Film Review – WILD (2014)

Wild (2014) | The CinephiliacWILD (USA, 2014) ***½
      Distributor: 20th Century Fox; Production Company: Fox Searchlight Pictures / Pacific Standard; Release Date: 29 August 2014 (USA), 13 October 2014 (UK); Filming Dates: began 11 October 2013; Running Time: 115m; Colour: Colour; Sound Mix: Dolby Digital; Film Format: Codex; Film Process: ARRIRAW (2.8K) (source format), Digital Intermediate (2K) (master format); Aspect Ratio: 2.35:1; BBFC Cert: 15.
      Director: Jean-Marc Vallée; Writer: Nick Hornby (based on the memoir “Wild: From Lost to Found on the Pacific Crest Trail” by Cheryl Strayed); Executive Producer: Nathan Ross, Bergen Swanson; Producer: Bruna Papandrea, Bill Pohlad, Reese Witherspoon; Associate Producer: Jeffrey Harlacker, T.K. Knowles, Cheryl Strayed; Director of Photography: Yves Bélanger; Music Supervisor: Susan Jacobs; Film Editor: Martin Pensa, Jean-Marc Vallée (as John Mac McMurphy); Casting Director: David Rubin; Production Designer: John Paino; Art Director: Javiera Varas; Set Decorator: Robert Covelman; Costumes: Melissa Bruning; Make-up: Kymber Blake, Tanya Cookingham, Miia Kovero; Sound: Mildred Iatrou; Special Effects: Bob Riggs; Visual Effects: Julien Maisonneuve, Jean-François Ferland.
      Cast: Reese Witherspoon (Cheryl), Laura Dern (Bobbi), Thomas Sadoski (Paul), Keene McRae (Leif), Michiel Huisman (Jonathan), W. Earl Brown (Frank), Gaby Hoffmann (Aimee), Kevin Rankin (Greg), Brian Van Holt (Ranger), Cliff De Young (Ed), Mo McRae (Jimmy Carter), Will Cuddy (Josh), Leigh Parker (Rick), Nick Eversman (Richie), Ray Buckley (Joe (as Ray Mist)), Randy Schulman (Therapist), Cathryn de Prume (Stacey), Kurt Conroyd (Greg’s Friend), Ted deChatelet (Greg’s Friend), Jeffree Newman (Greg’s Friend).
      Synopsis: A chronicle of one woman’s one thousand one hundred mile solo hike undertaken as a way to recover from a recent personal tragedy.
      Comment: Story based on the memoirs of Cheryl Strayed who hiked across the Pacific Crest Trail in order to bring some sense to her life following the death of her mother and the breakup of her marriage. Witherspoon gives a wonderfully gritty performance as she comes to terms with the gruelling landscape and the challenges presented along her journey. We get to gradually understand her motivation through flashbacks of her life. We see her mother (Dern) leave an abusive relationship, taking her children with her and schooling them in how to embrace life. When her mother dies of cancer, Witherspoon’s life unravels and she goes off the rails. The experience of her adventure enables her to get her life back in perspective. It is a well-directed and acted movie, but the flashback scenes, whilst totally relevant to the story, are occasionally distracting and somehow detract from the portrayal of the ordeal of the hike. There are still touching and humorous moments along the way and the production team have managed to capture the beauty and danger of the wild.

Film Review – TWILIGHT (1998)

Image result for twilight 1998TWILIGHT (USA, 1998) ***
     Distributor: Paramount Pictures; Production Company: Cinehaus / Paramount Pictures / Scott Rudin Productions; Release Date: 6 March 1998 (USA), 4 December 1998 (UK); Filming Dates: 11 November 1996 – March 1997; Running Time: 95m; Colour: Colour; Sound Mix: Dolby Digital; Film Format: 35mm; Film Process: Spherical; Aspect Ratio: 1.85:1; BBFC Cert: 15 – strong language.
     Director: Robert Benton; Writer: Robert Benton, Richard Russo; Executive Producer: Michael Hausman; Producer: Arlene Donovan, Scott Rudin; Associate Producer: Scott Ferguson, David McGiffert; Director of Photography: Piotr Sobocinski; Music Composer: Elmer Bernstein; Film Editor: Carol Littleton; Casting Director: Ilene Starger; Production Designer: David Gropman; Art Director: David J. Bomba; Set Decorator: Beth A. Rubino; Costumes: Joseph G. Aulisi; Make-up: Bron Roylance; Sound: Maurice Schell; Special Effects: Larry Fioritto, Ric San Nicholas.
     Cast: Paul Newman (Harry Ross), Susan Sarandon (Catherine Ames), Gene Hackman (Jack Ames), Reese Witherspoon (Mel Ames), Stockard Channing (Lt. Verna Hollander), James Garner (Raymond Hope), Giancarlo Esposito (Reuben Escobar), Liev Schreiber (Jeff Willis), Margo Martindale (Gloria Lamar), John Spencer (Capt. Phil Egan), M. Emmet Walsh (Lester Ivar), Peter Gregory (Verna’s Partner), Rene Mujica (Mexican Bartender), Jason Clarke (Young Cop #1), Patrick Malone (Younger Cop), Lewis Arquette (Water Pistol Man), Michael Brockman (Garvey’s Bartender), April Grace (Police Stenographer), Clint Howard (EMS Worker), John Cappon (Paramedic), Neil Mather (Young Cop #2), Ron Sanchez (Crime Scene Detective), Jack Wallace (Interrogation Officer), Jeff Joy (Carl), Jonathan Scarfe (Cop). Uncredited: Stephanie Beaton (Beth Koski), Jennifer Tolkachev (Sunbather), Ron von Gober (Man Walking Down the Street with Boy).
     Synopsis: Private eye Harry Ross lives in the garage of his movie-star, cancer-ridden friend Jack and is attracted to Jack’s wife Catherine. After elderly Lester Ivar shoots at Harry and then dies, Harry learns that Ivar was investigating the disappearance of Catherine’s first husband.
     Comment: Modern neo-film noir tries too hard to create the atmosphere of the 1940s in 1990s LA. The result feels a little incongruous. The strength of the story is with its cast. Newman is as good as ever as the private eye who is torn between his loyalties and doing the right thing. Hackman, Garner and Sarandon all deliver quality performances. Martindale also scores as a chancer with an incompetent accomplice. Bernstein delivers a moody but derivative score. Benton’s script tries hard to be convoluted, but underneath is a straight-forward story of blackmail and murder. The character interaction keeps the plot interesting, but the ultimate solution to the mystery is a little underwhelming.
     Notes: The Ames residence is actually the former Cedric Gibbons-Delores Del Rio home, and a never-completed Frank Lloyd Wright house near Malibu served as the Ames’ ranch house.