Film Review – WESTBOUND (1959)

Related imageWESTBOUND (USA, 1959) ***
      Distributor: Warner Bros.; Production Company: Warner Bros.; Release Date: 25 April 1959 (USA), May 1959 (UK); Filming Dates: 8 October 1957-early November 1957; Running Time: 72m; Colour: WarnerColor; Sound Mix: Mono (RCA Sound Recording); Film Format: 35mm; Film Process: Spherical; Aspect Ratio: 1.85:1; BBFC Cert: U.
      Director: Budd Boetticher; Writer: Berne Giler (based on a story by Berne Giler and Albert S. Le Vino); Executive Producer: ; Producer: Henry Blanke; Director of Photography: J. Peverell Marley; Music Composer: David Buttolph; Film Editor: Philip W. Anderson; Art Director: Robey Cooper (uncredited); Costumes: Marie Blanchard, Alexander Velcoff (both uncredited); Sound: Samuel F. Goode.
      Cast: Randolph Scott (Capt. John Hayes), Virginia Mayo (Norma Putnam), Karen Steele (Jeanie Miller), Michael Dante (Rod Miller), Andrew Duggan (Clay Putnam), Michael Pate (Mace), Wally Brown (Stubby), John Daheim (Russ (as John Day)), Walter Barnes (Willis – Stage Depot Cook).
      Synopsis: In 1864 a Union captain goes to Colorado to take over the stagecoach line and keep the flow of Western gold flowing and help the North win the Civil War.
      Comment: This was the sixth collaboration between Scott and director Boetticher. However, this time writer Burt Kennedy is missing from the mix. The screenplay treatment here is by Giler and as such the story veers much more into the traditional B-movie territory. the story sees Union soldier Scott take over the Overland stage company to ensure gold gets from California to the Union coffers. Duggan and his confederate sympathising town are out to stop him. Duggan is aided by Pate’s gunslinger. Scott is commanding, as ever, and Steele and Duggan also turn in strong performances. Pate is a stock heavy and Dante lacks depth as the romantic hero returning from the war to his bride Steele with only one arm. Mayo is Scott’s ex-flame, now married to Duggan. The pot boils nicely toward its shootout finale before the whole thing is wrapped up a little too slickly. Perhaps the weakest of the Scott/Boetticher Westerns, but still an entertaining ride.

Film Review – DECISION AT SUNDOWN (1957)

DECISION AT SUNDOWN (USA, 1957) ***½
      Distributor: Columbia Pictures; Production Company: Columbia Pictures Corporation / Scott-Brown Productions; Release Date: 10 November 1957 (USA), January 1958 (UK); Filming Dates: 1 April 1957–24 April 1957; Running Time: 77m; Colour: Technicolor; Sound Mix: Mono (Westrex Recording System); Film Format: 35mm; Film Process: Spherical; Aspect Ratio: 1.85:1; BBFC Cert: PG.
      Director: Budd Boetticher; Writer: Charles Lang (based on a story by Vernon L. Fluharty); Producer: Harry Joe Brown; Associate Producer: Randolph Scott; Director of Photography: Burnett Guffey; Music Composer: Heinz Roemheld; Film Editor: Al Clark; Art Director: Robert Peterson; Set Decorator: Frank Tuttle; Costumes: Harvey Gerhard, Iva Walters (both uncredited); Make-up: Lee Greenway, Bob Mieding (both uncredited); Sound: John P. Livadary, Jean G. Valentino.
      Cast: Randolph Scott (Bart Allison), John Carroll (Tate Kimbrough), Karen Steele (Lucy Summerton), Valerie French (Ruby James), Noah Beery Jr. (Sam (as Noah Beery)), John Archer (Dr. John Storrow), Andrew Duggan (Sheriff Swede Hansen), James Westerfield (Otis), John Litel (Charles Summerton), Ray Teal (Morley Chase), Vaughn Taylor (Mr. Baldwin), Richard Deacon (Reverend Zaron), H.M. Wynant (Spanish).
      Synopsis: Scott and his sidekick arrive in the town of Sundown on the wedding day of the town boss, whom the Scott blames for his wife’s death years earlier.
      Comment: Well-made Western where all the characters are shades of grey. Scott delivers one of his best performances as an angst-ridden ex-civil war vet out for revenge on Carroll, who he believes drove his wife to suicide. Duggan is the town Sheriff, who is in Carroll’s pocket and Steele is the girl Carroll is about to marry, much to the annoyance of mistress French. The story is initially conventional in its straight-forward revenge plot, but once the siege is underway, the plot navigates several unexpected twists and turns leading the characters to re-evaluate themselves. A bold and strong script, with occasional contrivances, challenges standard Western conventions. Third of seven superior Westerns Scott and Boetticher made together.

Film Review – RIDE LONESOME (1959)

Image result for ride lonesome 1959RIDE LONESOME (USA, 1959) ****
      Distributor: Columbia Pictures; Production Company: Columbia Pictures Corporation / Ranown Pictures Corp.; Release Date: 15 February 1959; Filming Dates: began 14 August 1958 – 28 August 1958; Running Time: 73m; Colour: Eastmancolor; Sound Mix: Mono; Film Format: 35mm; Film Process: CinemaScope; Aspect Ratio: 2.35:1; BBFC Cert: U.
      Director: Budd Boetticher; Writer: Burt Kennedy; Executive Producer: Harry Joe Brown; Producer: Budd Boetticher, Randolph Scott; Director of Photography: Charles Lawton Jr.; Music Composer: Heinz Roemheld; Film Editor: Jerome Thoms; Art Director: Robert Peterson; Set Decorator: Frank Tuttle; Costumes: Ed Ware; Make-up: Al Greenway, Dave Grayson, Maybelle Carey; Sound: Harry D. Mills.
       Cast: Randolph Scott (Ben Brigade), Karen Steele (Mrs. Carrie Lane), Pernell Roberts (Sam Boone), James Best (Billy John), Lee Van Cleef (Frank), James Coburn (Whit), Bennie E. Dobbins (Outlaw), Roy Jenson (Outlaw), Dyke Johnson (Charlie), Boyd ‘Red’ Morgan (Outlaw), Boyd Stockman (Indian Chief).
       Synopsis: A wanted murderer, Billy John, is captured by Ben Brigade, a bounty hunter, who intends to take him to Santa Cruz to be hanged.
       Comment: Many regard this as the best of the Scott/Boetticher Westerns and it is certainly a strong vehicle. Kennedy’s lean script presents another battle of wills with Scott playing the silent bounty hunter with an ulterior motive around his prisoner, Best. Great support from Roberts, Best, Coburn (on debut) and Steele as a party thrown together and having to fend off attacks from Indians and Best’s outlaw brother (Van Cleef). The character layers are again what makes this story stand out from the crowded 1950s arena for the Western. Scott is at his stoic best toward the end of his career.