TV Review – THE WAR OF THE WORLDS (2019)

Image result for the war of the worlds bbcTHE WAR OF THE WORLDS (UK, 2019) **½
      Distributor: ITV Studios Global Entertainment; Production Company: Mammoth Screen / British Broadcasting Corporation (BBC) / Creasun Media American; Release Date: 17, 24 November & 1 December 2019; Running Time: 3 x 60m; Colour: Colour; Sound Mix: Stereo; Film Format: HD; Aspect Ratio: 2.00:1; BBFC Cert: 15.
      Director: Craig Viveiros; Writer: Peter Harness (based on the novel by H.G. Wells; Producer: Betsan Morris Evans; Executive Producer:Jamie Brown, Peter Harness, Minglu Ma, Preethi Mavahalli, Damien Timmer, Craig Viveiros; Director of Photography: James Friend; Music Composer: Russ Davies; Film Editor: Adam Bosman, Josh Mallalieu; Production Designer: Pat Campbell; Casting: Karen Lindsay-Stewart; Costumes: Howard Burden; Make-up: Amy Stewart; Sound: Jonathan Seale; Special Effects Supervisor: Chris Reynolds; Visual Effects Supervisor: Stephen Coren, Sally Goldberg, Ivor Middleton.
      Cast: Eleanor Tomlinson (Amy), Robert Carlyle (Ogilvy), Rafe Spall (George), Jonathan Aris (Priest), Rupert Graves (Frederick), Woody Norman (George Junior), Nicholas Le Prevost (Chamberlain), Susan Wooldridge (Mrs. Elphinstone), Taliyah Blair (Lillian), Reid Anderson (Stall Holder), Philip Gascoyne (Navy Officer), Charles De’Ath (Greaves), Joey Batey (Henderson), Sam Benjamin (Salesman), Freya Allan (Mary), Christopher Hatherall (Naval Lieutenant), Daniel Cerqueira (Stent), Aisling Jarrett-Gavin (Lucy), Bradley Cottrell (Newspaper Boy), Harry Melling (Artilleryman), Kieron Bimpson (Captain), Cokey Falkow (Army Officer), Milo Twomey (Sergeant Major), Michele Donockley (Red Planet Survivor).
      Synopsis: Set in Edwardian England, this new adaptation of H.G. Wells’ seminal tale – the first alien invasion story in literature – follows George (Spall) and his partner Amy (Tomlinson) as they attempt to defy society and start a life together. The War of the Worlds tells their story as they face the escalating terror of an alien invasion, fighting for their lives against an enemy beyond their comprehension.
      Comment: This adaptation of H.G.Wells’ classic novel plays loose with its source material and clumsily attempts to invent its own allegorical agenda with references to British colonialism. Rather than follow the novel’s linear narrative we jump between scenes set during the invasion and three years after into a post-apocalyptic landscape. The latter scenes only serve to slow the narrative and remove any fluidity and excitement that the invasion generates. Split across three hour-long episodes, the story feels overly stretched despite the occasional excitements and moments of tension. Tomlinson is good as the heroine who is conflicted between her bravery and responsibility to her unborn child. Spall is also okay as an everyman out of his depth. Carlyle, however, is wasted in a role that largely consigns him to the periphery of the action. What lets the production down is the writing, which is often stilted and provides a totally unsatisfying conclusion which clumsily attempts to be symbolic. Viveiros struggles to lift the material and settles for long moments of slow-motion action and introspection, which further dilute some of the set pieces. Technical attributes, however, are pretty good for the limited TV budget.

Film Review – ISLAND OF LOST SOULS (1932)

Island of Lost Souls (1932; USA; B&W; 70m) ****  d. Erle C. Kenton; w. Waldemar Young, Philip Wylie; ph. Karl Struss; m. Arthur Johnston, Sigmund Krumgold.  Cast: Charles Laughton, Bela Lugosi, Richard Arlen, Leila Hyams, Kathleen Burke, Stanley Fields, Arthur Hohl, Paul Hurst, George Irving, Tetsu Komai, Hans Steinke. An obsessed scientist conducts profane experiments in evolution, eventually establishing himself as the self-styled demigod to a race of mutated, half-human abominations. Laughton is terrific in this creepy and atmospheric horror movie. It may seem a little creaky by today’s standards and tension would have been built even more with a full music score, but this remains an unsettling and memorable viewing experience. Special nod goes to make-up man Wally Westmore for his creations. Burke is billed at “The Panther Woman”. It was not passed for release by British censors until 1958 – and even then, with cuts. Based on the novel “The Island of Dr. Moreau” by H.G. Wells. Remade in 1977 and 1996. [PG]

Film Review – THE TIME MACHINE (1960)

Image result for the time machine 1960 blu-ray premium collectionTime Machine, The (1960; USA; Metrocolor; 103m) ****  d. George Pal; w. David Duncan; ph. Paul Vogel; m. Russell Garcia.  Cast: Rod Taylor, Yvette Mimieux, Alan Young, Sebastian Cabot, Tom Helmore, Whit Bissell, Doris Lloyd, Paul Frees, Bob Barran, Josephine Powell, James Skelly. A Victorian Englishman travels to the far future and finds that humanity has divided into two hostile species. Definitive version has great production values, a strong central performance from Taylor and the nightmarish ultimate evolution in the Morlocks. Works as a prophetic tale of the impact of man’s need for eternal conflict through imaginative vignettes. Dramatic score by Garcia adds to the atmosphere. Won an Oscar for Special Effects (Gene Warren, Tim Baar). Remade in 1978 (for TV) and 2002. [PG]