Mona Lisa (1986; UK; Technicolor; 104m) ∗∗∗∗ d. Neil Jordan; w. Neil Jordan, David Leland; ph. Roger Pratt; m. Michael Kamen. Cast: Bob Hoskins, Cathy Tyson, Michael Caine, Robbie Coltrane, Clarke Peters, Kate Hardie, Sammi Davis, Rod Bedall, Zoe Nathenson, Joe Brown, Pauline Melville, Hossein Karimbeik, John Darling, Bryan Coleman, Robert Dorning. An ex-con gets a job as a driver for a beautiful high-priced call girl, with whom he forms an at first grudging, and then real affection. Dark film explores the seedy side of the London underworld. Hoskins is perfect as a man out of his time and Tyson equally as good. Caine is imposing as the boss of the operation. The film twists in a way inspired by the pulp fiction it openly emulates. Hard-hitting and shocking finale. All backed by Nat King Cole’s timeless hit. 
Long Good Friday, The (1980; UK; Colour; 114m) ∗∗∗∗½ d. John Mackenzie; w. Barrie Keeffe; ph. Phil Meheux; m. Francis Monkman. Cast: Bob Hoskins, Helen Mirren, Eddie Constantine, Dave King, Bryan Marshall, Derek Thompson, Pierce Brosnan, George Coulouris, Paul Freeman, P.H. Moriarty, Daragh O’Malley, Alan Ford, Leo Dolan, Patti Love, Olivier Pierre. A prosperous English gangster, is about to close a lucrative new deal when bombs start showing up in very inconvenient places. British gangster thriller is powered by a charismatic performance from Hoskins and a classy one from Mirren. The tension builds as Hoskins begins to untangle the plot and the finale has one final twist to offer. Only the now dated electronic score by Monkman jars in this otherwise classic genre thriller. First theatrical film role for Pierce Brosnan. 
Jack Reacher (2012; USA; DeLuxe; 130m) ∗∗∗½ d. Christopher McQuarrie; w. Christopher McQuarrie; ph. Caleb Deschanel; m. Joe Kraemer. Cast: Tom Cruise, Rosamund Pike, Richard Jenkins, David Oyelowo, Werner Herzog, Jai Courtney, Vladimir Sizov, Joseph Sikora, Michael Raymond-James, Alexia Fast, Josh Helman, Robert Duvall, James Martin Kelly, Dylan Kussman, Denver Milord. A homicide investigator digs deeper into a case involving a trained military sniper who shot five random victims. Cruise delivers an excellent performance, despite being miscast, in this well-crafted crime thriller. The plot is involving and the action scenes well-staged. Pike offers strong support as the lawyer and Duvall shows up late in the day to add some class. Based on the novel “One Shot” by Lee Child. The character from Child’s book series is described as 6’5″ tall and weighing between 210 and 250 pounds (Cruise is 5’7″ tall). Followed by JACK REACHER: NEVER GO BACK in 2016. 
Fuzz (1972; USA; DeLuxe; 92m) ∗∗∗ d. Richard A. Colla; w. Evan Hunter; ph. Jacques R. Marquette; m. Dave Grusin. Cast: Burt Reynolds, Jack Weston, Tom Skerritt, Yul Brynner, Raquel Welch, James McEachin, Steve Ihnat, Bert Remsen, Peter Bonerz, Dan Frazer, Stewart Moss, H. Benny Markowitz, James Victor, Tom Lawrence, Vince Howard. Police in Boston search for a mad bomber trying to extort money from the city. Well-intentioned attempt to bring Ed McBain’s “87th Precinct” novels to the big screen. Colla struggles to find the right balance between serious crime drama and the humour drawn from the everyday police work, by occasionally lapsing into slapstick. The result is a hodge-podge of good and bad execution. Brynner appears all too late as the charismatic villain, whilst Reynolds adopts his usual persona. The result is entertaining but decidedly uneven. Inhat’s final film. Hunter adapted his own novel written as Ed McBain. 
Being a huge fan of Ian Rankin’s Rebus series of crime novels I was delighted to hear today Rankin’s announcement that Eleventh Hour Films have bought the TV rights. The books will be adapted by fellow Scot Gregory Burke and the adaptations are likely to be longer format, given Rankin’s previous comments, than the previous series starring John Hannah and Ken Stott.
Burke says: “It is an honour and a privilege to have the opportunity to work on adapting an iconic character like John Rebus for television. As someone who has grown up and lives in South East Scotland, Ian Rankin’s best-selling books provide the perfect material to make a thrilling series about crime in the modern world.”
Ian Rankin adds: “I’m so thrilled and honoured that Gregory Burke is bringing his outstanding storytelling talent to Rebus. As far as I’m concerned it’s the perfect match, allowing the character of John Rebus to emerge in all his complex three-dimensional glory.”
This is great news to celebrate during the 30th anniversary of Rankin’s debut Rebus novel Knots & Crosses.
Prime Suspect: The Final Act (TV) (2006; UK/USA; Colour; 182m) ∗∗∗∗ d. Philip Martin; w. Frank Deasy; ph. Julian Court; m. Nicholas Hooper. Cast: Helen Mirren, Stephen Tompkinson, Laura Greenwood, Eve Best, Gary Lewis, Katy Murphy, Frank Finlay, Tom Bell, Robert Pugh, Brendan Coyle, Robbie Gee, Russell Mabey. Approaching retirement, Jane Tennison investigates the murder of a missing girl. But the cracks soon begin to show as Jane struggles with an alcohol problem and the death of her father. Final installment in the series is a relentlessly downbeat affair. Mirren delivers a superb performance and the production values are excellent and authentic. There is the occasional contrivance and the finale seems rushed after over three hours of twists and turns. But this is still an absorbing last hurrah for one of TV’s great detectives. 
Prime Suspect: The Last Witness (TV) (2003; UK/USA; Colour; 195m) ∗∗∗∗ d. Tom Hooper; w. Peter Berry; ph. Larry Smith; m. Rob Lane. Cast: Helen Mirren, Liam Cunningham, Oleg Menshikov, Ben Miles, Robert Pugh, Mark Strong, Velibor Topic, Barnaby Kay, Tanya Moodie, Rad Lazar, Ingeborga Dapkunaite, Olegar Fedoro, Sam Hazeldine, Frank Finlay. Detective Superintendent Jane Tennison’s investigation of the murder of a Bosnian refugee leads her to one, or possibly two, Serbian war criminals determined to silence the last witness to a massacre a decade before. Political intrigue rather than murder mystery is the theme for this installment. The subtext of war crimes committed in Bosnia adds an emotional layer. Mirren continues her excellent run with this character. The camera work is a little too flashy at times, but cannot detract from another absorbing tale. 
DIE LAST by TONY PARSONS (2017. Century, 406pp) ∗∗∗
Blurb: 12 DEAD GIRLS As dawn breaks on a snowy February morning, a refrigerated lorry is found parked in the heart of London’s Chinatown. Inside, twelve women, apparently illegal immigrants, are dead from hypothermia. 13 PASSPORTS But in the cab of the abandoned death truck, DC Max Wolfe of West End Central finds thirteen passports. WHERE IS SHE? The hunt for the missing woman will take Max Wolfe into the dark heart of the world of human smuggling, mass migration and 21st-century slave markets, as he is forced to ask the question that haunts our time. What would you do for a home?
Having really enjoyed The Hanging Club I delved straight into Parsons’ new novel, the fourth in his DC Max Wolfe series. The plot deals with the trafficking of humans from Eastern Europe and again brings Wolfe into confrontation with former London gangster Paul Warboys and his family. The book moves along at a fair lick and there are shocks and twists along the way. But this is less successful than the previous book as some of the police tactics seem questionable at best and reckless at worst. Untrained detectives going undercover into dangerous situation may make for thrilling sequences, but leave the reader questioning the authenticity of it all. There are attempts to add further depth to the lead characters through varying domestic crises, which helps give the story a more rounded feel and the reader characters to root for. The detectives though seem too keen to add their moral stance to every twist and turn of the plot. Overall, whilst not as satisfying as the previous book , this is again a fast, pacy read and never less than entertaining despite its flaws.
Prime Suspect 5: Errors of Judgement (TV) (1996; UK/USA; Colour; 208m) ∗∗∗∗ pr. Lynn Horsford; d. Phil Davis; w. Guy Andrews; ph. Barry McCann; m. Stephen Warbeck. Cast: Helen Mirren, Steven Mackintosh, David O’Hara, Marsha Thomason, Ray Emmet Brown, John McArdle, Julia Lane, John Brobbey, David Norman, Gabrielle Reidy. Following an intemperate act at the end of THE SCENT OF DARKNESS, Tennison is assigned to Manchester CID, where she investigates the murder of a drug dealer that she believes was committed by a local gang leader and folk hero known as “The Street”. Excellent installment changes both the locale and the formula and is a battle of wits between cop and villain. Mackintosh and Mirren spark brilliantly in their scenes together. making for riveting viewing that helps us to forgive the rather cliched discovery and standoff finale. 
Prime Suspect: The Scent of Darkness (TV) (1995; UK/USA; Colour; 105m) ∗∗∗½ pr. Brian Park; d. Paul Marcus; w. Guy Hibbert; ph. David Odd; m. Stephen Warbeck. Cast: Helen Mirren, Christopher Fulford, John Benfield, Richard Hawley, Stuart Wilson, Tim Woodward, Stephen Boxer, Stafford Gordon, Joyce Redman, Pip Donaghy, Marc Warren. A series of brutal sex murders disturbingly similar to the pattern of Superintendent Jane Tennison’s first major case leads to the awful suggestion that she may have caught the wrong man the first time. This installment focuses on Tennison’s reaction to the doubts raised and Mirren is excellent as ever as her character descends into paranoia and increasing alcohol dependency as she tries to prove her initial judgement was correct. The wrap up is a little too neat and swift after the investigation takes one wrong turn after another once Tennison is suspended. Otherwise, this is a solid mystery and a nice conclusion to the three movies that made up the fourth series of this consistent cop drama.