Film Review – THE ITALIAN JOB (1969)

THE ITALIAN JOB (UK, 1969) ***½
      Distributor: Paramount British Pictures; Production Company: Oakhurst Productions / Paramount Pictures Corporation; Release Date: 5 June 1969 (UK), 3 September 1969 (USA); Filming Dates: began 24 June 1968; Running Time: 99m; Colour: Eastmancolor; Sound Mix: Mono; Film Format: 35mm; Film Process: Panavision (anamorphic); Aspect Ratio: 2.35:1; BBFC Cert: PG.
      Director: Peter Collinson; Writer: Troy Kennedy-Martin; Producer: Michael Deeley; Associate Producer: Robert Porter; Director of Photography: Douglas Slocombe; Music Composer: Quincy Jones; Film Editor: John Trumper; Casting Director: Paul Lee Lander; Production Designer: Disley Jones; Art Director: Michael Knight; Costumes: Dinah Greet (uncredited); Make-up: Freddie Williamson; Sound: John Aldred, Gerry Humphreys, Stephen Warwick; Special Effects: Pat Moore.
      Cast: Michael Caine (Charlie Croker), Noël Coward (Mr. Bridger), Benny Hill (Professor Simon Peach), Raf Vallone (Altabani), Tony Beckley (Freddie), Rossano Brazzi (Beckerman), Margaret Blye (Lorna), Irene Handl (Miss Peach), John Le Mesurier (Governor), Fred Emney (Birkinshaw), John Clive (Garage Manager), Graham Payn (Keats), Michael Standing (Arthur), Stanley Caine (Coco), Barry Cox (Chris), Harry Baird (Big William), George Innes (Bill Bailey), John Forgeham (Frank), Robert Powell (Yellow), Derek Ware (Rozzer).
      Synopsis: Comic caper movie about a plan to steal a gold shipment from the streets of Turin by creating a traffic jam.
      Comment: Visually stylish caper comedy that is typical of its time, mixing late-sixties excess and imagery with stunning locations and quirky performances. Caine and Coward are in good form, with the latter making for a memorable imprisoned crime lord who enjoys all the luxuries of life from his cell. Troy Kennedy Martin’s script appears to have been used lightly by director Collinson. The set pieces – notably the heist and the ironic finale – are the main selling points alongside Douglas Slocombe’s gorgeous photography and Quincy Jones’ witty score.
      Notes: Remade in 2003.

Film Review – THE STING (1973)

Image result for the sting 1973Sting, The (1973; USA; Technicolor; 129m) ****½  d. George Roy Hill; w. David S. Ward; ph. Robert Surtees; m. Marvin Hamlisch (adaptor), Scott Joplin.  Cast: Paul Newman, Robert Redford, Robert Shaw, Robert Earl Jones, Charles Durning, Ray Walston, Eileen Brennan, Harold Gould, Dana Elcar, Jack Kehoe, John Heffernan, Dimitra Arliss, James Sloyan, Charles Dierkop, Sally Kirkland. In 1930s Chicago, a young con man seeking revenge for his murdered partner teams up with a master of the big con to win a fortune from a criminal banker. Newman and redford along with director Hill repeat the success of their teaming on BUTCH CASSIDY AND THE SUNDANCE KID with this caper. Great period design and a memorable score add to the charm and humour provided by a splendid cast. Won seven Oscars including Best Picture; Director; Screenplay; Art Direction (Henry Bumstead, James W. Payne); Costume Design (Edith Head); Editing and Music Adaptation. Followed by THE STING II (1983). [PG]