Film Review – THE GODFATHER: PART III (1990)

Image result for the godfather part iiiTHE GODFATHER: PART III (USA, 1990) ***½
      Distributor: Paramount Pictures (USA), United International Pictures (UIP) (UK); Production Company: Paramount Pictures / Zoetrope Studios; Release Date: 12 December 1990 (USA), 8 March 1991 (UK); Filming Dates: 27 November 1989 – 25 May 1990; Running Time: 162m; Colour: Technicolor; Sound Mix: 70 mm 6-Track (70 mm prints) | Dolby SR (35 mm prints); Film Format: 35mm (spherical) (Eastman 5384), 70mm (blow-up) (Eastman 5384); Film Process: Super 35; Aspect Ratio: 1.85:1; BBFC Cert: 15.
      Director: Francis Ford Coppola; Writer: Francis Ford Coppola, Mario Puzo; Executive Producer: Fred Fuchs, Nicholas Gage; Producer: Francis Ford Coppola; Associate Producer: Marina Gefter; Director of Photography: Gordon Willis; Music Composer: Carmine Coppola; Music Supervisor: Stephan R. Goldman; Film Editor: Lisa Fruchtman, Barry Malkin, Walter Murch; Casting Director: Janet Hirshenson, Jane Jenkins, Roger Mussenden; Production Designer: Dean Tavoularis; Art Director: Alex Tavoularis; Costumes: Milena Canonero; Make-up: Fabrizio Sforza; Sound: Gloria S. Borders; Special Effects: R. Bruce Steinheimer.
      Cast: Al Pacino (Don Michael Corleone), Diane Keaton (Kay Adams Michelson), Talia Shire (Connie Corleone Rizzi), Andy Garcia (Vincent Mancini), Eli Wallach (Don Altobello), Joe Mantegna (Joey Zasa), George Hamilton (B.J. Harrison), Bridget Fonda (Grace Hamilton), Sofia Coppola (Mary Corleone), Raf Vallone (Cardinal Lamberto), Franc D’Ambrosio (Anthony Vito Corleone), Donal Donnelly (Archbishop Gilday), Richard Bright (Al Neri), Helmut Berger (Frederick Keinszig), Don Novello (Dominic Abbandando), John Savage (Father Andrew Hagen), Franco Citti (Calo), Mario Donatone (Mosca), Vittorio Duse (Don Tommasino), Enzo Robutti (Don Licio Lucchesi), Michele Russo (Spara), Al Martino (Johnny Fontane), Robert Cicchini (Lou Pennino), Rogerio Miranda (Twin Bodyguard Armand), Carlos Miranda (Twin Bodyguard Francesco), Vito Antuofermo (Anthony ‘The Ant’ Squigliaro), Robert Vento (Father John), Willie Brown (Party Politician), Jeannie Linero (Lucy Mancini), Jeanne Savarino Pesch (Francesca Corleone), Janet Savarino Smith (Kathryn Corleone), Tere Livrano (Teresa Hagen), Carmine Caridi (Albert Volpe), Don Costello (Frank Romano), Al Ruscio (Leo Cuneo), Mickey Knox (Marty Parisi), Rick Aviles (Mask #1), Michael Bowen (Mask #2), Brett Halsey (Douglas Michelson), Gabriele Torrei (Enzo the Baker), John Abineri (Hamilton Banker), Brian Freilino (Stockholder), Gregory Corso (Unruly Stockholder), Marino Masé (Lupo), Dado Ruspoli (Vanni), Valeria Sabel (Sister Vincenza), Remo Remotti (Cardinal Sistine), Luigi Laezza (Keinszig Killer), Giuseppe Pianviti (Keinszig Killer), Santo Indelicato (Guardia del Corpo), Simonetta Stefanelli (Apollonia Vitelli-Corleone (archiveFootage)), Francesco Paolo Bellante (Autista di Don Tommasino), Paco Reconti (Gesu), Mimmo Cuticchio (Puppet Narrator), Richard Honigman (Party Reporter), Nicky Blair (Nicky the Casino Host), Anthony Guidera (Anthony, the Bodyguard), Frank Tarsia (Frankie, the Bodyguard), Diana Agostini (Woman with Child at Street Fair), Jessica DiCicco (Child), Catherine Scorsese (Woman in Cafe), Ida Bernardini (Woman in Cafe), Joe Drago (Party Security), David Hume Kennerly (Party Photographer), James D. Damiano (Son Playing Soccer), Michael Boccio (Father of Soccer Player), Erica Yohn (Governess), Teresa Tirelli (Midwife).
      Synopsis: In the final instalment of the GODFATHER Trilogy, an aging Don Michael Corleone seeks to legitimize his crime family’s interests and remove himself from the violent underworld but is kept back by the ambitions of the young.
      Comment: Unnecessary continuation of the story is initially very uneven before improving significantly when the action moves to Sicily for the final act. Main issue is with a script that lacks the depth of character of the earlier movies and a pair of weak performances from Garcia and Sofia Coppola, whose love affair lacks any level of intensity and feels like it has drifted in from a lesser movie. Fortunately, Pacino is once again excellent in the lead role and supported well by Keaton, Wallach and Shire. Coppola admits the movie was made purely for financial reasons. It adds little to the enormous legacy of the first two movies but taken in isolation has enough impressive sequences – notably the opera finale – to pack a punch.
      Notes: Extended version runs 170m.

Film Review – THE GODFATHER PART II (1974)

Robert De Niro and Leopoldo Trieste in The Godfather: Part II (1974)THE GODFATHER: PART II (USA, 1974) *****
      Distributor: Paramount Pictures (USA), Cinema International Corporation (CIC) (UK); Production Company: Paramount Pictures; Release Date: 13 December 1974 (USA), 15 May 1975 (UK); Filming Dates: 2 October 1973 – 19 June 1974; Running Time: 202m; Colour: Technicolor; Sound Mix: Mono; Film Format: 35mm; Film Process: Spherical; Aspect Ratio: 1.85:1; BBFC Cert: 15.
      Director: Francis Ford Coppola; Writer: Francis Ford Coppola, Mario Puzo (based on the novel by Mario Puzo); Executive Producer: Robert Evans (uncredited); Producer: Francis Ford Coppola; Associate Producer: Mona Skager; Director of Photography: Gordon Willis; Music Composer: Nino Rota, Carmine Coppola; Film Editor: Barry Malkin, Richard Marks, Peter Zinner; Casting Director: Jane Feinberg, Mike Fenton, Vic Ramos; Production Designer: Dean Tavoularis; Art Director: Angelo P. Graham; Set Decorator: George R. Nelson; Costumes: Theadora Van Runkle; Make-up: Charles H. Schram, Dick Smith; Sound: Nathan Boxer, Charles M. Wilborn; Special Effects: A.D. Flowers, Joe Lombardi.
      Cast: Al Pacino (Michael), Robert Duvall (Tom Hagen), Diane Keaton (Kay), Robert De Niro (Vito Corleone), John Cazale (Fredo Corleone), Talia Shire (Connie Corleone), Lee Strasberg (Hyman Roth), Michael V. Gazzo (Frankie Pentangeli), G.D. Spradlin (Sen. Pat Geary), Richard Bright (Al Neri), Gastone Moschin (Fanucci), Tom Rosqui (Rocco Lampone), Bruno Kirby (Young Clemenza), Frank Sivero (Genco), Francesca De Sapio (Young Mama Corleone), Morgana King (Mama Corleone), Marianna Hill (Deanna Corleone), Leopoldo Trieste (Signor Roberto), Dominic Chianese (Johnny Ola), Amerigo Tot (Michael’s Bodyguard), Troy Donahue (Merle Johnson), John Aprea (Young Tessio), Joe Spinell (Willi Cicci), Abe Vigoda (Tessio), Tere Livrano (Theresa Hagen), Gianni Russo (Carlo), Maria Carta (Vito’s Mother), Oreste Baldini (Vito Andolini – as a Boy), Giuseppe Sillato (Don Francesco), Mario Cotone (Don Tommasino), James Gounaris (Anthony Corleone), Fay Spain (Mrs. Marcia Roth), Harry Dean Stanton (F.B.I. Man #1), James Murdock (F.B.I. Man #2), Carmine Caridi (Carmine Rosato), Danny Aiello (Tony Rosato), Carmine Foresta (Policeman), Nick Discenza (Bartender), Joseph Medaglia (Father Carmelo), William Bowers (Senate Committee Chairman), Joseph Della Sorte (Michael’s Buttonman #1), Carmen Argenziano (Michael’s Buttonman #2), Joe Lo Grippo (Michael’s Buttonman #3), Ezio Flagello (Impressario), Livio Giorgi (Tenor in ‘Senza Mamma’), Kathleen Beller (Girl in ‘Senza Mamma’), Saveria Mazzola (Signora Colombo), Tito Alba (Cuban President), Johnny Naranjo (Cuban Translator), Elda Maida (Pentangeli’s Wife), Salvatore Po (Pentangeli’s Brother), Ignazio Pappalardo (Mosca), Andrea Maugeri (Strollo), Peter LaCorte (Signor Abbandando), Vincent Coppola (Street Vendor), Peter Donat (Questadt), Tom Dahlgren (Fred Corngold), Paul B. Brown (Sen. Ream), Phil Feldman (Senator #1), Roger Corman (Senator #2), Ivonne Coll (Yolanda), Joe De Nicola (Attendant at Brothel), Edward Van Sickle (Ellis Island Doctor), Gabriella Belloni (Ellis Island Nurse), Richard Watson (Customs Official), Venancia Grangerard (Cuban Nurse), Erica Yohn (Governess), Teresa Tirelli (Midwife).
      Synopsis: Continuing saga of the Corleone family as they move to Nevada and make the casino business their major income source under the leadership of the increasingly paranoid and malevolent Michael, whose reign as the “Don” is juxtaposed against the parallel tale of his father’s escape from Sicily as a young boy and his subsequent rise to power in New York’s Lower East Side during the turn-of-the-century.
      Comment: Coppola does the seemingly impossible by topping THE GODFATHER with a follow-up that has even more depth of character and plot. The parallel plot threads weave nicely together giving Pacino and De Niro the opportunity to showcase their considerable acting skills. The supporting cast is perfect with universally strong performances. Coppola’s direction is note-perfect as he seamlessly moves his story between locale and time period. The production design is sumptuous and, aided by Willis’ evocative cinematography, wonderfully captures the contrasts between the poverty experienced by the young Don Vito with the enormous wealth of his legacy. Pacino’s transformation into a single-minded and ultimately lonely and unforgiving figure is beautifully captured by the actor’s skilful performance.
      Notes: Winner of six Academy Awards, including Picture, Director, Supporting Actor (De Niro), Adapted Screenplay, Art Direction and Music. James Caan appears uncredited in a brief cameo. Extended version runs 220m. Followed by THE GODFATHER PART III (1990).

Film Review – SERPICO (1973)

Image result for serpico 1973Serpico (1973; USA; Technicolor; 130m) ****½  d. Sidney Lumet; w. Waldo Salt, Norman Wexler; ph. Arthur J. Ornitz; m. Mikis Theodorakis.  Cast: Al Pacino, John Randolph, Jack Kehoe, Biff McGuire, Tony Roberts, M. Emmet Walsh, F. Murray Abraham, Cornelia Sharpe, John Medici, Allan Rich, Barbara Eda-Young, Norman Ornellas, Edward Grover, Albert Henderson, Damien Leake. The true story about an honest New York cop who blew the whistle on rampant corruption in the force only to have his comrades turn against him. Pacino delivers an excellent portrayal of Frank Serpico, expertly capturing the frustrations of a cop isolated within the system. Lumet delivers an engrossing and realistic account spread over five years. Extensive New York City location work and a cast of relatively unknown actors add to the authenticity. Based on the book by Peter Maas. Followed by a TV pilot, SERPICO: THE DEADLY GAME, and series in 1976. [18]