Bridget Jones’s Diary (2001; UK/Ireland/France; Technicolor; 97m) ∗∗∗∗ d. Sharon Maguire; w. Andrew Davies, Helen Fielding, Richard Curtis; ph. Stuart Dryburgh; m. Patrick Doyle. Cast: Renee Zellweger, Colin Firth, Hugh Grant, Jim Broadbent, Gemma Jones, Sally Phillips, Shirley Henderson, Celia Imrie, Embeth Davidtz, Honor Blackman, James Faulkns. A British woman is determined to improve herself while she looks for love in a year in which she keeps a personal diary. Zellweger is excellent and charming in her portrayal of Bridget Jones. Firth and Grant head a strong supporting British cast. Whilst it descends into some standard rom-com/sit-com situations and has an all too cosy feel at times, this well-observed comedy still hits home. To prepare for the role, Zellweger gained 25 pounds. Based on the novel by Helen Fielding. Followed by BRIDGET JONES: THE EDGE OF REASON (2004). 
Spectre (2015; UK; Colour; 148m) ∗∗∗½ d. Sam Mendes; w. John Logan, Neal Purvis, Robert Wade, Jez Butterworth; ph. Hoyte van Hoytema; m. Thomas Newman. Cast: Daniel Craig, Christoph Waltz, Léa Seydoux, Ralph Fiennes, Monica Bellucci, Naomie Harris, Rory Kinnear, Ben Whishaw, Dave Bautista, Andrew Scott, Jesper Christensen, Stephanie Sigman. A cryptic message from James Bond’s past sends him on a trail to uncover a sinister organization. Satisfying globe-trotting 007 action vehicle with all the expected ingredients and several nods to the series’ history. The most traditional and outlandish of Craig’s outings offers little that is new but will undoubtedly satisfy fans. Action scenes are well-staged if a little mechanical. Bellucci is wasted in small role as grieving widow. Sam Smith’s theme song is unmemorable. Based on characters created by Ian Fleming. 
JEFF LYNNE’S ELO – ALONE IN THE UNIVERSE (2015) ∗∗∗½
Tracks: “When I Was a Boy” / “Love and Rain” / “Dirty to the Bone” / “When the Night Comes” / “The Sun Will Shine on You” / “Ain’t It a Drag” / “All My Life” / “I’m Leaving You” / “One Step at a Time” / “Alone in the Universe” Bonus Tracks: “Fault Line” / “Blue”
All songs written by Jeff Lynne
Produced by Jeff Lynne
Musicians: Jeff Lynne – All instruments except the shaker and the tambourine; Steve Jay – shaker, tambourine, engineer; Laura Lynne – background vocals on “Love and Rain” and “One Step at a Time”.
Last year’s triumphant performance at Radio 2’s Hyde Park gig spurred Jeff Lynne back into writing songs for a new ELO album and tour. It’s been 14 years since the last ELO album, the overlooked and underrated Zoom, and here Lynne effectively produces a solo album under the band’s name. He brings in a range of influences from his heroes – The Beatles (“When I was a Boy” and “The Sun Will Shine on You”) and Roy Orbison (“Blue”) – to hints of disco (“One Step at a Time”) and reggae (“When the Night Comes”) in a varied collection of melodic songs. Whilst the album doesn’t reach the heights of the band’s classic mid-1970s period – A New World Record, Out of the Blue – and lacks the sustained excellence of 2001’s Zoom, this is still a classy selection.
SLEEP NO MORE
1 episode / 45m / 14 November 2015
Writer: Mark Gatiss
Director: Justin Molotnikov
Cast: Peter Capaldi (The Doctor), Jenna Coleman (Clara), Reece Shearsmith (Gagan Rassmussen), Elaine Tan (Nagata), Neet Mohan (Chopra), Bethany Black (474), Paul Courtenay Hyu (Deep-Ando), Zina Badran (Morpheus Presenter), Natasha Patel (Hologram Singer), Elizabeth Chong (Hologram Singer), Nikkita Chadha (Hologram Singer), Gracie Lai (Hologram Singer).
Plot: Video recovered from the wreckage of Le Verrier Space Station details how the Doctor and Clara became entangled in a rescue mission. As the footage plays out, a horrifying secret is uncovered, one that might threaten the life, sanity and species of anyone who watches. Comment: Experimental episode using the popular found-footage horror genre as the basis for a confusing monster takes over space station story where the viewer is never sure if what they are seeing is real, fabricated or imagined. The sandmen are a creepy design and the inter-cutting between shifting viewpoints helps keep the tension high. Capaldi is looking increasingly at home as the Doctor now, having settled down his characterisation. I’m not really sure I got the whole thing and will probably need to re-watch to dig out some of the subtexts, but I did enjoy this episode for its willingness to bring a new twist to a more traditional Who plot, which it executed pretty well..
SHAFT: A COMPLICATED MAN (28 October 2015, Dynamite Entertainment, 176pp) ∗∗∗∗∗
Shaft Created by Ernest Tidyman
Written and Lettered by David F. Walker
Illustrated by Bilquis Evely
Coloured by Daniela Miwa
Cover by Denys Cowan and Bill Sienkiewicz
Collection Design by Geoff Harkins
Blurb: Who’s the black private dick that’s a sex machine with all the chicks? Shaft! (You’re damn right!) Created by author Ernest Tidyman and made famous in a series of novels and films, iconic hero Shaft makes his graphic novel debut in an all-new adventure. He’s gone toe-to-toe with organized crime bosses, stood up to the cops, squared off against kidnappers, and foiled assassination attempts. But who was John Shaft before he became the hardboiled investigator with a reputation as big as New York City itself? Recently arriving home from his tour of duty in Vietnam, his first case – tracking down a missing person for his girlfriend – quickly turns into a matter of life and death, making him a target of gangsters and the police!
This trade paperback release of David F. Walker’s 6-part Shaft comic book is well presented. I have reviewed the comic book through each individual issue, so I will not repeat that here other than suffice to say this is a must for Shaft fans and comic book fans alike. Extras include Bilquis Evely’s Shaft profile designs; alternative covers as well as a potential cover drawn by Walker; script page extracts and accompanying final panel versions; and cover variant artwork for each of the original issues.
A second series of comic books, Shaft: Imitation of Life, has already been commissioned and Walker has his novel, Shaft’s Revenge, published in February next year.
Yakuza, The (1974; USA/Japan; Technicolor; 123m) ∗∗∗½ d. Sydney Pollack; w. Paul Schrader, Robert Towne, Leonard Schrader; ph. Kôzô Okazaki; m. Dave Grusin. Cast: Robert Mitchum, Ken Takakura, Brian Keith, Herb Edelman, Richard Jordan, James Shigeta, Keiko Kishi, Eiji Okada, William Ross, Denis Akiyama, Kyosuke Mashida, Christina Kokubo, Eiji Go, Lee Chirillo, Akiyama. Mitchum returns to Japan after several years in order to rescue his friend’s kidnapped daughter – and ends up on the wrong side of the Yakuza, the notorious Japanese Mafia. Mitchum and Takakura are excellent as men from different cultures who find a mutual sense of honour in taking on the powerful gang. Explosive gunplay mixes with bloody swordplay in a tense finale. Edited version runs 112m. 
THE ZYGON INVASION / THE ZYGON INVERSION
2 episodes / 93m / 31 October & 7 November 2015
Writer: Peter Harness & Steven Moffat
Director: Daniel Nettheim
Cast: Peter Capaldi (The Doctor), Jenna Coleman (Clara), Ingrid Oliver (Osgood), Jemma Redgrave (Kate Stewart), Jaye Griffiths (Jac), Nicholas Asbury (Etoine), Cleopatra Dickens (Claudette), Sasha Dickens (Jemima), Rebecca Front (Colonel Walsh), Abhishek Singh (Little Boy [Sandeep]), Samila Kularatne (Little Boy’s Mum), Todd Kramer (Hitchley), Jill Winternitz (Lisa [Drone Op]), Gretchen Egolf (Norlander), Karen Mann (Hitchley’s Mom), James Bailey (Walsh’s Son), Aidan Cook (Zygon), Tom Wilton (Zygon).
Plot: The Zygons, a race of shape-shifting aliens, have been living in secret amongst us on Earth, unknown and unseen – until now! When Osgood is kidnapped by a rogue gang of Zygons, the Doctor, Clara and UNIT must scatter across the world in a bid to set her free. But will they reach her in time, and can they stop an uprising before it is too late?
Comment: A somewhat heavy-handed political allegory enlivened by some atmospheric visuals and a towering performance from Capaldi, who has really grown into the role of the Doctor. Jenna Coleman is also excellent in her dual-role as Clara and Zygon duplicate and Ingrid Oliver is again appealing as Osgood. The Zygons are an effective classic monster and the plot concerning a faction group looking to break the peace treaty brokered at the close of Day of the Doctor is involving. The story occasionally suffers from some over elaborate ideas, which lack follow-through such as the UNIT jet being shot down and no-one seemingly blinking an eyelid. I’m also not sure I still get the whole dual-Osgood scenario, but it did set up a splendid finale which gave Capaldi the opportunity to deliver one of the most passionate speeches in the series’ history. Capaldi’s performance is reminiscent of Tom Baker at this best as The Doctor argues ethics and values with the Zygons and Jemma Redgrave’s UNIT commander in an attempt to restore the treaty. Stirring stuff then in a story that ultimately satisfies despite its none-too-subtle political messaging.
Edge: The Loner (TV) (2015; USA; Colour; 62m) ∗½ d. Shane Black; w. Shane Black, Fred Dekker; ph. Dante Spinotti; m. Brian Tyler. Cast: Max Martini, Ryan Kwanten, Yvonne Strahovski, Alicja Bachleda, William Sadler, Beau Knapp, Robert Bailey Jr., Noah Segan. A Union officer turned cowboy roams the Old West in the post-Civil War era on a quest for revenge in this series based on the best-selling books of the same name. Martini gives a one-note performance in this familiar tale further marred by over-the-top violence, misfiring black humour and one-dimensional characters. Pilot for Amazon TV series is based on the books by George C. Gilman (Terry Harknett). 
Madigan (1968; USA; Technicolor; 101m) ∗∗∗½ d. Don Siegel; w. Howard Rodman (as Henri Simoun), Abraham Polonsky; ph. Russell Metty; m. Don Costa. Cast: Richard Widmark, Henry Fonda, Inger Stevens, Harry Guardino, James Whitmore, Michael Dunn, Susan Clark, Steve Ihnat, Don Stroud, Sheree North. Two NYC detectives are given a weekend to bring a fugitive to justice. Gritty police thriller is largely a character study of two flawed but driven men – Widmark’s streetwise detective and Fonda’s by-the-book commissioner. Whilst the juggling of perspective reduces the narrative fluidity Widmark is excellent and Siegel directs with a sure hand. Based on the novel “The Commissioner” by Richard Dougherty. Followed by a 1972-3 series of six TV movies.