Film Review – THE GHOST BREAKERS (1940)

Ghost Breakers, The (1940; USA; B&W; 85m) ∗∗∗½  d. George Marshall; w. Walter DeLeon; ph. Charles Lang; m. Ernst Toch.  Cast: Bob Hope, Paulette Goddard, Richard Carlson, Paul Lukas, Willie Best, Anthony Quinn, Noble Johnson, Paul Fix. A radio broadcaster, his quaking manservant, and an heiress investigate the mystery of a haunted castle in Cuba. Hope and Goddard look to repeat the success they had with THE CAT AND THE CANARY (1939) and largely succeed. Hope is more assured here and his one-liners are sharper. The set-up is a little protracted, but the payoff in the haunted castle is suitably spooky. Top class art direction by Hans Dreier and Robert Usher adds to atmosphere. Based on the play by Paul Dickey and Charles W. Goddard. Previously filmed in 1914 and 1922 then remade as SCARED STIFF (1953). [PG]

Film Review – THE CAT AND THE CANARY (1939)

Cat and the Canary, The (1939; USA; B&W; 74m) ∗∗∗∗  d. Elliott Nugent; w. Walter DeLeon, Lynn Starling; ph. Charles Lang; m. Ernst Toch.  Cast: Bob Hope, Paulette Goddard, John Beal, Douglass Montgomery, Gale Sondergaard, Elizabeth Patterson, George Zucco, Nydia Westman, John Wray. When an eccentric family meets in their uncle’s remote, decaying mansion on the tenth anniversary of his death for the reading of his will, murder and madness follow. The archetypal haunted house comedy thriller with Hope in a career defining role as the reluctant hero and Goddard making an effective debut as the heiress who is being victimised. Some nifty one-liners from Hope mix with effectively spooky atmosphere heightened by cinematographer Lang’s superb use of lighting. Sondergaard is also excellent as the mysterious housekeeper. Goddard and Hope would re-team for a follow-up a year later in the similarly themed THE GHOST BREAKERS. Based on the play by John Willard. Previously filmed in 1927 and remade in 1978. [PG]