Film Review – RIO BRAVO (1959)

Related imageRio Bravo (1959; USA; Technicolor; 141m) *****  d. Howard Hawks; w. Jules Furthman, Leigh Brackett; ph. Russell Harlan; m. Dimitri Tiomkin.  Cast: John Wayne, Walter Brennan, Ward Bond, Dean Martin, Angie Dickinson, John Russell, Ricky Nelson, Claude Akins, Bob Steele, Myron Healey, Estelita Rodriguez, Malcolm Atterbury, Yakima Canutt, Pedro Gonzalez Gonzalez, Bing Russell. A small-town sheriff in the American West enlists the help of a cripple, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy. Superb entertainment with characters you can route for and a near perfect cast. The interplay and contrast between the characters is what makes this so enjoyable. Wayne is at his stoic best as the sheriff; Martin delivers his finest performance as the recovering drunk; Brennan cackles and grumbles his way through his most memorable role as Stumpy and Dickinson oozes appeal as the girl with a past who falls for Wayne. Even Nelson gets through a slightly stiff portrayal of a young gunslinger and has time to share a tune with Martin. Escapist cinema at its very finest. Based on a short story by B.H. McCampbell (Hawks’ daughter). In 2014, the film was deemed “culturally, historically, or aesthetically significant” by the Library of Congress and selected for preservation in the National Film Registry. More or less remade as EL DORADO (1966) and elements were also adopted in RIO LOBO (1970). Inspiration for John Carpenter’s ASSAULT ON PRECINCT 13 (1976). [PG]

Film Review – THE NEW MEXICAN CONNECTION (TV) (1972)

New Mexican Connection, The (TV) (1972; USA; Technicolor; 75m) ***  d. Russ Mayberry, Hy Averback; w. Glen A. Larson; ph. William Cronjager; m. John Andrew Tartaglia.  Cast: Dennis Weaver, J. D. Cannon, Ricky Nelson, Gilbert Roland, Jackie Cooper, Murray Hamilton, Diana Muldaur, Terry Carter, Ray Danton, Ken Lynch, Sharon Gless. A TV reporter decrying police brutality criticizes McCloud’s reaction to kidnapping threats. Entertaining entry in the McCloud series with Weaver making maximum use of some good dialogue. The plot is perfunctory, but the character interaction and a strong guest cast take this up a notch. [PG]