Shootist, The (1976; USA; Technicolor; 100m) ****½ d. Don Siegel; w. Miles Hood Swarthout, Scott Hale; ph. Bruce Surtees; m. Elmer Bernstein. Cast: John Wayne, Lauren Bacall, James Stewart, Ron Howard, Richard Boone, Hugh O’Brian, Harry Morgan, John Carradine, Scatman Crothers, Bill McKinney, Rick Lenz, Sheree North, Gregg Palmer, Alfred Dennis, Dick Winslow. A dying gunfighter spends his last days looking for a way to die with a minimum of pain and a maximum of dignity. Wayne’s last film is a poignant and fitting tribute to his screen persona and one of his very best. Siegel directs with sensitivity and draws an astonishing final performance from his star. Wayne is supported by a superbly talented cast of veterans including Bacall and Stewart. Echoes of SHANE can be seen in Howard’s hero-worshipping youth. The 1901 setting, with its early automobiles, telephones and electricity, acts as a metaphor for the passing of an era where the west was ruled by the gun and Wayne’s gunfighter character is now an anachronism. Based on the novel by Glendon Swarthout. [PG]
Solo: A Star Wars Story (2018; USA; Colour; 135m) ***½ d. Ron Howard; w. Lawrence Kasdan, Jonathan Kasdan; ph. Bradford Young; m. John Powell. Cast: Alden Ehrenreich, Emilia Clarke, Woody Harrelson, Donald Glover, Thandie Newton, Paul Bettany, Phoebe Waller-Bridge, Warwick Davis, Clint Howard, Richard Dixon, Joonas Suotamo, Sarah-Stephanie, Deepak Anand, Slim Khezri, Ian Kenny, Douglas Robson, Omar Alboukharey, Sean Gislingham, Nathaniel Lonsdale. During an adventure into the criminal underworld, Han Solo meets his future copilot Chewbacca and encounters Lando Calrissian years before joining the Rebellion. Whilst this STAR WARS spin-off offers nothing particularly new or surprising, considering its troubled production history it remains a surprisingly consistently entertaining adventure. Ehrenreich displays the same roguish charisma as essayed by Harrison Ford and Glover also scores as Lando Calrissian. The action set pieces are effective and avoid the stilted choreography of recent efforts. Whilst the story itself may lack the gravitas and mysticism of its parent, it makes for more simple-minded fun. Although originally brought on board to complete the film after Phil Lord and Christopher Miller had been dismissed due to creative differences, it was widely reported that Howard re-shot more than 80% of the movie. Also shot in 3-D.