Film Review – INTO THE BLUE (2005)

Into the Blue (2005) v1 by DrDarkDoomInto the Blue (2005; USA; DeLuxe; 110m) **½  d. John Stockwell; w. Matt Johnson; ph. Shane Hurlbut; m. Paul Haslinger.  Cast: Paul Walker, Jessica Alba, Scott Caan, Ashley Scott, Josh Brolin, James Frain, Tyson Beckford, Chris Taloa, Ramon Saunders, Adam Collins, Dwayne Adway, Javon Frazer, Peter R.V. Bowleg Jr., Clifford McIntosh, Gill Montie. A group of divers find themselves in deep trouble with a drug lord after they come upon the illicit cargo of a sunken airplane. Underwater action thriller aimed at the teen-plus market benefits from gorgeous locations and photography. However, it is dampened by a derivative script, familiar suspense and banal two-dimensional characters. Followed by a direct-to-video sequel INTO THE BLUE 2: THE REEF (2009). [15]

Film Review – THE DEEP (1977)

Image result for the deep 1977 movie posterDeep, The (1977; USA; Metrocolor; 123m) ***  d. Peter Yates; w. Peter Benchley, Tracy Keenan Wynn; ph. Christopher Challis; m. John Barry.  Cast: Robert Shaw, Jacqueline Bisset, Nick Nolte, Louis Gossett Jr., Eli Wallach, Dick Anthony Williams, Bob Minor, Robert Tessier, Earl Maynard, Teddy Tucker, Lee McClain, Peter Benchley, Peter Wallach, Colin Shaw. A pair of young vacationers are involved in a dangerous conflict with treasure hunters when they discover a way into a deadly wreck in Bermuda waters. Riding on the coat-tails of JAWS, this underwater adventure lacks the thrills and tight editing of its inspiration. The positives are the sumptuous photography, shot on location in Bermuda, and Barry’s lush score. Shaw is also at his abrasive best, whilst Nolte and Bisset look good for the camera. The version aired in the original ABC network telecast contained 53m of extra footage. Based on the novel by Peter Benchley. [PG]

Film Review – RAISE THE TITANIC (1980)

Image result for RAISE THE TITANIC BLU-RAYRaise the Titanic (1980; UK/USA; Colour; 115m) **  d. Jerry Jameson; w. Adam Kennedy, Eric Hughes; ph. Matthew F. Leonetti; m. John Barry.  Cast: Jason Robards, Richard Jordan, David Selby, Anne Archer, Alec Guinness, J.D. Cannon, M. Emmet Walsh, Bo Brundin, Norman Bartold, Elya Baskin, Dirk Blocker, Robert Broyles, Paul Carr, Michael C. Gwynne, Harvey Lewis. To obtain a supply of a rare mineral, a ship raising operation is conducted for the only known source, the Titanic. Flat adaptation of Clive Cussler’s novel is slow-moving and blighted by a bland script. The characters are two-dimensional and there is little opportunity to develop them through the story. There is a distinct lack of suspense and the political conflict is not fully explored. on the positive side Barry’s core is sumptuous and the visual effects are excellent. [PG]

TV Review – DOCTOR WHO: TWICE UPON A TIME (2017)

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Doctor Who: Twice Upon a Time (TV) (2017: UK: Colour: 60m) ***  pr. Peter Bennett; d. Rachel Talalay; w. Steven Moffat; ph. Richard Stoddard; m. Murray Gold. Cast: Peter Capaldi, David Bradley, Mark Gatiss, Pearl Mackie, Lily Travers, Jared Garfield, Jodie Whittaker, Jenna Coleman, Matt Lucas. Two Doctors stranded in a forbidding snowscape, refusing to face regeneration. And a British army captain seemingly destined to die in the First World War, but taken from the trenches to play his part in the Doctor’s story. This is the magical last chapter in the Twelfth Doctor’s epic adventure. He must face his past to decide his future. And the Doctor will realise the resilience of humanity, discovering hope in his darkest frozen moment. It’s the end of an era. But the Doctor’s journey is only just beginning. Self-indulgent bow-out for Capaldi’s Doctor with a confusing plot device designed to wring-out every emotion from fans of the series. It will likely have left non-fans cold with its frozen-in-time plot line as both 1st and 12th Doctors hold back their re-generations. There were nice touches in this episode – notably the resolution of the WWI army captain’s story and the meeting up with an old friend/foe. Bradley doesn’t always get the 1st Doctor right, but this is not helped by him being given some weak lines, knowingly poking fun at the changes in cultural environment since the days of those early serials. Capaldi is excellent, as ever, and it is sad to see his Doctor finally go. Whittaker’s brief appearance looked promising and left us on another cliffhanger. The production values were good and the photography excellent, but hopefully new producer Chibnall will move away from Moffat’s penchant for complex concepts and get back to good old-fashioned story-telling to win back a broader audience base. [12]

Film Review – HELLFIGHTERS (1968)

Image result for hellfighters 1968Hellfighters (1968; USA; Technicolor; 121m) ***  d. Andrew V. McLaglen; w. Clair Huffaker; ph. William H. Clothier; m. Leonard Rosenman.  Cast: John Wayne, Katharine Ross, Vera Miles, Jim Hutton, Bruce Cabot, Jay C. Flippen, Edward Faulkner, Barbara Stuart, Edmund Hashim. The story of macho oil well firefighters and their wives. Whilst it plays almost every cliché in the book – and set a few – this is still an entertaining, well-staged action-packed story. Simplistic plot and episodic nature keeps us interested. Rosenman’s theme and score is memorable. Wayne’s character of Chance Buckman is based on real-life oil well firefighter ‘Red’ Adair. Adair, “Boots” Hansen, and “Coots” Matthews, served as technical advisers on the film. [PG]

Film Review – STAR WARS: EPISODE VIII – THE LAST JEDI (2017)

Image result for star wars the last jedi times review ukStar Wars: Episode VIII – The Last Jedi (2017; USA; Colour; 152m) ****  d. Rian Johnson; w. Rian Johnson; ph. Steve Yedlin; m. John Williams.  Cast: Daisy Ridley, John Boyega, Adam Driver, Oscar Isaac, Mark Hamill, Carrie Fisher, Domhnall Gleeson, Benicio del Toro, Laura Dern, Gwendoline Christie, Kelly Marie Tran, Lupita Nyong’o, Anthony Daniels, Andy Serkis, Warwick Davis. Having taken her first steps into the Jedi world, Rey joins Luke Skywalker on an adventure with Leia, Finn and Poe that unlocks mysteries of the Force and secrets of the past. Highly entertaining action-packed addition to the saga, which revisits many of the themes explored earlier in the series and as such may seem overly familiar. The basic chase plot is stretched a little with some lazy progressions, but despite its length the film doesn’t stand still for long nor does it outstay its welcome. Hamill and Fisher feature more heavily and there are one or two twists along the way, but its mid-trilogy position inevitably leaves certain issues unresolved. The visual effects and location work are exemplary. Also shot in 3-D. [12]

Film Review – INDIANA JONES AND THE LAST CRUSADE (1989)

Image result for indiana jones and the last crusade blu-rayIndiana Jones and the Last Crusade (1989; USA; DeLuxe; 127m) ***  d. Steven Spielberg; w. Jeffrey Boam, George Lucas, Menno Meyjes; ph. Douglas Slocombe; m. John Williams.  Cast: Harrison Ford, Sean Connery, Denholm Elliott, Alison Doody, John Rhys-Davies, Julian Glover, River Phoenix, Michael Byrne, Vernon Dobtcheff, Paul Maxwell, Kevork Malikyan, Alex Hyde-White, Richard Young, Alexei Sayle. When Dr. Henry Jones Sr. suddenly goes missing while pursuing the Holy Grail, eminent archaeologist Indiana Jones must follow in his father’s footsteps and stop the Nazis. Highlight is the chemistry and interplay between Ford and Connery. This third instalment is played more for laughs – and there are a fair few. Unfortunately, the change in tone diminishes from the adventure with overly-choreographed action set-pieces and a lazy screenplay overloaded with plot conveniences. Won Oscar for Sound Effects Editing (Ben Burtt and Richard Hymns). Followed by INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL (2008). [PG]

Film Review – JASON AND THE ARGONAUTS (1963)

Related imageJason and the Argonauts (1963; UK/USA; Eastmancolor; 104m) ****  d. Don Chaffey; w. Jan Read, Beverley Cross; ph. Wilkie Cooper; m. Bernard Herrmann.  Cast: Todd Armstrong, Nancy Kovack, Gary Raymond, Laurence Naismith, Niall MacGinnis, Michael Gwynn, Douglas Wilmer, Jack Gwillim, Honor Blackman, John Cairney, Patrick Troughton, Andrew Faulds, Nigel Green. The legendary Greek hero leads a team of intrepid adventurers in a perilous quest for the legendary Golden Fleece. Rousing fantasy adventure with memorable special effects design by Ray Harryhausen – including the giant bronze statue Talos and the army of skeletons. A game cast and resonant score by Herrmann add significantly. It took Harryhausen four months to produce the skeleton scene, a massive amount of time for a scene which lasts, at the most, three minutes. Remade for TV in 2000. [U]

Film Review – THE GUNS OF NAVARONE (1961)

Image result for the guns of navarone 1960Guns of Navarone, The (1961; USA; Eastmancolor; 158m) ****  d. J. Lee Thompson; w. Carl Foreman; ph. Oswald Morris; m. Dimitri Tiomkin.  Cast: Gregory Peck, David Niven, Anthony Quinn, Stanley Baker, Anthony Quayle, Irene Papas, Gia Scala, James Darren, James Robertson Justice, Richard Harris, Bryan Forbes, Allan Cuthbertson, Michael Trubshawe, Percy Herbert, George Mikell. A British team is sent to cross occupied Greek territory and destroy the massive German gun emplacement that commands a key sea channel. Top-notch WWII action-adventure yarn with well-staged set-pieces, a strong cast and a acript that is more thoughtful than usual for the genre. Peck, Quinn and Niven deliver memorable performances. Oscar winner for Special Effects (Bill Warrington, Chris Greenham). Based on the novel by Alistair MacLean. Followed by FORCE 10 FROM NAVARONE (1978). [PG]

TV Review – DOCTOR WHO: WORLD ENOUGH AND TIME / THE DOCTOR FALLS (2017)

Image result for doctor who world enough and time the doctor fallsDoctor Who: World Enough and Time / The Doctor Falls (TV) (2017: UK: Colour: 106m) ∗∗∗∗½  pr. Peter Bennett; d. Rachel Talalay; w. Steven Moffat; ph. Ashley Rowe; m. Murray Gold. Cast: Peter Capaldi, Matt Lucas, Pearl Mackie , Michelle Gomez, John Simm , Oliver Lansley, Paul Brightwell, Alison Lintott, Briana Shann, Rosie Boore, Samantha Spiro, Simon Coombs, Nicholas Briggs, David Bradley.   Friendship drives the Doctor into the rashest decision of his life. Trapped on a giant spaceship, caught in the event horizon of a black hole, he witnesses the death of someone he is pledged to protect. Is there any way he can redeem his mistake? Are events already out of control? For once, time is the Time Lord’s enemy. Moffat’s season finales have generally been a case of excellent set-up and disappointing pay-off. This story comes close to meeting that trend, but ultimately wins out because of the superb performances, a witty script and its no-win situation. Capaldi excels here in fighting his moral dilemna. Gomez and Simm spark well with Capaldi and each other and there is a sense of irony about the resolution of their story.  The first episode set up the premise brilliantly in one of the best ever episodes of the series. The resolution felt a little contrived in places and overly sentimental in the resolution of Bill’s story, but this is otherwise an excellent finale with a superb twist right at the end leaving us looking forward to the Xmas special to come. [12]