Film Review – THE BOUNTY HUNTER (1954)

RANDOLPH SCOTT BOUNTY HUNTER 1954 11X14 LOBBY CARD SETTHE BOUNTY HUNTER (USA, 1954) ***
     Distributor: Warner Bros.; Production Company: Warner Bros. / Transcona Enterprises; Release Date: 25 September 1954; Filming Dates: 14 July–early Aug 1953; Running Time: 79m; Colour: WarnerColor; Sound Mix: Mono (RCA Sound System); Film Format: 35mm; Film Process: WarnerVision (dual-strip 3-D); Aspect Ratio: 1.75:1; BBFC Cert: PG.
     Director: André De Toth; Writer: Winston Miller (based on a story by Winston Miller and Finlay McDermid); Producer: Samuel Bischoff; Director of Photography: Edwin B. DuPar; Music Composer: David Buttolph; Film Editor: Clarence Kolster; Art Director: Stanley Fleischer; Set Decorator: William Wallace; Costumes: Moss Mabry; Make-up: Gordon Bau; Sound: Francis J. Scheid.
     Cast: Randolph Scott (Jim Kipp), Dolores Dorn (Julie Spencer), Marie Windsor (Alice Williams), Howard Petrie (Sheriff Brand), Harry Antrim (Dr. R.L. Spencer), Robert Keys (George Williams), Ernest Borgnine (Bill Rachin), Dub Taylor (Eli Danvers (as Dubb Taylor)), Tyler MacDuff (Vance Edwards), Archie Twitchell (Harrison), Paul Picerni (Jud), Phil Chambers (Ed), Mary Lou Holloway (Mrs. Harrison).
     Synopsis: A year after a violent train robbery the Pinkerton detective agency hires a bounty hunter to find the three remaining killers.
     Comment: Scott is in great form as a single-minded bounty hunter hired by Pinkerton’s to track down three fugitives. This takes him to a respectable town where the fugitives have blended in with the decent townsfolk. Scott takes time to romance Dorn (making her big-screen debut) whilst he slowly coaxes out his prey. This is an above-average Western, initially shot in 3-D but never released in that format. Some shots betray the process origins, but the action scenes are well-handled, the plot bubbles along nicely and De Toth gets the best out of a decent cast. A rousing score from Buttolph helps heighten the drama.

Film Review – ESCAPE FROM NEW YORK (1981)

Related imageEscape from New York (1981; UK/USA; Metrocolor; 99m) ***½  d. John Carpenter; w. John Carpenter, Nick Castle; ph. Dean Cundey, George D. Dodge; m. John Carpenter, Alan Howarth.  Cast: Kurt Russell, Ernest Borgnine, Lee Van Cleef, Donald Pleasence, Harry Dean Stanton, Isaac Hayes, Season Hubley, Adrienne Barbeau, Tom Atkins, Charles Cyphers, Frank Doubleday, John Stobel, Bob Minor, John Diehl, George “Buck” Flower. In 1997, when the US President crashes into Manhattan, now a giant max. security prison, a convicted bank robber is sent in for a rescue. Cult classic may have dated, notably in the visual effects, but still has much to enjoy. Russell deftly essays Clint Eastwood in his portrayal of Snake Plissken. Good support cast of oddball characters and some nice tongue-in-cheek touches from director/co-writer Carpenter. Grimy and decadent representation of Manhattan as a prison city is well realised. Followed by ESCAPE FROM L.A. (1996). [15]

Film Review – THE WILD BUNCH (1969)

Image result for the wild bunch 1969Wild Bunch, The (1969; USA; Technicolor; 145m) ****½  d. Sam Peckinpah; w. Walon Green, Sam Peckinpah, Roy N. Sickner; ph. Lucien Ballard; m. Jerry Fielding.  Cast: William Holden, Ernest Borgnine, Robert Ryan, Strother Martin, Edmond O’Brien, Warren Oates, Ben Johnson, Jaime Sanchez, L.Q. Jones, Emilio Fernandez, Albert Dekker, Bo Hopkins, Dub Taylor, Paul Harper, Jorge Russek. An aging group of outlaws look for one last big score as the “traditional” American West is disappearing around them. Ultra-violent statement from Peckinpah symbolising the passing of the Old West and the introduction of modern warfare. Immaculately shot and edited with a percussive doom-laden score by Fielding. Veterans Holden and Ryan in particular are superb and are well supported by a strong stalwart cast. Opening and closing shootouts are brutal. [18]