Film Review – A PERFECT WORLD (1993)

A Perfect World (1993)A PERFECT WORLD (USA, 1993) ****
      Distributor: Warner Bros.; Production Company: Warner Bros. / Malpaso Productions; Release Date: 24 November 1993 (USA), 24 December 1993 (UK); Filming Dates: 29 April 1993 – 16 July 1993; Running Time: 138m; Colour: Technicolor; Sound Mix: Dolby Digital; Film Format: 35mm; Film Process: Panavision (anamorphic); Aspect Ratio: 2.39:1; BBFC Cert: 15.
      Director: Clint Eastwood; Writer: John Lee Hancock; Producer: Clint Eastwood, Mark Johnson, David Valdes; Director of Photography: Jack N. Green; Music Composer: Lennie Niehaus; Film Editor: Joel Cox, Ron Spang; Casting Director: Phyllis Huffman; Production Designer: Henry Bumstead; Art Director: Jack G. Taylor Jr.; Set Decorator: Alan Hicks; Costumes: Erica Edell Phillips; Make-up: James Lee McCoy, Francisco X. Pérez; Sound: Alan Robert Murray; Special Effects: John Frazier.
      Cast: Kevin Costner (Butch Haynes), Clint Eastwood (Red Garnett), Laura Dern (Sally Gerber), T.J. Lowther (Phillip Perry), Keith Szarabajka (Terry Pugh), Leo Burmester (Tom Adler), Paul Hewitt (Dick Suttle), Bradley Whitford (Bobby Lee), Ray McKinnon (Bradley), Jennifer Griffin (Gladys Perry), Leslie Flowers (Naomi Perry), Belinda Flowers (Ruth Perry), Darryl Cox (Mr. Hughes), Jay Whiteaker (Superman), Taylor Suzanna McBride (Tinkerbell), Christopher Reagan Ammons (Dancing Skeleton), Mark Voges (Larry), Vernon Grote (Prison Guard), James Jeter (Oldtimer), Ed Geldart (Fred Cummings), Bruce McGill (Paul Saunders), Nik Hagler (General Store Manager), Gary Moody (Local Sheriff), George Haynes (Farmer), Marietta Marich (Farmer’s Wife), Rodger Boyce (Mr. Willits), Lucy Lee Flippin (Lucy), Elizabeth Ruscio (Paula), David Kroll (Newscaster), Gabriel Folse (Officer Terrance), Gil Glasgow (Officer Pete), Dennis Letts (Governor), John Hussey (Governor’s Aide), Margaret Bowman (Trick ‘r Treat Lady), John M. Jackson (Bob Fielder), Connie Cooper (Bob’s Wife), Cameron Finley (Bob Fielder, Jr.), Katy Wottrich (Patsy Fielder), Marco Perella (Road Block Officer), Linda Hart (Eileen, Waitress), Brandon Smith (Officer Jones), George Orrison (Officer Orrison), Wayne Dehart (Mack), Mary Alice (Lottie), Kevin Jamal Woods (Cleveland), Tony Frank (Arch Andrews), Woody Watson (Lt. Hendricks).
      Synopsis: A kidnapped boy strikes up a friendship with his captor: an escaped convict on the run from the law, headed by an honourable U.S. Marshal.
      Comment: Intelligent and thoughtful pursuit movie which is driven by Costner’s complex central performance as the escaped prisoner on the run and the remarkable young Lowther as his 8-year-old hostage. Themes of father/son neglect are sensitively handled and the developing relationship between Costner and Lowther is the core of Hancock’s nicely judged script. Eastwood takes more of a back seat as he plays the Texas Ranger on Costner’s tail with Dern’s psychologist in tow. The climax is perfectly judged.

Film Review – IN THE LINE OF FIRE (1993)

Image result for in the line of fire 1993IN THE LINE OF FIRE (USA, 1993) *****
      Distributor: Columbia TriStar Films; Production Company: Columbia Pictures Corporation / Castle Rock Entertainment; Release Date: 8 July 1993 (USA), 27 August 1993 (UK); Filming Dates: 3 October 1992 – 11 January 1993; Running Time: 128m; Colour: Technicolor; Sound Mix: 70 mm 6-Track (70 mm prints) | Dolby SR (35 mm prints) | SDDS (8 channels) (35 mm prints); Film Format: 35 mm, 70 mm (blow-up); Film Process: Panavision (anamorphic); Aspect Ratio: 2.39:1; BBFC Cert: 15.
      Director: Wolfgang Petersen; Writer: Jeff Maguire; Executive Producer: Gail Katz, Wolfgang Petersen, David Valdes; Producer: Jeff Apple; Director of Photography: John Bailey; Music Composer: Ennio Morricone; Film Editor: Anne V. Coates; Casting Director: Janet Hirshenson, Jane Jenkins; Production Designer: Lilly Kilvert; Art Director: John Warnke; Set Decorator: Kara Lindstrom; Costumes: Erica Edell Phillips; Make-up: Werner Keppler, Barbara Lacy, James Lee McCoy; Sound: Gregg Baxter, Wylie Stateman; Special Effects: Rocky Gehr; Visual Effects: Nancy Bernstein, Robert M. Greenberg, George Merkert.
      Cast: Clint Eastwood (Frank Horrigan), John Malkovich (Mitch Leary), Rene Russo (Lilly Raines), Dylan McDermott (Al D’Andrea), Gary Cole (Bill Watts), Fred Dalton Thompson (Harry Sargent), John Mahoney (Sam Campagna), Gregory Alan Williams (Matt Wilder), Jim Curley (President), Sally Hughes (First Lady), Clyde Kusatsu (Jack Okura), Steve Hytner (Tony Carducci), Tobin Bell (Mendoza), Bob Schott (Jimmy Hendrickson), Juan A. Riojas (Raul), Elsa Raven (Booth’s Landlady), Arthur Senzy (Paramedic), Patrika Darbo (Pam Magnus), Mary Van Arsdel (Sally), Ryan Cutrona (LAPD Brass), Lawrence Lowe (FBI Technician), Brian Libby (FBI Supervisor), Eric Bruskotter (Young Agent), Patrick Caddell (Political Speaker), John Heard (Professor Riger), Alan Toy (Walter Wickland), Carl Ciarfalio (CIA Agent Collins), Walt MacPherson (Hunter), Robert Peters (Hunter), Tyde Kierney (Police Captain Howard), Anthony Peck (FBI Official), Rick Hurst (Bartender), Doris E. McMillon (D.C. News Anchor), Robert Sandoval (Bellboy), Joshua Malina (Agent Chavez), William G. Schilling (Sanford Riggs), Michael Kirk (Computer Technician / Bates), Richard G. Camphuis (Party Fat Cat), Marlan Clarke (Marge), Robert Alan Beuth (Man at Bank), Susan Lee Hoffman (Woman at Bank), Donna Hamilton (Reporter at Dulles), Bob Jimenez (Reporter at Hotel), Cylk Cozart (Agent Cozart), Michael Zurich (Agent Zurich), Rich DiDonato (Undercover Agent), Jeffrey Kurt Miller (Undercover Agent), Kirk Jordan (Agent).
      Synopsis: Secret Service agent Frank Horrigan (Eastwood) couldn’t save Kennedy, but he’s determined not to let a clever assassin (Malkovich) take out this president.
      Comment: Eastwood is at his absolute best in this crackerjack thriller that is expertly and efficiently directed by Petersen. Malkovich makes for a creepy villain whose verbal sparring with Eastwood adds depth to his psychotic assassin. Russo sparks charmingly with Eastwood, who delivers one of his strongest and deepest performances. Morricone’s score is evocative and helps heighten the tension. Ultimately, this is text-book filmmaking of the highest order that perfectly marries script, direction, cast and editing.
      Notes: 3 Nominations for Oscar: Best Supporting Actor (John Malkovich), Editing, Screenplay.

Film Review – UNFORGIVEN (1992)

Clint Eastwood and Jaimz Woolvett in Unforgiven (1992)UNFORGIVEN (USA, 1992) ****½
      Distributor: Warner Bros.; Production Company: Warner Bros. / Malpaso Productions; Release Date: 3 August 1992 (USA), 18 September 1992 (UK); Filming Dates: 26 August 1991 – 12 November 1991; Running Time: 131m; Colour: Technicolor; Sound Mix: Dolby (as Dolby Stereo); Film Format: 35mm; Film Process: Panavision (anamorphic); Aspect Ratio: 2.39:1; BBFC Cert: 15.
      Director: Clint Eastwood; Writer: David Webb Peoples; Executive Producer: David Valdes; Producer: Clint Eastwood; Associate Producer: Julian Ludwig; Director of Photography: Jack N. Green; Music Composer: Lennie Niehaus; Film Editor: Joel Cox; Casting Director: Phyllis Huffman; Production Designer: Henry Bumstead; Art Director: Adrian Gorton, Rick Roberts; Set Decorator: Janice Blackie-Goodine; Costumes: Glenn Wright; Make-up: Michael Hancock; Sound: Alan Robert Murray, Walter Newman; Special Effects: John Frazier.
      Cast: Clint Eastwood (Bill Munny), Gene Hackman (Little Bill Daggett), Morgan Freeman (Ned Logan), Richard Harris (English Bob), Jaimz Woolvett (The ‘Schofield Kid’), Saul Rubinek (W.W. Beauchamp), Frances Fisher (Strawberry Alice), Anna Levine (Delilah Fitzgerald), David Mucci (Quick Mike), Rob Campbell (Davey Bunting), Anthony James (Skinny Dubois), Tara Frederick (Little Sue), Beverley Elliott (Silky), Liisa Repo-Martell (Faith), Josie Smith (Crow Creek Kate), Shane Meier (Will Munny), Aline Levasseur (Penny Munny), Cherrilene Cardinal (Sally Two Trees), Robert Koons (Crocker), Ron White (Clyde Ledbetter), Mina E. Mina (Muddy Chandler), Henry Kope (German Joe Schultz), Jeremy Ratchford (Deputy Andy Russell), John Pyper-Ferguson (Charley Hecker), Jefferson Mappin (Fatty Rossiter), Walter Marsh (Barber), Garner Butler (Eggs Anderson), Larry Reese (Tom Luckinbill), Blair Haynes (Paddy McGee), Frank C. Turner (Fuzzy), Sam Karas (Thirsty Thurston), Lochlyn Munro (Texas Slim), Ben Cardinal (Johnny Foley), Philip Maurice Hayes (Lippy MacGregor), Michael Charrois (Wiggens), William Davidson (Buck Barthol), Paul Anthony McLean (Train Person #1), James Herman (Train Person #2), Michael Maurer (Train Person #3), Larry Joshua (Bucky), George Orrison (The Shadow), Greg Goossen (Fighter).
      Synopsis: A retired Old West gunslinger reluctantly takes on one last job, with the help of his old partner and a young man.
      Comment: Eastwood’s revisionist Western strips away the old mythology surrounding the gunfighters and the lawmen, delivering the vulnerable and violent reality of killing. The film is perfectly paced to capture the nuances in the script and the performances of a wonderful cast, with Hackman, Harris, Freeman and Eastwood all turning in note-perfect interpretations. Gentle acoustic score by Niehaus adds melancholy to the mix alongside wonderful location photography from Green utilising the beautiful landscapes of Alberta, Canada standing in for Wyoming. One of the all-time great Westerns.
      Notes: Winner of four Oscars: Best Picture; Actor in a Supporting Role (Hackman); Director and Film Editing. Only the third western to ever win the Best Picture Oscar. The other two being DANCES WITH WOLVES (1990) and CIMARRON (1931). The final screen credit reads, “Dedicated to Sergio and Don”, referring to Eastwood’s mentors, Sergio Leone and Don Siegel.

Film Review – THE ROOKIE (1990)

Related imageTHE ROOKIE (USA, 1990) **
      Distributor: Warner Bros.; Production Company: Warner Bros. / Malpaso Productions / Kazanjian-Siebert Productions / Lighthouse Entertainment; Release Date: 6 December 1990 (USA), 18 January 1991 (UK); Filming Dates: 16 April 1990 – 13 July 1990; Running Time: 120m; Colour: Technicolor; Sound Mix: 70 mm 6-Track (70 mm prints) | Dolby Stereo (35 mm prints) (4 channels); Film Format: 35 mm (Eastman 5384), 70 mm (blow-up) (Eastman 5384); Film Process: Panavision (anamorphic); Aspect Ratio: 2.39:1; BBFC Cert: 18.
      Director: Clint Eastwood; Writer: Boaz Yakin, Scott Spiegel; Producer: Howard G. Kazanjian, Steven Siebert, David Valdes; Director of Photography: Jack N. Green; Music Composer: Lennie Niehaus; Film Editor: Joel Cox; Casting Director: Phyllis Huffman; Production Designer: Judy Cammer, Ken Kaufman; Art Director: Ed Verreaux; Set Decorator: Daniel Loren May; Costumes: Glenn Wright, Deborah Hopper; Make-up: Ralph Gulko, Michael Hancock; Sound: Robert G. Henderson, Alan Robert Murray; Special Effects: John Frazier; Visual Effects: Ken Kaufman.
      Cast: Clint Eastwood (Nick Pulovski), Charlie Sheen (David Ackerman), Raul Julia (Strom), Sônia Braga (Liesl), Tom Skerritt (Eugene Ackerman), Lara Flynn Boyle (Sarah), Pepe Serna (Lt. Raymond Garcia), Marco Rodríguez (Loco Martinez), Pete Randall (Cruz), Donna Mitchell (Laura Ackerman), Xander Berkeley (Ken Blackwell), Tony Plana (Morales), David Sherrill (Max), Hal Williams (Powell), Lloyd Nelson (Freeway Motorist), Pat DuVal (Interrogator #1), Mara Corday (Interrogator #2), Jerry Schumacher (Interrogator #3), Matt McKenzie (Wang), Joel Polis (Lance), Rodger LaRue (Maitre’D), Robert Dubac (Waiter), Anthony Charnota (Romano), Jordan Lund (Bartender), Paul Ben-Victor (Little Felix), Jeanne Mori (Connie Ling), Anthony Alexander (Alphonse), Paul Butler (Captain Hargate), Seth Allen (David as a Child), Coleby Lombardo (David’s Brother), Roberta Vasquez (Heather Torres), Joe Farago (Anchorman), Robert Harvey (Whalen), Nick Ballo (Vito), Jay Boryea (Sal), Marylou Kenworthy (Receptionist), George Orrison (Detective Orrison).
      Synopsis: A veteran detective gets stuck with a rookie cop when in pursuit of a German crook.
      Comment: Loud, violent, bubble-gum action thriller vehicle for Eastwood and Sheen. It spends all its money on its elaborate and destructive set-pieces, which by their very outlandish nature are wasted on a script that starts out okay then gets progressively dumber. Eastwood and Sheen occasionally spark off each other well, but as a whole, the cast is a collection of cardboard characters and the action is too nasty to be considered fun.
      Notes: The film featured over twice as many stuntmen as it did actors. Held the world record for the biggest ratio of stuntmen/actors. Reportedly, over eighty stuntmen worked on the movie.

Film Review – PINK CADILLAC (1989)

PINK CADILLAC (USA, 1989) **½
      Distributor: Warner Bros.; Production Company: Malpaso Productions / Warner Bros. Pictures; Release Date: 26 May 1989 (USA), November 1989 (UK); Filming Dates: 3 October 1988; Running Time: 122m; Colour: Technicolor; Sound Mix: Dolby; Film Format: 35mm; Film Process: Spherical; Aspect Ratio: 1.85:1; BBFC Cert: 15.
      Director: Buddy Van Horn; Writer: John Eskow; Executive Producer: Michael Gruskoff; Producer: David Valdes; Director of Photography: Jack N. Green; Music Composer: Steve Dorff; Film Editor: Joel Cox; Casting Director: Phyllis Huffman; Production Designer: Edward C. Carfagno; Set Decorator: Thomas L. Roysden; Costumes: Glenn Wright, Deborah Hopper; Make-up: Michael Hancock; Sound: Robert G. Henderson, Alan Robert Murray; Special Effects: Calvin Joe Acord, John Frazier, Harold Selig.
      Cast: Clint Eastwood (Tommy Nowak), Bernadette Peters (Lou Ann McGuinn), Timothy Carhart (Roy McGuinn), Tiffany Gail Robinson (McGuinn Baby), Angela Louise Robinson (McGuinn Baby), John Dennis Johnston (Waycross), Michael Des Barres (Alex), Jimmie F. Skaggs (Billy Dunston), Bill Moseley (Darrell), Michael Champion (Ken Lee), William Hickey (Mr. Barton), Geoffrey Lewis (Ricky Z), Gary Howard Klar (Randy Bates), Dirk Blocker (Policeman #1), Leonard R. Garner Jr. (Policeman #2), Robert L. Feist (Rodeo Announcer), Gary Leffew (John Capshaw), Robert Harvey (Skip Tracer in Diner), Gerry Bamman (Buddy), Julie Hoopman (Waitress), Travis Swords (Capshaw’s Attorney), Paul Benjamin (Judge), Randy Kirby (District Attorney), Linda Hoy (Lou Ann’s Attorney), Cliff Bemis (Jeff), Frances Fisher (Dinah), Bryan Adams (Gas Station Attendant), Sue Ann Gilfillan (Saleslady), John Fleck (Lounge Lizard), Bill Wattenburg (Pit Boss), Mara Corday (Stick Lady), Jim Carrey (Lounge Entertainer), Erik C. Westby (Room Service Waiter), Richie Allan (Derelict), Roy Conrad (Barker), Wayne Storm (Jack Bass), James Cromwell (Motel Desk Clerk), Sven-Ole Thorsen (Birthright Thug), Bill McKinney (Coltersville Bartender).
      Synopsis: Bounty hunter Tommy Nowak (Eastwood) is on the trail of Lou Ann McGuinn (Peters), a bail jumper last seen burning rubber in her husband’s pink Cadillac.
      Comment: Uneasy mix of violent action and comedy marks a change of pace for Eastwood who gives a broad performance as a bail-skip tracer who adopts a series of disguises to trap his targets. That is the only real note of interest in an otherwise familiar and not overly engaging story populated with caricatures and a simple plot that is drawn out over two hours of screen time. Peters, however, is good as Eastwood’s latest target in whose story he becomes embroiled. This is definitely a minor-league Eastwood vehicle and was a flop at the box office.

Film Review – THE DEAD POOL (1988)

Image result for the dead pool 1988THE DEAD POOL (USA, 1988) ***
      Distributor: Warner Bros. Pictures; Production Company: Warner Bros. Pictures / Malpaso Productions; Release Date: 13 July 1988 (USA), 14 April 1989 (UK); Filming Dates: 17 February – March 1988; Running Time: 91m; Colour: Technicolor; Sound Mix: Dolby Stereo (4 channels) | Dolby Digital (5.1); Film Format: 35mm; Film Process: Spherical; Aspect Ratio: 1.85:1; BBFC Cert: 18.
      Director: Buddy Van Horn; Writer: Steve Sharon (based on a story by Steve Sharon, Durk Pearson and Sandy Shaw and characters created by Harry Julian Fink and Rita M. Fink); Producer: David Valdes; Director of Photography: Jack N. Green; Music Composer: Lalo Schifrin; Film Editor: Ron Spang; Casting Director: Phyllis Huffman; Production Designer: Edward C. Carfagno; Set Decorator: Thomas L. Roysden; Costumes: Glenn Wright, Deborah Hopper; Make-up: Monty Westmore; Sound: Richard S. Church; Special Effects: Joe Day, Bob Finley III, Chuck Gaspar, Thomas Mertz, Bruce Robles.
      Cast: Clint Eastwood (Harry Callahan), Patricia Clarkson (Samantha Walker), Liam Neeson (Peter Swan), Evan C. Kim (Al Quan), David Hunt (Harlan Rook), Michael Currie (Captain Donnelly), Michael Goodwin (Lt. Ackerman), Darwin Gillett (Patrick Snow), Anthony Charnota (Lou Janero), Christopher P. Beale (D.A. Thomas McSherry), John Vick (Lt. Ruskowski), Jeff Richmond (Freeway Reporter #1), Patrick N. Van Horn (Freeway Reporter #2), Sigrid Wurschmidt (Freeway Reporter #3), Jim Carrey (Johnny Squares), Deborah A. Bryan (Girl in Rock Video), Nicholas Love (Jeff Howser), Maureen McVerry (Vicky Owens), John X. Heart (Samantha’s Cameraman), Victoria Bastel (Suzanne Dayton), Kathleen Turco-Lyon (Officer at Trailer), Michael Faqir (Sergeant at Trailer), Ronnie Claire Edwards (Molly Fisher), Wallace Choy (Chinese Store Manager), Melodie Soe (Chinese Restaurant Hostess), Kristopher Logan (Gunman #1), Scott Vance (Gunman #2), Glenn Wright (Detective Hindmark), Stu Klitsner (Minister), Karen Kahn (T.V. Associate Producer), Shawn Elliott (Chester Docksteder), Ren Reynolds (Perry), Ed Hodson (Paramedic at Elevator), Edward Hocking (Warden Hocking), Diego Chairs (Butcher Hicks), Patrick Valentino (Pirate Captain), Calvin Jones (Pirate Tug Reporter #1), Melissa Martin (Pirate Tug Reporter #2), Phil Dacey (Detective Dacey), Louis Giambalvo (Gus Wheeler), Peter Anthony Jacobs (Sgt. Holloway), Bill Wattenburg (Nolan Kennard), Hugh McCann (Young Man on Talkshow), Suzanne Sterling (Young Woman on Talkshow), Lloyd Nelson (Sgt. Waldman), Charles Martinet (Police Station Reporter #1), Taylor Gilbert (Police Station Reporter #2), George Orrison (Embarcadero Bodyguard #1), Marc Alaimo (Embarcadero Bodyguard #2), Justin Whalin (Jason), Kris LeFan (Carl), Katie Bruce (Girl on Sidewalk), Harry Demopoulos (Doctor in Hospital Room), John Frederick Jones (Dr. Friedman), Martin Ganapoler (Reporter at Pier).
      Synopsis: Dirty Harry Callahan must stop a sick secret contest to murder local celebrities, which includes himself as a target.
      Comment: Fifth and final DIRTY HARRY movie is an outlandish but watchable thriller coasting on Eastwood’s star presence. The plot is far-fetched, including a great set-piece with a toy car carrying a bomb. Clarkson is a reporter out to get the story who falls in with Eastwood.  Carrey grabs attention as a junkie rock star, whilst Neeson is seen in an early role as a self-obsessed film director. It all adds up to a comic book action thriller, but a diverting time for undemanding viewers.
      Notes: Song: “Welcome to the Jungle,” written by Slash, W. Axl Rose, Steven Adler, Izzy Stradlin and Duff Rose McKageh, performed by Guns N’ Roses, courtesy of Geffen Records, by arrangement with Warner Special Products.

Film Review – HEARTBREAK RIDGE (1986)

Image result for heartbreak ridge 1986HEARTBREAK RIDGE (USA, 1986) ***½
      Distributor: Warner Bros.; Production Company: The Malpaso Company/ Jay Weston Productions; Release Date: 5 December 1986 (USA), 9 January 1987 (UK); Filming Dates: 4 June 1986 – 25 July 1986; Running Time: 130m; Colour: Technicolor; Sound Mix: Dolby Stereo; Film Format: 35 mm (Eastman 5384); Film Process: Spherical; Aspect Ratio: 1.85:1; BBFC Cert: 15.
      Director: Clint Eastwood; Writer: James Carabatsos; Executive Producer: Fritz Manes; Producer: Clint Eastwood; Director of Photography: Jack N. Green; Music Composer: Lennie Niehaus; Film Editor: Joel Cox; Casting Director: Phyllis Huffman; Production Designer: Edward C. Carfagno; Set Decorator: Robert R. Benton; Costumes: Glenn Wright; Make-up: E. Thomas Case; Sound: Bill Nelson; Special Effects: Chuck Gaspar.
      Cast: Clint Eastwood (Gunnery Sergent Thomas Highway), Marsha Mason (Aggie), Everett McGill (Major Malcolm Powers), Moses Gunn (Staff Sgt. Webster), Eileen Heckart (Little Mary), Bo Svenson (Roy Jennings), Boyd Gaines (Lieutenant Ring), Mario Van Peebles (Corporal Stitch Jones), Arlen Dean Snyder (Sergeant Major Choozoo), Vincent Irizarry (Fragetti), Ramón Franco (Aponte (as Ramon), Tom Villard (Profile), Mike Gomez (Quinones), Rodney Hill (Collins), Peter Koch (‘Swede’ Johanson), Richard Venture (Colonel Meyers), Peter Jason (Major Devin), J.C. Quinn (Quartermaster Sgt.), Begonya Plaza (Mrs. Aponte), John Eames (Judge Zane), Thom Sharp (Emcee), John Gallagher (Emcee), John Hostetter (Reese), Holly Shelton-Foy (Sarita Dwayne), Nicholas Worth (Jail Binger), Timothy Fall (Kid in Jail), Jon Pennell (Jail Crier), Trish Garland (Woman Marine Officer), George Hartmann (Bar Tough Guy), Darwyn Swalve (Bar Tough Guy), Christopher Michael (Marine), Alex M. Bello (Marine), Steve Halsey (Bus Driver), John Sasse (Bus Driver), Rebecca Perle (Student in Shower), Annie O’Donnell (Telephone Operator), Elizabeth Ruscio (Waitress), Lloyd Nelson (Deputy), John H. Brewer (Sgt. Major in Court), Michael Maurer (Bouncer in Bar), Tom Ellison (Marine Corporal).
      Synopsis: A hard-nosed, hard-living Marine gunnery sergeant clashes with his superiors and his ex-wife as he takes command of a spoiled recon platoon with a bad attitude.
      Comment: Highly entertaining film coasts on Eastwood’s supremely charismatic performance whilst it ploughs a similar furrow as SANDS OF IWO JIMA, despite the stakes being lower. Eastwood’s tough-as-nails marine may be a caricature to some degree, but there is also a depth to the star’s performance that elevates the film above its derivative storyline. Van Peebles is a good foil for Eastwood and Mason gives a strong performance as the ex who lost out to the army. The film falters only in its two-dimensional characterisation of the Marine Corps brass.

Film Review – PALE RIDER (1985)

Image result for pale rider 1985PALE RIDER (USA, 1985) ***½
      Distributor: Warner Bros.; Production Company: The Malpaso Company; Release Date: 27 June 1985 (USA), 4 October 1985 (UK); Filming Dates: began 17 September 1984; Running Time: 115m; Colour: Technicolor; Sound Mix: Dolby; Film Format: 35mm; Film Process: Panavision (anamorphic); Aspect Ratio: 2.39:1; BBFC Cert: 15.
      Director: Clint Eastwood; Writer: Michael Butler, Dennis Shryack; Executive Producer: Fritz Manes; Producer: Clint Eastwood; Associate Producer: David Valdes; Director of Photography: Bruce Surtees; Music Composer: Lennie Niehaus; Film Editor: Joel Cox; Casting Director: Phyllis Huffman; Production Designer: Edward C. Carfagno; Set Decorator: Ernie Bishop; Costumes: Glenn Wright; Make-up: Barbara Guedel; Sound: C. Darin Knight; Special Effects: Chuck Gaspar.
      Cast: Clint Eastwood (Preacher), Michael Moriarty (Hull Barret), Carrie Snodgress (Sarah Wheeler), Chris Penn (Josh LaHood), Richard Dysart (Coy LaHood), Sydney Penny (Megan Wheeler), Richard Kiel (Club), Doug McGrath (Spider Conway), John Russell (Stockburn), Charles Hallahan (McGill), Marvin J. McIntyre (Jagou), Fran Ryan (Ma Blankenship), Richard Hamilton (Jed Blankenship), Graham Paul (Ev Gossage), Chuck Lafont (Eddie Conway), Jeffrey Weissman (Teddy Conway), Allen Keller (Tyson), Randy Oglesby (Elam), Herman Poppe (Ulrik Lindquist), Kathleen Wygle (Bess Gossage), Terrence Evans (Jake Henderson), Jim Hitson (Biggs), Loren Adkins (Bossy), Thomas H. Friedkin (Miner Tom), S.A. Griffin (Deputy Folke), Jack Radosta (Deputy Grissom), Robert Winley (Deputy Kobold), Billy Drago (Deputy Mather), Jeffrey Josephson (Deputy Sedge), John Dennis Johnston (Deputy Tucker), Michael Adams (Horseman), Clay M. Lilley (Horseman), Gene Hartline (Horseman), R.L. Tolbert (Horseman), Clifford Happy (Horseman), Ross Loney (Horseman), Larry Randles (Horseman), Mike H. McGaughy (Horseman), Jerry Gatlin (Horseman), Lloyd Nelson (Bank Teller), Jay K. Fishburn (Telegrapher), George Orrison (Stationmaster Whitey), Milton Murrill (Porter), Mike Munsey (Dentist / Barber), Keith Dillin (Blacksmith), Buddy Van Horn (Stage Driver), Fritz Manes (Stage Rider), Glenn Wright (Stage Rider).
      Synopsis: A mysterious preacher protects a humble prospector village from a greedy mining company trying to encroach on their land.
      Comment: Eastwood’s first Western since THE OUTLAW JOSEY WALES nine years earlier is a thinly disguised reworking of the themes explored in SHANE (1953) and Eastwood’s earlier HIGH PLAINS DRIFTER (1973). Eastwood deftly mixes the morality messaging of SHANE with the mysticism of HIGH PLAINS DRIFTER and the film’s lack of an original perspective makes it seem at times overly familiar. There is, however, much to enjoy here with Eastwood and an excellent cast making the most of the familiar situations. The star is in good form returning to his stranger persona as he helps a group of prospectors panning for gold against a mining company out for their land. The production is well-mounted in a beautiful setting in Idaho, which is sumptuously captured by cinematographer Surtees at the start of a snowy autumn.

Film Review – CITY HEAT (1984)

Image result for city heat 1984CITY HEAT (USA, 1984) ***
      Distributor: Warner Bros. Pictures; Production Company: The Malpaso Company / Deliverance Productions; Release Date: 5 December 1984 (USA), 1 March 1985 (UK); Filming Dates: began 9 April 1984; Running Time: 93m; Colour: Technicolor; Sound Mix: Dolby; Film Format: 35mm; Film Process: Spherical; Aspect Ratio: 1.85:1; BBFC Cert: 15.
      Director: Richard Benjamin; Writer: Blake Edwards (as Sam O. Brown), Joseph Stinson; Producer: Fritz Manes; Director of Photography: Nick McLean; Music Composer: Lennie Niehaus; Film Editor: Jacqueline Cambas; Casting Director: ; Production Designer: Edward C. Carfagno; Set Decorator: George Gaines; Costumes: Norman Salling; Make-up: Tom Ellingwood, Daniel C. Striepeke; Sound: C. Darin Knight; Special Effects: Joseph A. Unsinn.
      Cast: Clint Eastwood (Lieutenant Speer), Burt Reynolds (Mike Murphy), Jane Alexander (Addy), Madeline Kahn (Caroline Howley), Rip Torn (Primo Pitt), Irene Cara (Ginny Lee), Richard Roundtree (Dehl Swift), Tony Lo Bianco (Leon Coll), William Sanderson (Lonnie Ash), Nicholas Worth (Troy Roker), Robert Davi (Nino), Jude Farese (Dub Slack), John Hancock (Fat Freddy), Jack Thibeau (Garage Soldier), Gerald S. O’Loughlin (Counterman Louie), Bruce M. Fischer (Bruiser), Art LaFleur (Bruiser), Jack Nance (Aram Strossell, the Bookkeeper), Dallas Cole (Redhead Sherry), Lou Fillipo (Referee), Michael Maurer (Vint Diestock), Preston Sparks (Keith Stoddard), Ernie Sabella (Ballistics Expert), Christopher Michael Moore (Roxy Cop), Carey Loftin (Roxy Driver), Harry Caesar (Locker Room Attendant), Charles Parks (Dr. Breslin), Hamilton Camp (Garage Attendant), Tab Thacker (Tuck), Gene LeBell (Garage Soldier), Nick Dimitri (Garage Soldier), George Fisher (Garage Soldier), Bob Herron (Garage Soldier), Bill Hart (Garage Soldier), Arthur Malet (Doc Loomis), Fred Lerner (Pitt Roof Sniper), George Orrison (Pitt Doorway Thug), Beau Starr (Pitt Lookout), Anthony Charnota (Poker Player), Walter Robles (Poker Player), Richard Foronjy (Poker Player), Joan Shawlee (Peggy Barker), Minnie Summers Lindsey (Bordello Maid), Darwyn Swalve (Bordello Bouncer), Wiley Harker (Mr. Smith), Bob Maxwell (Mr. Smith), Tom Spratley (Chauffeur), Bob Terhune (Billiard Soldier), Holgie Forrester (Little Red), Harry Demopoulos (Roman Orgy Patron), James C. Lewis (Roxy Patron), Edwin Prevost (Butler), Alfie Wise (Short Guy), Hank Calia (Shorter Friend), Alex Plasschaert (Shortest Friend), Daphne Eckler (Agnes), Lonna Montrose (Didi).
      Synopsis: A slick private eye and tough police lieutenant–once partners, now bitter enemies–reluctantly team up to investigate a murder.
      Comment: Well-meaning period comedy teaming of Eastwood and Reynolds coasts on the charisma of, and the interplay between, its two stars. Both play on their standard movie personas to great effect. The plot is a simple one of the hunt, by an organised crime syndicate, for stolen ledgers that have come into the hands of Reynolds’ partner, Roundtree. Where the film falls flat is in its mixing broad comedy with some extreme violence leading to an uneasy blend. It’s a shame because there is much to recommend it – including a game cast, Carfagno’s superb production design, Niehaus’ jazzy score and the use of classic songs.
      Notes: Blake Edwards was the original writer and director on the project. He stepped aside as director after creative differences with star Eastwood.

Film Review – TIGHTROPE (1984)

Image result for tightrope 1984TIGHTROPE (USA, 1984) ***
      Distributor: Warner Bros.; Production Company: The Malpaso Company / Warner Bros.; Release Date: 17 August 1984 (USA), 2 November 1984 (UK); Filming Dates: 17 October–3 December 1983; Running Time: 114m; Colour: Technicolor; Sound Mix: Dolby Stereo; Film Format: 35mm; Film Process: Spherical; Aspect Ratio: 1.85:1; BBFC Cert: 18.
      Director: Richard Tuggle; Writer: Richard Tuggle; Producer: Clint Eastwood, Fritz Manes; Director of Photography: Bruce Surtees; Music Composer: Lennie Niehaus; Film Editor: Joel Cox; Casting Director: Phyllis Huffman; Production Designer: Edward C. Carfagno; Set Decorator: Ernie Bishop; Costumes: Glenn Wright; Make-up: Barbara Guedel; Sound: Alan Robert Murray; Special Effects: Joseph A. Unsinn.
      Cast: Clint Eastwood (Wes Block), Geneviève Bujold (Beryl Thibodeaux), Dan Hedaya (Det. Molinari), Alison Eastwood (Amanda Block), Jenny Beck (Penny Block), Marco St. John (Leander Rolfe), Rebecca Perle (Becky Jacklin), Regina Richardson (Sarita), Randi Brooks (Jamie Cory), Jamie Rose (Melanie Silber), Margaret Howell (Judy Harper), Rebecca Clemons (Girl with Whip), Janet MacLachlan (Dr. Yarlofsky), Graham Paul (Luther), Bill Holliday (Police Chief), John Wilmot (Medical Examiner), Margie O’Dair (Mrs. Holstein), Joy N. Houck Jr. (Swap Meet Owner), Stuart Baker-Bergen (Blond Surfer), Donald Barber (Shorty), Robert Harvey (Lonesome Alice), Ron Gural (Coroner Dudley), Layton Martens (Sgt. Surtees), Richard Charles Boyle (Dr. Fitzpatrick), Becki Davis (Nurse), Jonathan Sachar (Gay Boy), Valerie Thibodeaux (Black Hooker), Lionel Ferbos (Plainclothes Gus), Eliott Keener (Sandoval), Cary Wilmot Alden (Secretary), David Valdes (Manes), James Borders (Carfagno), Fritz Manes (Valdes), Jonathan Shaw (Quono), Don Lutenbacher (Dixie President), G. Wood (Conventioneer), Kimberly Georgoulis (Sam), Glenda Byers (Lucy Davis), John Schluter (Piazza Cop), Nick Krieger (Rannigan), Lloyd Nelson (Patrolman Restic), David Dahlgren (Patrolman Julio), Rod Masterson (Patrolman Gallo), Glenn Wright (Patrolman Redfish), Angela Hill (Woman Reporter), Ted Saari (T.V. News Technician).
      Synopsis: A New Orleans detective is leading an investigation into a killer who is raping and murdering women. His enquiries lead him into the seedy side of town where he is no stranger off-duty.
      Comment: Interesting character study of a divorced detective coming to terms with raising his young daughters following a divorce and wrestling with his more basic desires. It is framed around a serial killer plot, which runs close to home for Eastwood’s character. Where the film falls short is in the thrills department, with little tension built through the story and a heavy-handed script, which fails to capitalise on the ambiguities suggested. The climax is more conventional and ups the thrill quota. The film is more interesting for seeing Eastwood give a layered performance with a more complex version of his no-nonsense detective persona.
      Notes: While Tuggle retained the director’s credit, as with THE OUTLAW JOSEY WALES on which original director Philip Kaufman was replaced by the star, Eastwood directed most of the movie after finding Tuggle working too slowly.