TV Review – THE WAR OF THE WORLDS (2019)

Image result for the war of the worlds bbcTHE WAR OF THE WORLDS (UK, 2019) **½
      Distributor: ITV Studios Global Entertainment; Production Company: Mammoth Screen / British Broadcasting Corporation (BBC) / Creasun Media American; Release Date: 17, 24 November & 1 December 2019; Running Time: 3 x 60m; Colour: Colour; Sound Mix: Stereo; Film Format: HD; Aspect Ratio: 2.00:1; BBFC Cert: 15.
      Director: Craig Viveiros; Writer: Peter Harness (based on the novel by H.G. Wells; Producer: Betsan Morris Evans; Executive Producer:Jamie Brown, Peter Harness, Minglu Ma, Preethi Mavahalli, Damien Timmer, Craig Viveiros; Director of Photography: James Friend; Music Composer: Russ Davies; Film Editor: Adam Bosman, Josh Mallalieu; Production Designer: Pat Campbell; Casting: Karen Lindsay-Stewart; Costumes: Howard Burden; Make-up: Amy Stewart; Sound: Jonathan Seale; Special Effects Supervisor: Chris Reynolds; Visual Effects Supervisor: Stephen Coren, Sally Goldberg, Ivor Middleton.
      Cast: Eleanor Tomlinson (Amy), Robert Carlyle (Ogilvy), Rafe Spall (George), Jonathan Aris (Priest), Rupert Graves (Frederick), Woody Norman (George Junior), Nicholas Le Prevost (Chamberlain), Susan Wooldridge (Mrs. Elphinstone), Taliyah Blair (Lillian), Reid Anderson (Stall Holder), Philip Gascoyne (Navy Officer), Charles De’Ath (Greaves), Joey Batey (Henderson), Sam Benjamin (Salesman), Freya Allan (Mary), Christopher Hatherall (Naval Lieutenant), Daniel Cerqueira (Stent), Aisling Jarrett-Gavin (Lucy), Bradley Cottrell (Newspaper Boy), Harry Melling (Artilleryman), Kieron Bimpson (Captain), Cokey Falkow (Army Officer), Milo Twomey (Sergeant Major), Michele Donockley (Red Planet Survivor).
      Synopsis: Set in Edwardian England, this new adaptation of H.G. Wells’ seminal tale – the first alien invasion story in literature – follows George (Spall) and his partner Amy (Tomlinson) as they attempt to defy society and start a life together. The War of the Worlds tells their story as they face the escalating terror of an alien invasion, fighting for their lives against an enemy beyond their comprehension.
      Comment: This adaptation of H.G.Wells’ classic novel plays loose with its source material and clumsily attempts to invent its own allegorical agenda with references to British colonialism. Rather than follow the novel’s linear narrative we jump between scenes set during the invasion and three years after into a post-apocalyptic landscape. The latter scenes only serve to slow the narrative and remove any fluidity and excitement that the invasion generates. Split across three hour-long episodes, the story feels overly stretched despite the occasional excitements and moments of tension. Tomlinson is good as the heroine who is conflicted between her bravery and responsibility to her unborn child. Spall is also okay as an everyman out of his depth. Carlyle, however, is wasted in a role that largely consigns him to the periphery of the action. What lets the production down is the writing, which is often stilted and provides a totally unsatisfying conclusion which clumsily attempts to be symbolic. Viveiros struggles to lift the material and settles for long moments of slow-motion action and introspection, which further dilute some of the set pieces. Technical attributes, however, are pretty good for the limited TV budget.

TV Review – CRACKER: TO BE A SOMEBODY (1994)

Image result for cracker to be a somebody castCRACKER: TO BE A SOMEBODY (TV) (UK, 1994) *****
      Distributor: ITV – Independent Television; Production Company: A&E Television Networks / Granada Television; Release Date: 10, 17 & 24 October 1994; Running Time: 148m; Colour: Colour; Sound Mix: Dolby Stereo; Film Format: 16mm; Aspect Ratio: 1.66:1; BBFC Cert: 18.
      Director: Tim Fywell; Writer: Jimmy McGovern; Executive Producer: Sally Head; Producer: Paul Abbott; Director of Photography: Ivan Strasburg; Music Composer: David Ferguson; Film Editor: Edward Mansell; Casting Director: Gail Stevens; Production Designer: Stephen Fineren; Art Director: David Butterworth.
      Cast: Robbie Coltrane (Fitz), Barbara Flynn (Judith Fitzgerald), Christopher Eccleston (D.C.I. Bilborough), Geraldine Somerville (D.S. Penhaligon), Lorcan Cranitch (D.S. Beck), Robert Carlyle (Albie), Ricky Tomlinson (D.C.I. Wise), Beth Goddard (Clare Moody), Colin Tierney (Harriman), Edward Peel (Chief Superintendent), Tracy Gillman (Jill), Isobel Middleton (Catriona Bilborough), Wil Johnson (Skelton), Badi Uzzaman (Shahid Ali), Kim Vithana (Razia Ali), Kieran O’Brien (Mark), Glyn Grain (Professor Nolan), John Henshaw (Quarry Foreman), Tess Thomson (Katie), Paul Copley (Pathologist).
      Synopsis: A working class man, distraught at the recent death of his father, impulsively becomes a skinhead and murders a Pakistani shopkeeper over a perceived insult.
      Comment: First story of the second series of Cracker is perhaps the best example of the show. It’s an absorbing study of one man’s disintegration through anger and hatred and Carlyle delivers a superb performance in the central role. The link to the Hillsborough disaster is a theme close to writer McGovern’s heart and he uses both direct references and the symbolism of Albie’s paranoia to make a strong point around the injustices of its portrayal in the media. Coltrane is again superb as Fitz, a character that is tailor-made for his world-weary cynicism. The resonant script is also laced with dark humour and all the regular cast have gotten to grips with their characters. The result is a top-class psychological crime thriller.