Film Review – SHAFT (2019)

Image result for shaft 2019SHAFT (USA, 2019)
      Distributor: New Line Cinema / Warner Bros. (USA), Netflix (UK); Production Company: Davis Entertainment / Khalabo Ink Society / Netflix / New Line Cinema / Warner Bros.; Release Date: 14 June 2019 (USA), 28 June 2019 (UK); Filming Dates: December 2017 – February 2018; Running Time: 111m; Colour: Colour; Sound Mix: Dolby Digital; Film Format: D-Cinema; Film Process: Digital Intermediate (2K) (master format), Hawk Scope (anamorphic) (source format); Aspect Ratio: 2.39:1; BBFC Cert: 15.
      Director: Tim Story; Writer: Kenya Barris, Alex Barnow (based on the character created by Ernest Tidyman); Executive Producer: Kenya Barris, Richard Brener, Marc S. Fischer, Josh Mack, Ira Napoliello, Tim Story; Producer: John Davis; Director of Photography: Larry Blanford; Music Composer: Christopher Lennertz; Music Supervisor: Trygge Toven; Film Editor: Peter S. Elliot; Casting Director: Tara Feldstein; Art Director: Jeremy Woolsey, Brittany Hites; Set Decorator: Missy Parker; Costumes: Olivia Miles; Make-up: Kimberly Jones; Sound: Sean McCormack; Special Effects: Russell Tyrrell; Visual Effects: Nicole Rowley.
      Cast: Samuel L. Jackson (John Shaft), Jessie T. Usher (JJ Shaft), Richard Roundtree (John Shaft, Sr), Regina Hall (Maya Babanikos), Alexandra Shipp (Sasha Arias), Matt Lauria (Major Gary Cutworth), Titus Welliver (Special Agent Vietti), Method Man (Freddy P), Isaach De Bankolé (Pierro ‘Gordito’ Carrera), Avan Jogia (Karim Hassan), Luna Lauren Velez (Bennie Rodriguez), Robbie Jones (Sergeant Keith Williams), Aaron Dominguez (Staff Sergeant Eddie Dominguez), Ian Casselberry (Manuel Orozco), Almeera Jiwa (Anam), Amato D’Apolito (Farik Bahar), Leland L. Jones (Ron), Jalyn Hall (Harlem Kid), Sylvia Jefferies (Once Beautiful Woman), Whit Coleman (Butch Lesbian Girl), Chivonne Michelle (Baby), Tashiana Washington (Sugar), Philip Fornah (Jacked Dude), Laticia Rolle (Cocktail Waitress), Ryan King Scales (Male Secretary), Tywayne Wheatt (Portly Doorman), Kenny Barr (Cop), Mike Dunston (News Anchor), Jordan Preston Carter (5-8 Year Old JJ), Nyah Marie Johnson (5-8 Year Old Sasha), Joey Mekyten (5-8 Year Old Karim), Sawyer Schultz (Mike Mitchell), Esmeree Sterling (Cute Bartender), Jose Miguel Vasquez (FBI Employee), Gabriel ‘G-Rod’ Rodriguez (Goon), Keith Brooks (Drunk Disorderly Man), DominiQue MrsGiJane Williams (Beautiful Woman), Michael Shikany (Older Man in Mosque), Lucia Scarano (Lady in Line), Greta Quispe (Employee), Heather Seiffert (Hostess), Charles Green (Hallway Man), Dorothi Fox (Old Lady Neighbor), Shakur Sozahdah (Worshiper).
      Synopsis: John Shaft Jr., a cybersecurity expert with a degree from MIT, enlists his family’s help to uncover the truth behind his best friend’s untimely death.
      Comment: Misguided continuation of the Shaft legacy is one misstep after another. Firstly Story re-tools the franchise as an action comedy that attempts to wring laughs from the generation gap separating Jackson’s John Shaft II from his son JJ, played far too broadly by Usher. Jackson’s Shaft also suffers by being made into a caricature of the character he portrayed in the 2000 series continuation. Jackson does what he tends to do best but even he gives a one-note performance that lacks nuance. The plot thread that brings the two Shafts together is given scant focus by an incredibly lazy script by Barris and Barnow.  The plot is frequently abandoned to demonstrate time after time the un-PC Jackson vs the PC Usher through a series of increasingly tiresome jokes and one-liners. Roundtree, as the original John Shaft, appears late in the proceedings and delivers the best performance with a dry understated delivery that has more class than is seen in his character namesakes. Lennertz’s score is insipid, lacking the grooves of Isaac Hayes’ 1971 music, and fails to add anything to the franchise whilst it is constantly interspersed with rap numbers that only serve to give you a headache. Even the use of Hayes’ theme is mishandled removing all elements of cool. To say I was disappointed in this destruction of Ernest Tidyman’s legacy is an understatement. My advice to Shaft fans is to stick to the originals, or better still the books. If there is any future for the franchise on screen it would be better served making reference to David F Walker’s recent comic books series prequel and rebooting the series set in period as a serious crime thriller.
      Notes: Most of the movie was shot in Atlanta, doubling for New York.

Marketing begins on new Shaft movie

New Line has published an advance poster (below) for the latest Shaft movie, due to be released on 14 June. The poster promises “More Shaft then you can handle” featuring Samuel L Jackson, Richard Roundtree and Jessie T Usher as three generations of Shaft – the latter being the son of Jackson’s nephew to Roundtree’s original – following this? A trailer is promised for tomorrow ( 6 February) with a teaser released today. A Twitter site has also been launched.

Shaft’s 2017

Well, here we are again. Another year on and it seems to have gone so quickly. At this time last year I gave a summary of activity in the world of John Shaft. It came at the end of an exciting two years, which saw the publication of two original comic books as well as a new novel, all written by David F Walker, relaunching Ernest Tidyman’s detective in literary form.

Walker had done a superb job at introducing the character to a new audience. His work proved to be a real treat for fans of the original books and films. Despite critical acclaim, these books did not sell in sufficient quantities to satisfy publishers Dynamite Entertainment and a planned reprint of Tidyman’s original novels stalled after the first release. The Italian reprints through SUR, however, did at least continue with the publication of the second book, Shaft Among the Jews, in January (retitled Shaft Tragli Ebrei).

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Tim Story.

Also in January, further news on the proposed new Shaft movie emerged when Tim Story was announced as director. The fact that Story has a string of comedic action tales to his credit added further fuel to the fire that the producers were moving away from the original concept.

In February, Walker’s Shaft: Imitation of Life comic book was nominated for the 2017 Dwayne McDuffie Award for Diversity. Whilst the book failed to win the award, it was further acknowledgement of Walker’s achievements. The writer would go on to produce high profile work away from Dynamite with a new Luke Cage series for Marvel along with Power Man and Iron Fist and Occupy Avengers and a comic series book series of Planet of the Apes for Boom.

All went quiet in the Shaft world until August, when in an interview Story confirmed, “My Shaft movie is going to be definitely not straight action. We’re going action-comedy or comedy-action, I’m not exactly sure which one comes first. We’re going to definitely make sure the stakes in the world are real, and then you’ve got these characters who are dealing with kind of a father/son situation, we’re going to see them put a family back together.”

Jessie T Usher and Samuel L Jackson

Pre-production was mobilised and casting commenced with Jessie T Usher confirmed as the son of Samuel L Jackson’s John Shaft, who in turn is the nephew of Richard Roundtree’s original. The film, provisionally titled Son of Shaft, is therefore a sequel to John Singleton’s 2000 Shaft, which starred Jackson and was a belated sequel to the original Shaft trilogy from the early 1970s. What modern audiences will make of these nods to the character’s cinematic legacy remains to be seen, but it feels like this is Shaft in name only. Usher’s character is described as being at odds with the old-school methods of detection employed by his father – being a more tech-savvy sleuth working for the FBI. With the tone set for an action-comedy, the result is likely to be far-removed from Tidyman’s gritty novels and Gordon Parks’ iconic 1971 interpretation.

Alexandra Shipp and Regina Hall, the latter as Shaft Jr’s mother, were also added to the cast and shooting commenced in Atlanta in December with a scheduled move to New York planned in early 2018. A June 2019 release date has also been slated and a distribution deal has been agreed by New Line with internet movie provider, Netflix.

Image result for shaft blu-ray hmvSo, with 18 months to wait before we get to see any new Shaft on screen, what else is happening? Well the answer is not much. Whilst the original Shaft was finally released on Blu-ray in the UK in October, we still await BD releases of Shaft’s Big Score! and Shaft in Africa anywhere in the world. My guess is these will be released in 2019 to coincide with the new movie. Whether, Dynamite will follow suit by reprinting the remainder of Tidyman’s novels remains to be seen.

I remain hopeful hype around the movie will bring the Shaft legacy into the public eye once more – despite my reservations about its tone and subject matter.  Dynamite still owns the literary rights, so maybe interest will be rekindled in commissioning more original literary work whether in comic book form or prose, hopefully with Walker on board.

Regina Hall joins cast for Shaft sequel

Variety has reported that actress Regina Hall has joined the cast of the latest Shaft sequel – provisionally titled Son of Shaft – currently filming in Atlanta and New York. It is reported she will play the former love interest of Samuel L Jackson’s John Shaft (nephew of Richard Roundtree’s original Shaft) and mother to Jessie T. Usher’s John Shaft Jr. Hall has worked with producer/writer Kenya Barris on Barbershop: The Next Cut (2016), Girls Trip (2017) as well as the TV series Black-ish.

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Filming commenced this month in Atlanta and will later move to New York. The film is slated for release on 14 June 2019.