Film Review – THE BEGUILED (1971)

Image result for the beguiled 1971THE BEGUILED (USA, 1971) ****
      Distributor: Universal Pictures (USA), Cinema International Corporation (CIC) (UK); Production Company: The Malpaso Company; Release Date: 31 March 1971 (USA), July 1971 (UK); Filming Dates: 9 April 1970; Running Time: 105m; Colour: Technicolor; Sound Mix: Mono (Westrex Recording System); Film Format: 35mm; Film Process: Spherical; Aspect Ratio: 1.85:1; BBFC Cert: 15 – moderate language, sex and violence.
      Director: Don Siegel; Writer: John B. Sherry, Grimes Grice (based on the novel “The Painted Devil” by Thomas Cullinan); Executive Producer: Jennings Lang; Producer: Don Siegel; Associate Producer: Claude Traverse; Director of Photography: Bruce Surtees; Music Composer: Lalo Schifrin; Film Editor: Carl Pingitore; Casting Director: Robert J. LaSanka; Production Designer: Ted Haworth; Art Director: Alexander Golitzen; Set Decorator: John P. Austin; Costumes: Helen Colvig; Make-up: Bud Westmore; Sound: John L. Mack, Waldon O. Watson.
      Cast: Clint Eastwood (John McBurney), Geraldine Page (Martha), Elizabeth Hartman (Edwina), Jo Ann Harris (Carol), Darleen Carr (Doris), Mae Mercer (Hallie), Pamelyn Ferdin (Amy), Melody Thomas Scott (Abigail), Peggy Drier (Lizzie), Patricia Mattick (Janie), Charlie Briggs (1st Confederate Captain), George Dunn (Sam Jefferson), Charles G. Martin (2nd Confederate Captain), Matt Clark (Scrogins), Patrick Culliton (Miles Farnswoth), Buddy Van Horn (Soldier).
      Synopsis: During the Civil War a wounded Union soldier who has been taken in at a Southern girls’ school. The girls become curious and then sensuous. But when jealousy sparks, the anger is ultimately focused on the soldier.
      Comment: This is a haunting tale in which Eastwood plays against type in an unsympathetic role. Themes of sexual repression and sodomy are well-handled by Siegel, never crossing the line into exploitation. Page is excellent as the headmistress with her own secrets. The production is handsomely mounted and beautifully photographed by Surtees. The sexual tension builds throughout the story as Eastwood manipulates the naivety of his saviours. He gives his best screen performance to date as a result.
      Notes: Remade in 2017.

Film Review – HONDO (1953)

Image result for hondo 1953Hondo (1953; USA; Warnercolor; 83m) ****  d. John Farrow; w. James Edward Grant; ph. Robert Burks, Archie Stout; m. Hugo Friedhofer, Emil Newman.  Cast: John Wayne, Geraldine Page, Ward Bond, Michael Pate, Lee Aaker, James Arness, Paul Fix, Rodolfo Acosta, Leo Gordon, Tom Irish. An army despatch rider discovers a woman and her son living in the midst of warring Apaches, and he becomes their protector. Wayne in one of his best roles as drifter with Indian heritage. Page also impressive as the abandoned mother. Echoes of SHANE released a few months earlier. Great dialogue and well-choreographed action sequences add to impressive tale. Based on the story by Louis L’Amour. Film debut of Page. Originally filmed in 3-D. Followed by a TV series in 1967, two episodes of which were edited into the TV movie HONDO AND THE APACHES (1967). [PG]

Film Review – KOJAK: A SHIELD FOR MURDER (TV) (1976)

Image result for kojak a shield for murderKojak: A Shield for Murder (TV) (1976; USA; Technicolor; 96m) ***½  d. Jeannot Szwarc; w. William P. McGivern, Robert Malcolm Young; ph. Sol Negrin; m. John Cacavas.  Cast: Telly Savalas, Geraldine Page, Charles Kimbrough, Michael Lombard, Dan Frazer, Kevin Dobson, George Savalas, Kenneth McMillan, Thom Christopher, Janet Ward, Frederick Coffin, Mary Beth Hurt, Lester Rawlins. A young man is killed by police after he attempts to kill an assistant district attorney at a courthouse. Kojak learns that the young man was a boyfriend of an ice skater who is in prison for the murder of her mother two years before. But when he tries to look further into the case, he gets pressured to drop it, with the orders ultimately coming from a powerful political operative. Highly effective feature-length episode in the Kojak series plays of themes of political greed, corruption and psychological torment. The performances are first-rate – notably Hurt as the tortured victim of the cover-up and Page as the orchestrator. Savalas is a commanding presence in his signature role. From the fourth season of the series. [PG]