Film Review – MAGNUM FORCE (1973)

Image result for magnum force 1973MAGNUM FORCE (USA, 1973) ***
      Distributor: Warner Bros. Pictures (USA), Columbia-Warner Distributors (UK); Production Company: The Malpaso Company; Release Date: 25 December 1973 (USA), 26 December 1973 (UK); Filming Dates: 24 April–late June 1973; Running Time: 124m; Colour: Technicolor; Sound Mix: Mono; Film Format: 35mm; Film Process: Panavision; Aspect Ratio: 2.35:1; BBFC Cert: 18.
      Director: Ted Post; Writer: John Milius, Michael Cimino (based on a story by John Milius and original material by Harry Julian Fink and Rita M. Fink); Producer: Robert Daley; Director of Photography: Frank Stanley; Music Composer: Lalo Schifrin; Film Editor: Ferris Webster; Casting Director: Nessa Hyams (uncredited); Art Director: Jack T. Collis; Set Decorator: John Lamphear; Costumes: Glenn Wright; Make-up: Joe McKinney; Sound: James R. Alexander; Special Effects: Sass Bedig.
      Cast: Clint Eastwood (Harry Callahan), Hal Holbrook (Lt. Briggs), Mitchell Ryan (McCoy), David Soul (Davis), Tim Matheson (Sweet), Kip Niven (Astrachan), Robert Urich (Grimes), Felton Perry (Early Smith), Maurice Argent (Nat Weinstein), Margaret Avery (Prostitute), Richard Devon (Ricca), Tony Giorgio (Palancio), Jack Kosslyn (Walter), Bob March (Estabrook), Bob McClurg (Cab Driver), John Mitchum (DiGiorgio), Russ Moro (Ricca’s Driver), Clifford A. Pellow (Guzman), Albert Popwell (Pimp), Christine White (Carol McCoy), Adele Yoshioka (Sunny).
      Synopsis: Eastwood’s Inspector Harry Callahan is on the trail of vigilante cops who are not above going beyond the law to kill the city’s undesirables.
      Comment: Sequel to DIRTY HARRY lacks the style and efficiency of the original, suffering from a sluggish pace at times. However, the set pieces are well-handled and Eastwood commands the screen in his signature role with much to enjoy in his verbal jousts with immediate superior Holbrook. Soul also makes an impression in an early career appearance as one of a group of four rookie cops, which also include Urich, Niven and Matheson. The story would have benefited from tighter editing – alterations and additions had been made to Milius’ original script adding some filler and unnecessary scenes. Schifrin’s memorable propulsive score riffs on his similar work on the first film.
      Notes: Suzanne Somers makes an uncredited appearance as one of the victims in the pool scene early in the film. Film debut of Urich. Second of five films in the series and followed by THE ENFORCER (1976), SUDDEN IMPACT (1983) and THE DEAD POOL (1988).

Film Review – HIGH PLAINS DRIFTER (1973)

Image result for high plains drifter 1973HIGH PLAINS DRIFTER (USA, 1973) ***½
      Distributor: Universal Pictures (USA), Cinema International Corporation (CIC) (UK); Production Company: The Malpaso Company; Release Date: 6 April 1973 (USA), 31 August 1973 (UK); Filming Dates: July-August 1972; Running Time: 105m; Colour: Technicolor; Sound Mix: Mono (Westrex Recording System); Film Format: 35mm; Film Process: Panavision; Aspect Ratio: 2.35:1; BBFC Cert: 18.
      Director: Clint Eastwood; Writer: Ernest Tidyman; Executive Producer: Jennings Lang; Producer: Robert Daley; Director of Photography: Bruce Surtees; Music Composer: Dee Barton; Film Editor: Ferris Webster; Casting Director: William Batliner, Robert J. LaSanka (both uncredited); Art Director: Henry Bumstead; Set Decorator: George Milo; Costumes: James Gilmore, Joanne Haas, Glenn Wright (all uncredited); Make-up: Joe McKinney, Gary Morris (both uncredited); Sound: James R. Alexander.
      Cast: Clint Eastwood (The Stranger), Verna Bloom (Sarah Belding), Marianna Hill (Callie Travers), Mitchell Ryan (Dave Drake), Jack Ging (Morgan Allen), Stefan Gierasch (Mayor Jason Hobart), Ted Hartley (Lewis Belding), Billy Curtis (Mordecai), Geoffrey Lewis (Stacey Bridges), Scott Walker (Bill Borders), Walter Barnes (Sheriff Sam Shaw), Paul Brinegar (Lutie Naylor), Richard Bull (Asa Goodwin), Robert Donner (Preacher), John Hillerman (Bootmaker), Anthony James (Cole Carlin), William O’Connell (Barber), John Quade (Jake Ross), Jane Aull (Townswoman), Dan Vadis (Dan Carlin), Reid Cruickshanks (Gunsmith), Jim Gosa (Tommy Morris), Jack Kosslyn (Saddlemaker), Russ McCubbin (Fred Short), Belle Mitchell (Mrs. Lake), John Mitchum (Warden), Carl Pitti (Teamster), Chuck Waters (Stableman), Buddy Van Horn (Marshall Jim Duncan).
      Synopsis: A gunfighting stranger comes to the small settlement of Lago and is hired to bring the townsfolk together in an attempt to hold off three outlaws who are on their way.
      Comment: Eastwood’s second directorial effort is an interesting supernatural Western that trades on the persona he built with Sergio Leone and is filmed with the efficiency he learned from Don Siegel. The black humour was a late addition as Eastwood looked to move the story away from writer Tidyman’s initial revenge theme to something more mysterious. Eastwood assembled a good cast and technical crew. The Mono Lake location presents a remote community and adds to the mystery as does the eerie score by Dee Barton. Eastwood would rework the theme in 1985s PALE RIDER.
      Notes: Universal Pictures wanted the film to be shot on the studio lot. Instead, Eastwood had a whole town built in the desert near Mono Lake in the California Sierras. Many of the buildings were complete, so that interiors could be shot on location. One of the headstones in the graveyard bears the name Sergio Leone as a tribute. Other headstones bear the names of Don Siegel and Brian G. Hutton. Patrick McGilligan’s 2002 Eastwood biography quotes the star as saying, “I buried my directors.”