Film Review – THE STREETS OF SAN FRANCISCO (TV) (1972)

The Streets of San Francisco: The Pilot | Not The Baseball PitcherTHE STREETS OF SAN FRANCISCO (TV) (1972, USA) ***
Action, Crime, Drama, Mystery
dist. American Broadcasting Company (ABC); pr co. Quinn Martin Productions (QM) / Warner Bros. Television; d. Walter Grauman; w. Edward Hume (based on the novel “Poor, Poor Ophelia” by Carolyn Weston); exec pr. Quinn Martin; pr. Arthur Fellows, Adrian Samish; ass pr. Howard P. Alston; ph. William W. Spencer (Colour. 35mm. Spherical. 1.33:1); m. Patrick Williams; m sup. John Elizalde; ed. Richard K. Brockway; ad. Richard Y. Haman; set d. Hoyle Barrett; cos. Edward McDermott, Paula Giokaris; m/up. Don Schoenfeld, Annabell Levy; sd. Ray Barons, Bill Phillips (Mono); rel. 16 September 1972 (USA), 19 November 1973 (UK); cert: PG; r/t. 98m.

cast: Karl Malden (Detective Lt. Mike Stone), Robert Wagner (David J. Farr), Michael Douglas (Inspector Steve Keller), Andrew Duggan (Capt. A.R. Malone), Tom Bosley (Saretti), John Rubinstein (Lindy), Carmen Mathews (Sally Caswell), Edward Andrews (Joe Caswell), Lawrence Dobkin (Gregory Praxas), Kim Darby (Holly Jean Berry), Brad David (Del Berry), Mako (Kenji), Naomi Stevens (Mrs. Saretti), Lou Frizzell (Lou), Bill Quinn (Medical Examiner), Richard Brian Harris (Auto Mechanic), William Swan (Larry Pyle), Victor Millan (Tony – Detective), June Vincent (Diana), Robert Mandan (Dockmaster).

SFPD Detective Lieutenant Michael Stone (Malden) is partnered with a young college-educated Inspector, Steven Keller (Douglas), as they investigate a girl found dead in the water with a lawyer (Wagner) she knew as the primary suspect. Introductory film for the TV series that ran for five seasons from 1972-7. The film benefits from extensive location work and the instant chemistry between leads Malden and Douglas. The mystery is adapted from a novel by Carolyn Weston, which featured different lead characters. Wagner is the chief suspect as the slimy lawyer who became involved with the dead girl (played in flashback by Darby). Dobkin also gives a notable performance as an eccentric former movie star. The material is handled a little flatly by Graumann but is tightly edited and contains a memorable theme from composer Williams. Followed twenty years later by BACK TO THE STREETS OF SAN FRANCISCO (1992).

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