Film Review – REVENGE OF THE CREATURE (1955)

REVENGE OF THE CREATURE (USA, 1955) **½
      Distributor: Universal Pictures; Production Company: Universal International Pictures (UI); Release Date: 29 March 1955; Filming Dates: late Jun–early Aug 1954; Running Time: 82m; Colour: B&W; Sound Mix: Mono (Western Electric Recording); Film Format: 35mm; Film Process: Universal 3-D (dual-strip 3-D); Aspect Ratio: 2.00:1; BBFC Cert: PG – mild violence, scary scenes.
      Director: Jack Arnold; Writer: Martin Berkeley (based on a story by William Alland); Producer: William Alland; Director of Photography: Scotty Welbourne; Music Composer: William Lava, Herman Stein (both uncredited); Music Supervisor: Joseph Gershenson; Film Editor: Paul Weatherwax; Art Director: Alexander Golitzen, Alfred Sweeney; Set Decorator: Russell A. Gausman, Julia Heron; Costumes: Jay A. Morley Jr.; Make-up: Bud Westmore; Sound: Jack A. Bolger Jr, Leslie I. Carey.
      Cast: John Agar (Professor Clete Ferguson), Lori Nelson (Helen Dobson), John Bromfield (Joe Hayes), Nestor Paiva (Lucas), Grandon Rhodes (Jackson Foster), Dave Willock (Lou Gibson), Robert B. Williams (George Johnson), Charles Cane (Captain of Police).
      Synopsis: The Creature from the Black Lagoon is back! This time he’s captured by scientists and transported to an aquarium in south Florida.
      Comment: Sequel to CREATURE FROM THE BLACK LAGOON (1954) follows genre convention by having the creature (the Gill Man) taken from its natural habitat (the Amazon) to be exhibited at a sea life centre in Florida. There professor Agar and student Nelson study the creature and try to assess its level of intelligence. Of course, the creature escapes and mayhem ensues. There are some well-shot scenes that stand out as individual moments, but once the creature is on the rampage the film descends into routine thrills and chills. Agar is pretty wooden as the male lead, but Nelson is appealing. The finale is something of a let down in its swiftness of resolution.
      Notes: Look for a young, uncredited Clint Eastwood in his first screen appearance as a goofy lab assistant. Also shot in 3-D. Followed by THE CREATURE WALKS AMONG US (1956).

Film Review – CREATURE FROM THE BLACK LAGOON (1954)

Image result for creature from the black lagoonCREATURE FROM THE BLACK LAGOON (USA, 1954) ***½
     Distributor: Universal Pictures (USA), General Film Distributors (GFD) (UK); Production Company: Universal International Pictures (UI); Release Date: 12 February 1954 (USA), 9 December 1954 (UK); Filming Dates: 13 October 1953 – 15 November 1953; Running Time: 79m; Colour: B&W; Sound Mix: Mono (Western Electric Recording); Film Format: 35mm; Film Process: Universal 3-D (dual-strip 3-D); Aspect Ratio: 1.85:1; BBFC Cert: PG.
     Director: Jack Arnold; Writer: Harry Essex, Arthur A. Ross (based on a story by Maurice Zimm); Producer: William Alland; Director of Photography: William E. Snyder; Music Composer: Henry Mancini, Hans J. Salter, Herman Stein (all uncredited); Music Supervisor: Joseph Gershenson; Film Editor: Ted J. Kent; Art Director: Hilyard M. Brown, Bernard Herzbrun; Set Decorator: Russell A. Gausman, Ray Jeffers; Costumes: Rosemary Odell (wardrobe for Miss Adams); Make-up: Bud Westmore; Sound: Leslie I. Carey, Joe Lapis.
     Cast: Richard Carlson (David Reed), Julie Adams (Kay Lawrence), Richard Denning (Mark Williams), Antonio Moreno (Carl Maia), Nestor Paiva (Lucas), Whit Bissell (Dr. Thompson), Bernie Gozier (Zee), Henry A. Escalante (Chico). Uncredited: Ricou Browning (The Gill Man (in water)), Ben Chapman (The Gill Man (on land)), Art Gilmore (Narrator (voice)), Perry Lopez (Tomas), Sydney Mason (Dr. Matos), Rodd Redwing (Louis – Expedition Foreman).
     Synopsis: A strange prehistoric beast lurks in the depths of the Amazonian jungle. A group of scientists try to capture the animal and bring it back to civilization for study.
     Comment: Late contender in the classic Universal monster series has a basic plot and variable performances from its cast. These deficiencies are countered by the excellent creature design and some effective and tense underwater footage. Adams also makes for a strong heroine, with whom the creature has become fixated (echoes of “Beauty and the Beast”). The music score was compiled from work by three different uncredited composers as well as stock material, but the memorable (if oversued) creature theme was written by Stein.
     Notes: Underwater sequences were directed by James Curtis Havens and the creature was designed by Milicent Patrick. Originally produced in 3-D. Followed by REVENGE OF THE CREATURE (1955) and THE CREATURE WALKS AMONG US (1956).