gotell, Geoffrey Keen. An investigation of a horse-racing scam leads 007 to a mad industrialist who plans to create a worldwide microchip monopoly by destroying California’s Silicon Valley. Moore’s last outing has an end-of-term feel about it. The plot recycles GOLDFINGER, but the creative energy that made that film so enjoyable is sadly missing here. All the boxes are ticked but without the enthusiasm or originality that made the earlier films so special. Based on the short story “From a View to a Kill” by Ian Fleming. [PG]

Film Review – OCTOPUSSY (1983)

Octopussy (1983; UK/USA; Technicolor; 131m) ∗∗∗  d. John Glen; w. George MacDonald, Richard Maibaum, Michael G. Wilson; ph. Alan Hume; m. John Barry.  Cast: Roger Moore, Maud Adams, Louis Jourdan, Kristina Wayborn, Kabir Bedi, Steven Berkoff, David Meyer, Tony Meyer, Desmond Llewelyn, Robert Brown, Lois Maxwell, Michaela Clavell, Walter Gotell, Vijay Amritraj, Albert Moses. A fake Fabergé egg and a fellow agent’s death leads James Bond to uncovering an international jewel smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on NATO forces. A mixed bag with some excellent action sequences again deflated by occasional lapses into childish humour. Jourdan makes for a strong villain, but by now Moore is too old to play 007 and is going through the motions. The whole production also feels more than a little bloated with one climax too many. Based on a short story by Ian Fleming. [PG]

Film Review – FOR YOUR EYES ONLY (1981)

For Your Eyes Only (1981; UK; Technicolor; 127m) ∗∗∗½  d. John Glen; w. Richard Maibaum, Michael G. Wilson; ph. Alan Hume; m. Bill Conti.  Cast: Roger Moore, Carole Bouquet, Topol, Lois Maxwell, Lynn-Holly Johnson, Julian Glover, Jill Bennett, Desmond Llewelyn, Geoffrey Keen, Walter Gotell, Cassandra Harris, Michael Gothard, John Wyman, Jack Hedley, James Villiers. Agent 007 is assigned to hunt for a lost British encryption device and prevent it from falling into enemy hands. This is the straightest Bond for quite some time – and all the better for it. There are occasional lapses in pace and despite giving one of his best perfomances as 007 Moore is beginning to look a little old for the part, but the breathless action sequences deliver plenty of thrills. Conti’s jazzy synth-laden score, however, is the weakest of the series. Based on the short stories “For Your Eyes Only” and “Risico” by Ian Fleming. [PG]

Film Review – MOONRAKER (1979)

Moonraker (1979; UK/France; Technicolor; 126m) ∗∗  d. Lewis Gilbert; w. Christopher Wood; ph. Jean Tournier; m. John Barry.  Cast: Roger Moore, Lois Chiles, Michael Lonsdale, Richard Kiel, Corinne Cléry, Bernard Lee, Geoffrey Keen, Desmond Llewelyn, Lois Maxwell, Toshirô Suga, Emily Bolton, Blanche Ravalec. James Bond investigates the mid-air theft of a space shuttle and discovers a plot to commit global genocide. After a promising start 007 goes OTT in this misconceived bomb that just gets more and more absurd. Too often promising set-pieces are flattened by the need to add a comedic punch-line. Kiel’s Jaws is turned into a cartoonish buffoon and Moore delivers his laziest performance to date. Lonsdale is the film’s only saving grace as a Bond villain who deserved a better film. Based on the novel by Ian Fleming. [PG]

Film Review – THE SPY WHO LOVED ME (1977)

Spy Who Loved Me, The (1977; UK; Colour; 125m) ∗∗∗½  d. Lewis Gilbert; w. Christopher Wood, Richard Maibaum; ph. Claude Renoir; m. Marvin Hamlisch.  Cast: Roger Moore, Barbara Bach, Curd Jürgens, Richard Kiel, Caroline Munro, Walter Gotell, Geoffrey Keen, Bernard Lee, George Baker, Michael Billington, Olga Bisera, Desmond Llewelyn, Edward de Souza, Vernon Dobtcheff, Valerie Leon, Lois Maxwell. James Bond investigates the hijacking of British and Russian submarines carrying nuclear warheads with the help of a KGB agent whose lover he killed. Moore finds his feet in his third outing as agent 007. The plot involves a global threat and the action set-pieces are exceptionally well-handled. Kiel makes a memorable heavy as the steel-toothed Jaws. Benefits from exceptional production design and exotic locations. There are still occasional lapses into slapstick and heavy-handed humour, but overall this is perhaps Moore’s strongest outing. Based on the novel by Ian Fleming. [PG]

Film Review – THE MAN WITH THE GOLDEN GUN (1974)

Man with the Golden Gun, The (1974; UK; Colour; 125m) ∗∗∗  d. Guy Hamilton; w. Richard Maibaum, Tom Mankiewicz; ph. Ted Moore, Oswald Morris; m. John Barry.  Cast: Roger Moore, Christopher Lee, Britt Ekland, Maud Adams, Hervé Villechaize, Clifton James, Richard Loo, Soon-Tek Oh, Marc Lawrence, Bernard Lee, Lois Maxwell, Marne Maitland, Desmond Llewelyn, James Cossins, Yao Lin Chen. Bond is led to believe that he is targeted by the world’s most expensive assassin and must hunt him down to stop him. Moore’s second outing as 007 starts well, with little reliance on gadgets, but later the action descends into increasingly comedic set-pieces. Lee is a strong villain, but the plot is lacking any threat beyond that to Bond himself. Exotic locations and good production values, but Ekland is given an idiotic role whilst Adams is underused as the Bond girls. Based on the novel by Ian Fleming. [PG]