Film Review – THE THING FROM ANOTHER WORLD (1951)

Image result for the thing from another worldTHE THING FROM ANOTHER WORLD (USA, 1951) ****½
      Distributor: RKO Radio Pictures (USA), General Film Distributors (GFD) (UK); Production Company: RKO Radio Pictures / Winchester Pictures Corporation; Release Date: 6 April 1951 (USA), 1 August 1952 (UK); Filming Dates: 25 October 1950 – 3 March 1951; Running Time: 87m; Colour: B&W; Sound Mix: Mono (RCA Sound System); Film Format: 35mm; Film Process: Spherical; Aspect Ratio: 1.37:1; BBFC Cert: PG – contains mild threat.
      Director: Christian Nyby; Writer: Charles Lederer (based on the story “Who Goes There?” by John W. Campbell Jr. (as Don A. Stuart)); Producer: Howard Hawks; Associate Producer: Edward Lasker; Director of Photography: Russell Harlan; Music Composer: Dimitri Tiomkin; Film Editor: Roland Gross; Art Director: Albert S. D’Agostino, John Hughes; Set Decorator: Darrell Silvera, William Stevens; Costumes: Michael Woulfe; Make-up: Lee Greenway; Sound: Phil Brigandi, Clem Portman; Special Effects: Donald Steward; Visual Effects: Linwood G. Dunn.
      Cast: Margaret Sheridan (Nikki Nicholson), Kenneth Tobey (Capt. Patrick Hendry), Robert Cornthwaite (Dr. Arthur Carrington), Douglas Spencer (Ned Scott), James Young (Lt. Eddie Dykes), Dewey Martin (Crew Chief Bob), Robert Nichols (Lt. Ken Erickson), William Self (Cpl. Barnes), Eduard Franz (Dr. Stern), Sally Creighton (Mrs. Chapman), James Arness (‘The Thing’). Uncredited: Edmund Breon (Dr. Ambrose), Nicholas Byron (Tex Richards), John Dierkes (Dr. Chapman), George Fenneman (Dr. Redding), Lee Tung Foo (Lee – a Cook), Paul Frees (Dr. Vorhees), Everett Glass (Dr. Wilson), ‘King Kong’ Kashey (Eskimo), David McMahon (Brig. Gen. Fogarty), Bill Neff (Bill Stone), Walter Ng (Second Cook), Charles Opunui (Eskimo), Norbert Schiller (Dr. Laurence), Robert Stevenson (Capt. Smith – Fogarty’s Aide), Riley Sunrise (Eskimo).
      Synopsis: Scientists and American Air Force officials fend off a blood-thirsty alien organism while at a remote arctic outpost.
      Comment: Although it plays loose with the source material this is a tense, tightly scripted and well-acted sci-fi that bears all the hallmarks of producer Hawks despite being credited as directed by his long-time editor Nyby. Hawks’ trademarks of overlapping dialogue and a strong female character (Sheridan) always ahead of her male suitor (Tobey) are immediately evident. The movie was to become a major influence on the sci-fi horror genre. Arness, in heavy make-up, is “The Thing” and Spencer’s warning to the world “Watch the skies” captures the political paranoia of the period.
      Notes: Re-issue version runs 81m. A remake, following the source material more closely, was released in 1982, which itself generated a prequel in 2011. The complete title of the viewed print was The Thing from Another World . In the opening credits, the words “The Thing” appear first in exaggerated, flaming type, followed by the words “from another world” in smaller, plain type. The picture was copyrighted in early Apr 1951 under the title The Thing . According to publicity materials contained in the file on the film at the AMPAS Library, producer Howard Hawks added the words “from another world” to avoid confusion with a novelty song entitled “The Thing,” which was a hit single at the time of the picture’s release. Margaret Sheridan, a former fashion model, made her screen debut in the picture.

Film Review – RIO LOBO (1970)

Image result for rio lobo 1970Rio Lobo (1970; USA; Technicolor; 114m) ***  d. Howard Hawks; w. Burton Wohl, Leigh Brackett; ph. William H. Clothier; m. Jerry Goldsmith.  Cast: John Wayne, Jack Elam, Jennifer O’Neill, Jorge Rivero, Christopher Mitchum, Victor French, Sherry Lansing, Susana Dosamantes, Mike Henry, David Huddleston, Bill Williams, Edward Faulkner. After the Civil War, Wayne searches for the traitor whose perfidy caused the defeat of his unit and the loss of a close friend. Hawks and Wayne team up for a final time in this entertaining, if derivative and slightly tired Western. Wayne and Elam, as a trigger-happy old rancher, stand out against a young and inexperienced cast delivering inconsistent performances. The finale replays that of RIO BRAVO (1959), which the team had previously riffed in EL DORADO (1966). Partly shot in Old Tuscon. Hawks’ final film. [PG]

Film Review – EL DORADO (1966)

Related imageEl Dorado (1966; USA; Technicolor; 126m) ****½  d. Howard Hawks; w. Leigh Brackett; ph. Harold Rosson; m. Nelson Riddle.  Cast: John Wayne, Robert Mitchum, James Caan, Charlene Holt, Paul Fix, Arthur Hunnicutt, R.G. Armstrong, Edward Asner, Christopher George, Jim Davis, Michele Carey, Marina Ghane, Robert Donner, John Gabriel, Johnny Crawford. Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Hara. Together with an old Indian fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water. Western re-teams Hawks and Wayne with the second half of the movie being a re-working of RIO BRAVO (1959). Many of the elements of that classic are repeated here and whilst it doesn’t quite reach the heights of its inspiration it is still fabulous entertainment. Mitchum is superb as drunken sheriff. Caan and Hunnicutt also shine as the young protegee and old Indian fighter. The poem recited by Mississippi is an actual poem called “El Dorado” by Edgar Allan Poe. Based on the novel “The Stars in Their Courses” by Harry Brown. [PG]

Film Review – HATARI! (1962)

Image result for hatari! 1962Hatari! (1962; USA; Technicolor; 157m) ****  d. Howard Hawks; w. Leigh Brackett; ph. Russell Harlan; m. Henry Mancini.  Cast: John Wayne, Hardy Kruger, Elsa Martinelli, Gerard Blain, Red Buttons, Bruce Cabot, Eduard Franz, Michele Girardon, Queenie Leonard, Major Sam Harris. A group of men trap wild animals in Africa and sell them to zoos. Will the arrival of a female wildlife photographer change their ways? Vastly entertaining adventure has no plot and instead asks you to spend two-and-a-half hours in the company of likeable characters doing dangerous work in an exciting location. Hawks taps into his trademark themes of group camaraderie. Whilst the performances are mixed – some of the younger cast are a little wooden – there is much to enjoy in the central performances of Wayne, Martinelli and Buttons. Mancini contributes a catchy score – notably during the “Elephant Walk”. Based on a story by Harry Kurnitz. [U]

Film Review – RIO BRAVO (1959)

Related imageRio Bravo (1959; USA; Technicolor; 141m) *****  d. Howard Hawks; w. Jules Furthman, Leigh Brackett; ph. Russell Harlan; m. Dimitri Tiomkin.  Cast: John Wayne, Walter Brennan, Ward Bond, Dean Martin, Angie Dickinson, John Russell, Ricky Nelson, Claude Akins, Bob Steele, Myron Healey, Estelita Rodriguez, Malcolm Atterbury, Yakima Canutt, Pedro Gonzalez Gonzalez, Bing Russell. A small-town sheriff in the American West enlists the help of a cripple, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy. Superb entertainment with characters you can route for and a near perfect cast. The interplay and contrast between the characters is what makes this so enjoyable. Wayne is at his stoic best as the sheriff; Martin delivers his finest performance as the recovering drunk; Brennan cackles and grumbles his way through his most memorable role as Stumpy and Dickinson oozes appeal as the girl with a past who falls for Wayne. Even Nelson gets through a slightly stiff portrayal of a young gunslinger and has time to share a tune with Martin. Escapist cinema at its very finest. Based on a short story by B.H. McCampbell (Hawks’ daughter). In 2014, the film was deemed “culturally, historically, or aesthetically significant” by the Library of Congress and selected for preservation in the National Film Registry. More or less remade as EL DORADO (1966) and elements were also adopted in RIO LOBO (1970). Inspiration for John Carpenter’s ASSAULT ON PRECINCT 13 (1976). [PG]

Film Review – RED RIVER (1948)

Red River (1948 film) movie scenesRed River (1948; USA; B&W; 133m) ****½  d. Howard Hawks, Arthur Rosson; w. Borden Chase, Charles Schnee; ph. Russell Harlan; m. Dimitri Tiomkin.  Cast: John Wayne, Montgomery Clift, Walter Brennan, Joanne Dru, Coleen Gray, John Ireland, Noah Beery Jr., Harry Carey, Harry Carey Jr., Paul Fix, Chief Yowlachie, Hank Worden, Mickey Kuhn, Hal Taliaferro, Shelley Winters. A rancher is driving his cattle to Red River when his adopted son turns against him. Wayne is excellent in an unsympathetic role as the trail boss. Clift and Brennan are just as good in support. The photography captures the toughness of a long cattle drive and Tiomkin contributes a memorable score. Hawks handles the story perfectly through to its finale, which strikes the only false note in an otherwise top-class production. Filmed in 1946 but held for release for two years, in part due to legal problems with Howard Hughes who claimed it was similar to his THE OUTLAW. Borden adapted his own story. Remade for TV in 1988. [PG]

Film Review – TO HAVE AND HAVE NOT (1944)

Image result for to have and have not 1944To Have and Have Not (1944; USA; B&W; 100m) ****½  d. Howard Hawks; w. Jules Furthman, William Faulkner; ph. Sid Hickox; m. Franz Waxman.  Cast: Humphrey Bogart, Walter Brennan, Lauren Bacall, Dolores Moran, Hoagy Carmichael, Sheldon Leonard, Walter Szurovy, Marcel Dalio, Walter Sande, Dan Seymour, Aldo Nadi. During World War II, an American expatriate helps transport a French Resistance leader and his beautiful wife to Martinique while romancing a sexy lounge singer. Hawks worked with themes that sustained him throughout his career and many of his signature moments are on display here. The chemistry between Bogart and Bacall nearly melts the screen and their dialogue is wonderful. The plot mirrors some of the themes seen in Bogart’s earlier classic CASABLANCA and this comes very close to repeating the earlier film’s success. Filled with excellent character performances from a strong supporting cast and finding room for a handful of musical numbers, this is entertainment of the highest order. Based on the novel by Ernest Hemingway. Legendarily, Hawks bragged to Hemingway that he could take the worst of his novels, and make a good film of it. He did this by disregarding the novel’s contents. [PG]

Film Review – RIO LOBO (1970)

Image result for rio lobo blu-rayRio Lobo (1970; USA; Technicolor; 114m) ∗∗∗½  d. Howard Hawks; w. Burton Wohl, Leigh Brackett; ph. William H. Clothier; m. Jerry Goldsmith.  Cast: John Wayne, Jack Elam, Jennifer O’Neill, Jorge Rivero, Christopher Mitchum, Victor French, Mike Henry, David Huddleston, Bill Williams, Edward Faulkner. After the Civil War, Wayne searches for the traitor whose perfidy caused the defeat of his unit and the loss of a close friend. Hawks and Wayne team up for a final time in this entertaining, if derivative, Western. Wayne and Elam, as a trigger happy old rancher, stand out against a young and inexperienced cast. The finale replays that of RIO BRAVO (1959), which the team had previously riffed in EL DORADO (1966). Hawks’ final film. [PG]

Film Review – EL DORADO (1966)

Image result for el dorado blu-raYEl Dorado (1966; USA; Technicolor; 126m) ∗∗∗∗½  d. Howard Hawks; w. Leigh Brackett; ph. Harold Rosson; m. Nelson Riddle.  Cast: John Wayne, Robert Mitchum, James Caan, Charlene Holt, Paul Fix, Arthur Hunnicutt, R.G. Armstrong, Edward Asner, Christopher George, Jim Davis, Michele Carey, Marina Ghane, Robert Donner, John Gabriel, Johnny Crawford. Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Hara. Together with an old Indian fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water. Western re-teams Hawks and Wayne with the second half of the movie being a re-working of RIO BRAVO (1959). Many of the elements of that classic are repeated here and whilst it doesn’t quite reach the heights of its inspiration it is still fabulous entertainment. Mitchum is superb as drunken sheriff. Caan and Hunnicutt also shine as the young protegee and old Indian fighter. The poem recited by Mississippi is an actual poem called “El Dorado” by Edgar Allan Poe. Based on the novel “The Stars in Their Courses” by Harry Brown. [PG]

Film Review – RIO BRAVO (1959)

Image result for rio bravo blu-rayRio Bravo (1959; USA; Technicolor; 141m) ∗∗∗∗∗  d. Howard Hawks; w. Jules Furthman, Leigh Brackett; ph. Russell Harlan; m. Dimitri Tiomkin.  Cast: John Wayne, Walter Brennan, Ward Bond, Dean Martin, Angie Dickinson, John Russell, Ricky Nelson, Claude Akins, Bob Steele, Myron Healey, Estelita Rodriguez, Malcolm Atterbury, Yakima Canutt, Pedro Gonzalez Gonzalez, Bing Russell. A small-town sheriff in the American West enlists the help of a cripple, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy. Superb entertainment with characters you can route for and a near perfect cast. The interplay and contrast between the characters is what makes this so enjoyable. Wayne is at his stoic best as the sheriff; Martin delivers his finest performance as the recovering drunk; Brennan cackles and grumbles his way through his most memorable role as Stumpy and Dickinson oozes appeal as the girl with a past who falls for Wayne. Even Nelson gets through a slightly stiff portrayal fo a young gunslinger and has time to share a tune with Martin. Escapist cinema at its best. Based on a short story by B.H. McCampbell. More or less remade as EL DORADO (1966) and elements were also adopted in RIO LOBO (1970). Inspiration for John Carpenter’s ASSAULT ON PRECINCT 13 (1976). [PG]