Film Review – TERMINATOR: DARK FATE (2019)

Image result for terminator dark fate posterTERMINATOR: DARK FATE (USA/China, 2019) **
      Distributor: Paramount Pictures (USA), 20th Century Fox (UK); Production Company: Paramount Pictures / Twentieth Century Fox / Skydance Media / Lightstorm Entertainment; Release Date: 23 October 2019 (UK), 1 November 2019 (USA); Filming Dates: 29 May 2018 – 17 November 2018; Running Time: 128m; Colour: Colour; Sound Mix: Dolby Atmos | Dolby Digital; Film Format: D-Cinema; Film Process: ARRIRAW (4.5K) (source format), Cineovision (anamorphic) (source format), Digital Intermediate (2K) (master format), J-D-C Scope (anamorphic) (source format), Master Scope (anamorphic) (source format); Aspect Ratio: 2.39:1; BBFC Cert: 15 – strong violence, bloody images, language.
      Director: Tim Miller; Writer: David S. Goyer, Justin Rhodes, Billy Ray (based on a story by James Cameron, Charles H. Eglee, Josh Friedman, David S. Goyer and Justin Rhodes and characters created by James Cameron and Gale Anne Hurd); Executive Producer: Edward Cheng, Bonnie Curtis, Dana Goldberg, Don Granger, John J. Kelly, Julie Lynn; Producer: James Cameron, David Ellison; Director of Photography: Ken Seng; Music Composer: Junkie XL; Film Editor: Julian Clarke; Casting Director: Mindy Marin, Lucinda Syson; Production Designer: Sonja Klaus; Art Director: Lucienne Suren; Set Decorator: Mike Britton; Costumes: Ngila Dickson; Make-up: Dennis Liddiard, Brian Sipe, Bill Corso; Sound: Stephen Brown, Tim Gomillion, Tamás Bohács; Special Effects: Neil Corbould, Aaron Cox, Pau Costa; Visual Effects: Lisa Beroud, Thomas Boland, Lenka Likarova, Samantha Finkler Brainerd, Daniel Booty, David Fox, Matthew Dravitzki.
      Cast: Linda Hamilton (Sarah Connor), Arnold Schwarzenegger (T-800 / Carl), Mackenzie Davis (Grace), Natalia Reyes (Dani Ramos), Gabriel Luna (Gabriel / REV-9), Diego Boneta (Diego Ramos), Ferran Fernández (Flacco), Tristán Ulloa (Felipe Gandal), Tomás Álvarez (Lucas / Floor Guard (as Tomy Alvarez)), Tom Hopper (William Hadrell), Alicia Borrachero (Alicia), Enrique Arce (Vicente), Manuel Pacific (Mateo), Fraser James (Major Dean), Pedro Rudolphi (Cholo), Diego Marínez (Cesar Mateo), Kevin Medina (Pepito), Steven Cree (Rigby), Matt Devere (US Border Riot & Locker Officer), Karen Gagnon (AFB Operator).
      Synopsis: Sarah Connor and a hybrid cyborg human must protect a young girl from a newly modified liquid Terminator from the future.
      Comment: Pointless sixth and probably final entry in the TERMINATOR franchise basically rehashes elements from earlier series entries. It is the laziest of blockbusters where all the money goes to the technicians to polish the visuals and none to the script to polish the story. The plot is a hackneyed riff on the original story, but here lacking the wit and originality of that ground-breaking movie. Stilted dialogue and numerous action-movie clichés undermine the hefty action sequences, which ultimately dull the senses through their cartoon-like realisation and heavy reliance on CGI visual effects. The movie pretends to have a heart, but it comes across as contrived rather than organic from within the characters. Hamilton returns as Sarah Connor and delivers a one-note performance. Arnie has one or two funny lines but otherwise is handed over to the stuntmen and vfx technicians. Davis and Reyes try hard to inject some life into their characters but are given some truly awful dialogue to work with. A big disappointment that will only please those with an addiction to video game-like violence. Anyone looking for a modicum of intelligence would be better looking elsewhere or revisiting the original.

Film Review – THE LONG GOODBYE (1973)

Image result for THE LONG GOODBYE 1973 BLU-RAYLong Goodbye, The (1973; USA; Technicolor; 112m) ***  d. Robert Altman; w. Leigh Brackett; ph. Vilmos Zsigmond; m. John Williams.  Cast: Elliott Gould, Nina Van Pallandt, Sterling Hayden, Mark Rydell, Henry Gibson, David Arkin, Jim Bouton, Warren Berlinger, Arnold Schwarzenegger, Rutanya Alda, Jo Ann Brody, Vincent Palmieri, Pancho Cordova, Enrique Lucero, George Wyner. Detective Philip Marlowe tries to help a friend who is accused of murdering his wife. Altman re-imagines Raymond Chandler’s classic novel in a contemporary setting with Gould portraying Marlowe as a detective out-of-his time. The gimmick allows Altman to pass comment on the degradation of society and the values of life, but in doing so he sucks the power from Chandler’s original story. There are some nice directorial touches and improvised set-pieces, but this will ultimately only fully please those fully attuned to the director’s surreal vision. Schwarzenegger, who plays a bodyguard, has no lines in the film. [18]