Film Review – THE GODFATHER PART II (1974)

Robert De Niro and Leopoldo Trieste in The Godfather: Part II (1974)THE GODFATHER: PART II (USA, 1974) *****
      Distributor: Paramount Pictures (USA), Cinema International Corporation (CIC) (UK); Production Company: Paramount Pictures; Release Date: 13 December 1974 (USA), 15 May 1975 (UK); Filming Dates: 2 October 1973 – 19 June 1974; Running Time: 202m; Colour: Technicolor; Sound Mix: Mono; Film Format: 35mm; Film Process: Spherical; Aspect Ratio: 1.85:1; BBFC Cert: 15.
      Director: Francis Ford Coppola; Writer: Francis Ford Coppola, Mario Puzo (based on the novel by Mario Puzo); Executive Producer: Robert Evans (uncredited); Producer: Francis Ford Coppola; Associate Producer: Mona Skager; Director of Photography: Gordon Willis; Music Composer: Nino Rota, Carmine Coppola; Film Editor: Barry Malkin, Richard Marks, Peter Zinner; Casting Director: Jane Feinberg, Mike Fenton, Vic Ramos; Production Designer: Dean Tavoularis; Art Director: Angelo P. Graham; Set Decorator: George R. Nelson; Costumes: Theadora Van Runkle; Make-up: Charles H. Schram, Dick Smith; Sound: Nathan Boxer, Charles M. Wilborn; Special Effects: A.D. Flowers, Joe Lombardi.
      Cast: Al Pacino (Michael), Robert Duvall (Tom Hagen), Diane Keaton (Kay), Robert De Niro (Vito Corleone), John Cazale (Fredo Corleone), Talia Shire (Connie Corleone), Lee Strasberg (Hyman Roth), Michael V. Gazzo (Frankie Pentangeli), G.D. Spradlin (Sen. Pat Geary), Richard Bright (Al Neri), Gastone Moschin (Fanucci), Tom Rosqui (Rocco Lampone), Bruno Kirby (Young Clemenza), Frank Sivero (Genco), Francesca De Sapio (Young Mama Corleone), Morgana King (Mama Corleone), Marianna Hill (Deanna Corleone), Leopoldo Trieste (Signor Roberto), Dominic Chianese (Johnny Ola), Amerigo Tot (Michael’s Bodyguard), Troy Donahue (Merle Johnson), John Aprea (Young Tessio), Joe Spinell (Willi Cicci), Abe Vigoda (Tessio), Tere Livrano (Theresa Hagen), Gianni Russo (Carlo), Maria Carta (Vito’s Mother), Oreste Baldini (Vito Andolini – as a Boy), Giuseppe Sillato (Don Francesco), Mario Cotone (Don Tommasino), James Gounaris (Anthony Corleone), Fay Spain (Mrs. Marcia Roth), Harry Dean Stanton (F.B.I. Man #1), James Murdock (F.B.I. Man #2), Carmine Caridi (Carmine Rosato), Danny Aiello (Tony Rosato), Carmine Foresta (Policeman), Nick Discenza (Bartender), Joseph Medaglia (Father Carmelo), William Bowers (Senate Committee Chairman), Joseph Della Sorte (Michael’s Buttonman #1), Carmen Argenziano (Michael’s Buttonman #2), Joe Lo Grippo (Michael’s Buttonman #3), Ezio Flagello (Impressario), Livio Giorgi (Tenor in ‘Senza Mamma’), Kathleen Beller (Girl in ‘Senza Mamma’), Saveria Mazzola (Signora Colombo), Tito Alba (Cuban President), Johnny Naranjo (Cuban Translator), Elda Maida (Pentangeli’s Wife), Salvatore Po (Pentangeli’s Brother), Ignazio Pappalardo (Mosca), Andrea Maugeri (Strollo), Peter LaCorte (Signor Abbandando), Vincent Coppola (Street Vendor), Peter Donat (Questadt), Tom Dahlgren (Fred Corngold), Paul B. Brown (Sen. Ream), Phil Feldman (Senator #1), Roger Corman (Senator #2), Ivonne Coll (Yolanda), Joe De Nicola (Attendant at Brothel), Edward Van Sickle (Ellis Island Doctor), Gabriella Belloni (Ellis Island Nurse), Richard Watson (Customs Official), Venancia Grangerard (Cuban Nurse), Erica Yohn (Governess), Teresa Tirelli (Midwife).
      Synopsis: Continuing saga of the Corleone family as they move to Nevada and make the casino business their major income source under the leadership of the increasingly paranoid and malevolent Michael, whose reign as the “Don” is juxtaposed against the parallel tale of his father’s escape from Sicily as a young boy and his subsequent rise to power in New York’s Lower East Side during the turn-of-the-century.
      Comment: Coppola does the seemingly impossible by topping THE GODFATHER with a follow-up that has even more depth of character and plot. The parallel plot threads weave nicely together giving Pacino and De Niro the opportunity to showcase their considerable acting skills. The supporting cast is perfect with universally strong performances. Coppola’s direction is note-perfect as he seamlessly moves his story between locale and time period. The production design is sumptuous and, aided by Willis’ evocative cinematography, wonderfully captures the contrasts between the poverty experienced by the young Don Vito with the enormous wealth of his legacy. Pacino’s transformation into a single-minded and ultimately lonely and unforgiving figure is beautifully captured by the actor’s skilful performance.
      Notes: Winner of six Academy Awards, including Picture, Director, Supporting Actor (De Niro), Adapted Screenplay, Art Direction and Music. James Caan appears uncredited in a brief cameo. Extended version runs 220m. Followed by THE GODFATHER PART III (1990).

Film Review – EL DORADO (1966)

Related imageEl Dorado (1966; USA; Technicolor; 126m) ****½  d. Howard Hawks; w. Leigh Brackett; ph. Harold Rosson; m. Nelson Riddle.  Cast: John Wayne, Robert Mitchum, James Caan, Charlene Holt, Paul Fix, Arthur Hunnicutt, R.G. Armstrong, Edward Asner, Christopher George, Jim Davis, Michele Carey, Marina Ghane, Robert Donner, John Gabriel, Johnny Crawford. Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Hara. Together with an old Indian fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water. Western re-teams Hawks and Wayne with the second half of the movie being a re-working of RIO BRAVO (1959). Many of the elements of that classic are repeated here and whilst it doesn’t quite reach the heights of its inspiration it is still fabulous entertainment. Mitchum is superb as drunken sheriff. Caan and Hunnicutt also shine as the young protegee and old Indian fighter. The poem recited by Mississippi is an actual poem called “El Dorado” by Edgar Allan Poe. Based on the novel “The Stars in Their Courses” by Harry Brown. [PG]

Film Review – THE GODFATHER (1972)

Image result for the godfather blu-rayGodfather, The (1972; USA; Technicolor; 175m) ∗∗∗∗∗  d. Francis Ford Coppola; w. Francis Ford Coppola, Mario Puzo; ph. Gordon Willis; m. Nino Rota.  Cast: Marlon Brando, Al Pacino, James Caan, Robert Duvall, Diane Keaton, John Cazale, Talia Shire, Richard Castellano, Sterling Hayden, Gianni Russo, Rudy Bond, John Marley, Richard Conte, Al Lettieri, Abe Vigoda, Franco Citti, Lenny Montana, Al Martino, Joe Spinell, Simonetta Stefanelli, Morgana King, Alex Rocco, John Martino, Salvatore Corsitto. Epic tale of a 1940s New York Mafia family and their struggle to protect their empire from rival families as the leadership switches from the father to his youngest son. Superbly scripted and directed, this is the template for all gangster movies thereafter. Brando as the patriarch and Pacino as his heir are superb. A strong cast supports. Great period detail and production design by Dean Tavoularis. Winner of three Academy Awards: Best Movie, Actor (Brando) and Adapted Screenplay. Based on Puzo’s novel. In 1977, a special version for television titled The Godfather: A Novel for Television (1977) was prepared by director Francis Ford Coppola and editor Barry Malkin by re-editing THE GODFATHER (1972) and THE GODFATHER PART II (1974) in chronological order and adding deleted scenes. Extended version runs 200m. Followed by two sequels. [15]

Film Review – EL DORADO (1966)

Image result for el dorado blu-raYEl Dorado (1966; USA; Technicolor; 126m) ∗∗∗∗½  d. Howard Hawks; w. Leigh Brackett; ph. Harold Rosson; m. Nelson Riddle.  Cast: John Wayne, Robert Mitchum, James Caan, Charlene Holt, Paul Fix, Arthur Hunnicutt, R.G. Armstrong, Edward Asner, Christopher George, Jim Davis, Michele Carey, Marina Ghane, Robert Donner, John Gabriel, Johnny Crawford. Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Hara. Together with an old Indian fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water. Western re-teams Hawks and Wayne with the second half of the movie being a re-working of RIO BRAVO (1959). Many of the elements of that classic are repeated here and whilst it doesn’t quite reach the heights of its inspiration it is still fabulous entertainment. Mitchum is superb as drunken sheriff. Caan and Hunnicutt also shine as the young protegee and old Indian fighter. The poem recited by Mississippi is an actual poem called “El Dorado” by Edgar Allan Poe. Based on the novel “The Stars in Their Courses” by Harry Brown. [PG]