Film Review – THE OUTLAW JOSEY WALES (1976)

Image result for the outlaw josey walesTHE OUTLAW JOSEY WALES (USA, 1976) ****½
      Distributor: Warner Bros. (USA), Columbia-Warner Distributors (UK); Production Company: Warner Bros. / The Malpaso Company; Release Date: 26 June 1976 (USA), 29 August 1976 (UK); Filming Dates: 6 October – late November 1975; Running Time: 135m; Colour: DeLuxe; Sound Mix: Mono; Film Format: 35mm; Film Process: Panavision (anamorphic); Aspect Ratio: 2.39:1; BBFC Cert: 18.
      Director: Clint Eastwood; Writer: Philip Kaufman, Sonia Chernus (based on the book “Gone To Texas” by Forrest Carter); Producer: Robert Daley; Associate Producer: James Fargo, John G. Wilson; Director of Photography: Bruce Surtees; Music Composer: Jerry Fielding; Film Editor: Ferris Webster; Casting Director: Jack Kosslyn; Production Designer: Tambi Larsen; Set Decorator: Charles Pierce; Costumes: Glenn Wright; Make-up: Joe McKinney; Sound: Bert Hallberg; Special Effects: R.A. MacDonald, A. Paul Pollard, Frank Hafeman (uncredited).
      Cast: Clint Eastwood (Josey Wales), Chief Dan George (Lone Watie), Sondra Locke (Laura Lee), Bill McKinney (Terrill), John Vernon (Fletcher), Paula Trueman (Grandma Sarah), Sam Bottoms (Jamie), Geraldine Keams (Little Moonlight), Woodrow Parfrey (Carpetbagger), Joyce Jameson (Rose), Sheb Wooley (Travis Cobb), Royal Dano (Ten Spot), Matt Clark (Kelly), John Verros (Chato), Will Sampson (Ten Bears), William O’Connell (Sim Carstairs), John Quade (Comanchero Leader), Frank Schofield (Senator Lane), Buck Kartalian (Shopkeeper), Len Lesser (Abe), Doug McGrath (Lige), John Russell (Bloody Bill Anderson), Charles Tyner (Zukie Limmer), Bruce M. Fischer (Yoke), John Mitchum (Al), John Davis Chandler (First Bounty Hunter), Tom Roy Lowe (Second Bounty Hunter), Clay Tanner (First Texas Ranger), Bob Hoy (Second Texas Ranger), Madeleine Taylor Holmes (Grannie Hawkins), Erik Holland (Union Army Sergeant), Cissy Wellman (Josey’s Wife), Faye Hamblin (Grandpa), Danny Green (Lemuel).
      Synopsis: A Missouri farmer joins a Confederate guerrilla unit and winds up on the run from the Union soldiers who murdered his family.
     Comment: One of the best Westerns ever made, this often violent but epic tale works over a number of evolving themes and is also a remarkable character study. Eastwood the director allows the story sufficient room to breathe and develop and draws great performances from a strong cast. Eastwood the star fleshes out his standard persona into a characterisation that grows as the story progresses. Chief Dan George also gives a wonderful scene-stealing performance as an old Indian with an ironic sense of humour. The film is beautifully photographed by Surtees, who takes advantage of the autumnal vistas with great use of natural light. All other aspects of the production are top notch, with the authentic production design and costumes also standout aspects. Jerry Fielding’s score, nominated for the Academy Award for Original Music Score, is sparse and eschews the convention for big orchestral gestures, settling instead for sparse but subtly effectively interjections which heighten the tension in this mature and intelligent genre classic.
     Notes: Philip Kaufman started to direct the film but was replaced by Eastwood, a controversial move which prompted the DGA to institute a ban on any current cast or crew member replacing the director on a film – a rule which has ever since been titled the “Eastwood rule.” Based on the book “Gone to Texas” by Forrest Carter. Followed by THE RETURN OF JOSEY WALES (1986) without Eastwood.

Film Review – DIRTY HARRY (1971)

Image result for dirty harry 1971DIRTY HARRY (USA, 1971) ****½
      Distributor: Warner Bros. Pictures (US), Columbia-Warner Distributors (UK); Production Company: The Malpaso Company; Release Date: 21 December 1971 (USA), 30 March 1972 (UK); Filming Dates: 20 April 1971 – 18 June 1971; Running Time: 102m; Colour: Technicolor; Sound Mix: Mono; Film Format: 35mm; Film Process: Panavision; Aspect Ratio: 2.35:1; BBFC Cert: 15- contains strong violence.
       Director: Don Siegel; Writer: Harry Julian Fink & Rita M. Fink, and Dean Riesner (based on a story by Harry Julian Fink & Rita M. Fink); Executive Producer: Robert Daley; Producer: Don Siegel; Associate Producer: Carl Pingitore; Director of Photography: Bruce Surtees; Music Composer: Lalo Schifrin; Film Editor: Carl Pingitore; Casting Director: ; Art Director: Dale Hennesy; Set Decorator: Robert De Vestel; Costumes: Glenn Wright; Make-up: Gordon Bau; Sound: William Randall.
       Cast: Clint Eastwood (Harry), Harry Guardino (Bressler), Reni Santoni (Chico), John Vernon (The Mayor), Andrew Robinson (Killer), John Larch (Chief), John Mitchum (De Giorgio), Mae Mercer (Mrs. Russell), Lyn Edgington (Norma), Ruth Kobart (Bus Driver), Woodrow Parfrey (Mr. Jaffe), Josef Sommer (Rothko), William Paterson (Bannerman), James Nolan (Liquor Proprietor), Maurice Argent (Sid Kleinman), Jo de Winter (Miss Willis), Craig Kelly (Sgt. Reineke).
       Synopsis: When a mad man calling himself ‘the Scorpio Killer’ menaces the city, tough as nails San Francisco Police Inspector Harry Callahan is assigned to track down and ferret out the crazed psychopath.
      Comment: Classic renegade cop movie was highly Influential and redefined the crime genre for a new generation. Siegel directs an efficient and effective crime thriller in which Eastwood established the blueprint for all maverick cop characters that followed. Much maligned by liberal critics at the time for its approach, it has since grown significantly in reputation for its lean script and Eastwood’s career-defining performance. Robinson is also excellent as the psychotic serial killer. The cat-and-mouse nature of the plot is well realised and leads to a tense finale. The screenplay contains much quotable dialogue and adds depth to the characters as well as addressing its broader message. There is a dynamite jazz-rock music score from Schifrin, which adds significantly to the movie’s style.
      Notes: Serial killer Scorpio was loosely based on the Zodiac killer, who used to taunt police and media with notes about his crimes, in one of which he threatened to hijack a school bus full of children. This was Josef Sommer’s first film. The first of five movies starring Eastwood as Inspector “Dirty” Harry Callahan. Followed by MAGNUM FORCE (1973), THE ENFORCER (1976), SUDDEN IMPACT (1983) and THE DEAD POOL (1988).

Film Review – BRANNIGAN (1975)

Image result for brannigan 1975Brannigan (1975; UK; Colour; 111m) ***  d. Douglas Hickox; w. Christopher Trumbo, Michael Butler, William P. McGivern, William W. Norton; ph. Gerry Fisher; m. Dominic Frontiere.  Cast: John Wayne, Richard Attenborough, Judy Geeson, Mel Ferrer, Ralph Meeker, John Vernon, Lesley-Anne Down, Barry Dennen, Brian Glover, James Booth, Daniel Pilon, John Stride, Arthur Batanides, Pauline Delaney, Del Henney. An American detective is sent to London to bring back an American mobster who is being held for extradition. Nice twist on the fish-out-of-water formula with Wayne coasting on his charisma. Attenborough also adds a sprightly performance to this otherwise routine crime action thriller. Hickox directs with some flair although his shooting in London often resembles a tourist film capturing as many iconic shots as possible. [15]