GUNSMOKE: RETURN TO DODGE (TV) (1987, USA) ***
dist. Columbia Broadcasting System (CBS); pr co. CBS Entertainment Production; d. Vincent McEveety; w. Jim Byrnes; pr. John Mantley, Stanley Hough; ph. Charles Correll (Colour. 35mm. Spherical. 1.33:1); m. Jerrold Immel; m sup. Robert Drasnin; ed. Ray Daniels; pd. Albert Heschong; set d. Bruce Sinski; cos. Frances Harrison Hays; m/up. Al Magallon, Iloe Flewelling, Byrd Holland; sd. G. Michael Graham (Mono); st. Billy Burton, Brent Woolsey; rel. 26 September 1987 (USA); cert: 15; r/t. 100m.
cast: James Arness (Matt Dillon), Amanda Blake (Kitty), Buck Taylor (Newly), Fran Ryan (Hannah), Earl Holliman (Jake Flagg), Ken Olandt (Lt. Dexter), William Morgan Sheppard (Digger McCloud), Patrice Martinez (Bright Water), Tantoo Cardinal (Little Doe), Steve Forrest (Will Mannon), Mickey Jones (Oakum), Frank Totino (Logan), Robert Koons (Warden Amos Brown), Walter Kaasa (Judge Collins), Georgie Collins (Mrs. Collins), Tony Epper (Farnum McCloud), Louie Elias (Bubba), Ken Kirzinger (Potts), Denny Arnold (Clyman), Alex Green (The Flogger).
Will Mannon (Forrest) is released from a frontier prison and promptly goes in search of the people who put him there some 12 years ago — Matt Dillon (Arness) and Kitty Russell (Blake). This TV movie plays heavily on nostalgia with a few references to episodes from the latter stages of the series’ original twenty year run. This is a sequel to the episode “Mannon”, which aired in January 1969. Forrest picks up where he left off from that show as the villain sworn on revenge and who has no redeeming characteristics. He shares screen time with a secondary plot line involving Holliman, who escapes prison in an attempt to warn Arness, but become embroiled with former gang members looking to chase him down for the bounty. Arness gives a mean and gritty performance and is briefly reunited with Blake, who slips easily back into her role as Kitty. The finale is an inevitable showdown on the streets of Dodge City which harks back to the early days of the show. Filmed not in the wilds of Kansas but in the picturesque Alberta, Canada. Followed by GUNSMOKE: THE LAST APACHE (1990).
CANNON (TV) (1971, USA) ***
Action, Crime, Mystery, Drama
dist. Columbia Broadcasting System (CBS); pr co. Quinn Martin Productions / Columbia Broadcasting System (CBS); d. George McCowan; w. Edward Hume; exec pr. Quinn Martin; pr. Arthur Fellows, Adrian Samish; ass pr. Howard P. Alston; ph. John A. Alonzo (Colour. 35mm. Spherical. 1.33:1); m. John Carl Parker; ed. Jerry Young; ad. Philip Barber; set d. Ray Molyneaux; cos. Dorothy H. Rodgers, Eric Seelig; m/up. Richard Cobos, Gloria Montemayor; sd. Robert J. Miller (Mono (Westrex Recording System)); rel. 26 March 1971 (USA), 21 October 1972 (UK); cert: PG; r/t. 98m.
cast: William Conrad (Frank Cannon), J.D. Cannon (Lt. Kelly Redfield), Lynda Day George (Christie Redfield), Murray Hamilton (Virgil Holley), Earl Holliman (Magruder), Vera Miles (Diana Langston), Barry Sullivan (Calhoun), Keenan Wynn (Eddie), Lynne Marta (Trudy Hewett), Norman Alden (Mitchell), Ellen Corby (Teacher), John Fiedler (Jake), Lawrence Pressman (Herb Mayer), Ross Hagen (Red Dunleavy), Robert Sorrells (Tough in Blue Moon bar), Pamela Dunlap (Laverne Holley), Jimmy Lydon (Betting Clerk), William Joyce (Ken Langston), Wayne McLaren (Jackie / T.J.).
William Conrad stars as portly private detective Frank Cannon who investigates the murder of his ex-girlfriend (Miles)’s husband and gets entangled in small-town corruption. This is the pilot for the long-running series, which ran for five seasons from 1972-76. The story may be a standard mystery, but Conrad’s colourful performance and a strong guest cast make it an enjoyable movie. McCowan directs with some flair and adds a gritty realism through his frequent use of hand-held camera. A reunion movie THE RETURN OF FRANK CANNON (1980) appeared later.
ALIAS SMITH AND JONES (TV) (USA, 1971) ***½
Distributor: American Broadcasting Company (ABC); Production Company: Universal Television; Release Date: 5 January 1971 (USA), 19 April 1971 (UK); Filming Dates: 8-28 October 1970; Running Time: 74m; Colour: Technicolor; Sound Mix: Mono; Film Format: 35mm; Film Process: Spherical; Aspect Ratio: 1.33:1; BBFC Cert: PG.
Director: Gene Levitt; Writer: Glen A. Larson, Douglas Heyes (based on a story by Glen A. Larson); Executive Producer: Frank Price; Producer: Glen A. Larson; Director of Photography: John M. Stephens; Music Composer: Billy Goldenberg; Film Editor: Bob Kagey; Art Director: George C. Webb; Set Decorator: Mickey S. Michaels; Costumes: Grady Hunt; Make-up: Bud Westmore, Larry Germain; Sound: Melvin M. Metcalfe Sr.
Cast: Pete Duel (Hannibal Heyes (alias Joshua Smith)), Ben Murphy (Jed ‘Kid’ Curry (alias Thaddeus Jones)), Forrest Tucker (Deputy Harker Wilkins), Susan Saint James (Miss Porter), James Drury (Sheriff Lom Trevors), Jeanette Nolan (Miss Birdie Pickett), Earl Holliman (Wheat), Dennis Fimple (Kyle), Bill Fletcher (Kane), John Russell (Marshall), Charles Dierkop (Shields), Bill McKinney (Lobo), Sid Haig (Outlaw), Jerry Harper (Outlaw), Jon Shank (Outlaw), Peter Brocco (Pincus), Harry Hickox (Bartender), Owen Bush (Engineer), Julie Cobb (Young Girl).
Synopsis: A pair of outlaws seeking amnesty from the Governor must stay incognito and out of trouble in a town while a friend pleads their case. The wait is complicated by a lovely bank manager and the arrival of members of their former gang.
Comment: Light-hearted spin on BUTCH CASSIDY AND THE SUNDANCE KID (1969) coasts on the charm of Duel and Murphy who are backed by a strong guest cast. Duel and Murphy play Hannibal Heyes and Kid Curry, two outlaws who are seeking amnesty as technology and improved communication systems put their train and bank robbing days behind them. The rest of their gang, led by the excellent Holliman, arrive in a town where Duel and Murphy have taken on honest jobs working as security in Saint James’ bank whilst Sheriff Drury puts their case to the governor. Tucker also scores as Drury’s dim-witted deputy, whilst Larson and Howard’s script is witty and entertaining. Levitt directs with a good feel for the tone required. This was the pilot for the subsequent TV series (1971-73), which ran for three seasons and 50 episodes with Roger Davis replacing Duel midway through the second season following the actor’s tragic suicide.
BROKEN LANCE (USA, 1954) ****
Distributor: Twentieth Century Fox; Production Company: 20th Century Fox; Release Date: 29 July 1954 (USA), 11 November 1954 (UK); Filming Dates: 2 March 1954 –1 May 1954; Running Time: 96m; Colour: DeLuxe; Sound Mix: Mono (35 mm optical prints) | 4-Track Stereo (35 mm magnetic prints) (Western Electric Recording); Film Format: 35mm; Film Process: CinemaScope (anamorphic); Aspect Ratio: 2.55:1; BBFC Cert: U.
Director: Edward Dmytryk; Writer: Richard Murphy (based on a story by Philip Yordan); Executive Producer: Darryl F. Zanuck (uncredited); Producer: Sol C. Siegel; Director of Photography: Joseph MacDonald; Music Composer: Leigh Harline; Film Editor: Dorothy Spencer; Art Director: Maurice Ransford, Lyle R. Wheeler; Set Decorator: Stuart A. Reiss, Walter M. Scott; Costumes: Travilla; Make-up: Ben Nye, Helen Turpin; Sound: W.D. Flick, Roger Heman Sr.
Cast: Spencer Tracy (Matt Devereaux), Robert Wagner (Joe Devereaux), Jean Peters (Barbara), Richard Widmark (Ben Devereaux), Katy Jurado (Señora Devereaux), Hugh O’Brian (Mike Devereaux), Eduard Franz (Two Moons), Earl Holliman (Denny Devereaux), E.G. Marshall (Horace – The Governor), Carl Benton Reid (Clem Lawton), Philip Ober (Van Cleve), Robert Burton (Mac Andrews).
Synopsis: The saga of the Devereaux rancher family, set in 1880’s Arizona.
Comment: A well-made Western that is buoyed by a strong cast and a story that, whilst a familiar tale of familial rivalry, remains absorbing throughout. Tracy is superb as the patriarch rancher tough on his sons and those who seek to profit from his land. Jurado gives a subtle supporting performance as his Indian wife, for which she was nominated for an Oscar. Wagner and Widmark slug it out with gusto. It’s all captured in vivid cinemascope by MacDonald with a sympathetic score by Harline. Notable for its plot similarities to King Lear amongst other work. It is the second of three movies written by screenwriter Yordan (who won an Oscar here for Best Story), based on the novel, “I’ll Never Go Home Again,” by Jerome Weidman. The other two were HOUSE OF STRANGERS (1949), with Edward G. Robinson, and THE BIG SHOW(1961) with Esther Williams and Cliff Robertson.
Sons of Katie Elder, The (1965; USA; Technicolor; 122m) ***½ d. Henry Hathaway; w. William H. Wright, Allan Weiss, Harry Essex, Talbot Jennings; ph. Lucien Ballard; m. Elmer Bernstein. Cast: John Wayne, Dean Martin, Earl Holliman, Michael Anderson Jr., Martha Hyer, Dennis Hopper, Strother Martin, George Kennedy, James Gregory, Paul Fix, Jeremy Slate, John Litel, John Doucette, James Westerfield, Rhys Williams. Ranch owner Katie Elder’s four sons determine to avenge the murder of their father and the swindling of their mother. Enjoyable, if slightly overlong, Western with Wayne in fine form supported by a strong cast including Martin, Holliman and Anderson Jr. as his brothers. Kennedy also good as a hired heavy. Rousing score by Bernstein. Filming was delayed after Wayne was diagnosed with lung cancer. [U]