Film Review – BUTCH CASSIDY AND THE SUNDANCE KID (1969)

VINTAGE MOVIE / FILM POSTER SUPERB QUALITY BUTCH CASSIDY AND THE ...BUTCH CASSIDY AND THE SUNDANCE KID (USA, 1969) *****
      Distributor: Twentieth Century Fox; Production Company: Campanile Productions / Newman-Foreman Company; Release Date: 23 September 1969 (USA), 5 February 1970 (UK); Filming Dates: 16 September 1968 – 13 March 1969; Running Time: 110m; Colour: DeLuxe; Sound Mix: Mono (Westrex Recording System); Film Format: 35mm; Film Process: Panavision (anamorphic); Aspect Ratio: 2.39:1; BBFC Cert: PG.
      Director: George Roy Hill; Writer: William Goldman; Executive Producer: Paul Monash; Producer: John Foreman; Director of Photography: Conrad L. Hall; Music Composer: Burt Bacharach; Film Editor: John C. Howard, Richard C. Meyer; Art Director: Philip M. Jefferies, Jack Martin Smith; Set Decorator: Chester Bayhi, Walter M. Scott; Costumes: Edith Head; Make-up: Daniel C. Striepeke, Edith Lindon; Sound: David Dockendorf, Bill Edmondson; Visual Effects: L.B. Abbott, Art Cruickshank.
      Cast: Paul Newman (Butch Cassidy), Robert Redford (The Sundance Kid), Katharine Ross (Etta Place), Strother Martin (Percy Garris), Henry Jones (Bike Salesman), Jeff Corey (Sheriff Bledsoe), George Furth (Woodcock), Cloris Leachman (Agnes), Ted Cassidy (Harvey Logan), Kenneth Mars (Marshal), Donnelly Rhodes (Macon), Jody Gilbert (Large Woman), Timothy Scott (News Carver), Don Keefer (Fireman), Charles Dierkop (Flat Nose Curry), Pancho Córdova (Bank Manager), Nelson Olmsted (Photographer), Paul Bryar (Card Player #1), Sam Elliott (Card Player #2), Charles Akins (Bank Teller), Eric Sinclair (Tiffany’s Salesman).
      Synopsis: Two Western bank/train robbers flee to Bolivia when the law gets too close.
      Comment: Classic Western came after the end of the golden period for the genre but was massively popular due to the charismatic chemistry between Newman and Redford as Butch and Sundance. The stars make the most of Goldman’s witty screenplay dealing with the outlaws’ final days as they flee a dogged posse to Bolivia. The themes of the passing of the old west and its values into a more modern society is given poignancy through Hill’s direction and his use of visual dynamics emphasised by Hall’s evocative cinematography. One of the great Westerns that bears repeated viewings. Sam Elliott’s feature film debut. Won Oscars for Screenplay, Cinematography, Music and Song for “Raindrops Keep Falling on My Head”. Followed by a prequel BUTCH AND SUNDANCE: THE EARLY DAYS (1979). The movie also inspired the TV series Alias Smith and Jones (1970-3).

Film Review – THE LAST PICTURE SHOW (1971)

Image result for the last picture show 1971Last Picture Show, The (1971; USA; B&W; 118m) ****½  d. Peter Bogdanovich; w. Peter Bogdanovich, Larry McMurtry; ph. Robert Surtees; m. Phil Harris, Johnny Standley, Hank Thompson.  Cast: Timothy Bottoms, Jeff Bridges, Cybill Shepherd, Ben Johnson, Cloris Leachman, Ellen Burstyn, Eileen Brennan, Clu Gulager, Sam Bottoms, Randy Quaid, Joe Heathcock, Bill Thurman, Jessie Lee Fulton, John Hillerman, Noble Willingham, Grover Lewis, Kimberly Hyde, Gary Brockette, Sharon Taggart. In 1951, a group of high schoolers come of age in a bleak, isolated, atrophied West Texas town that is slowly dying, both culturally and economically. Superbly acted drama populated by imperfect characters trying to make a sense of their lives in a dying Texas town. Bogdanovich gives the characters room to breathe and adds a directorial flourish to create an overarching sense of sadness. The 1950s setting is realistically realised through Polly Platt’s production design and Surtees’ black-and-white cinematography. Won Oscars for Best Supporting Actor (Johnson) and Supporting Actress (Leachman) as well as receiving six other nominations. Based on the novel by Larry McMurtry. Director’s cut runs 126m. Followed by TEXASVILLE (1990). [15]