Film Review – THE COMMUTER (2018)

Image result for the commuter 2018THE COMMUTER (USA/UK, 2018) **
      Distributor: Lionsgate (USA), StudioCanal (UK); Production Company: StudioCanal / The Picture Company / Ombra Films; Release Date: 8 January 2018 (USA), 19 January 2018 (UK); Filming Dates: 25 July 2016 – September 2016; Running Time: 104m; Colour: Colour; Sound Mix: Dolby Atmos; Film Format: D-Cinema; Film Process: ARRIRAW; Aspect Ratio: 2.39:1; BBFC Cert: 15 – strong violence, injury detail.
      Director: Jaume Collet-Serra; Writer: Byron Willinger, Philip de Blasi, Ryan Engle (based on a story by Byron Willinger and Philip de Blasi); Executive Producer: Jaume Collet-Serra, Michael Dreyer, Ron Halpern, Didier Lupfer; Producer: Alex Heineman, Andrew Rona; Associate Producer: Lacey Darlene Paulson; Director of Photography: Paul Cameron; Music Composer: Roque Baños; Film Editor: Nicolas De Toth; Casting Director: Reg Poerscout-Edgerton; Production Designer: Richard Bridgland; Art Director: Wing Lee; Set Decorator: Tina Jones; Costumes: Jill Taylor, Betsy Heimann; Make-up: Sunday Englis; Sound: James Harrison, Steve Little; Special Effects: Stefano Pepin; Visual Effects: Steven Begg, Adam Rowland.
      Cast: Liam Neeson (Michael MacCauley), Vera Farmiga (Joanna), Patrick Wilson (Alex Murphy), Jonathan Banks (Walt), Sam Neill (Captain Hawthorne), Elizabeth McGovern (Karen MacCauley), Killian Scott (Dylan), Shazad Latif (Vince), Andy Nyman (Tony), Clara Lago (Eva), Roland Møller (Jackson), Florence Pugh (Gwen), Dean-Charles Chapman (Danny MacCauley), Ella-Rae Smith (Sofia), Nila Aalia (Sherri), Colin McFarlane (Conductor Sam), Kobna Holdbrook-Smith (Oliver), Adam Nagaitis (Conductor Jimmy), Kingsley Ben-Adir (Agent Garcia), Damson Idris (Agent Denys), Andy Lucas (Manny Engineer), Zaak Conway (Caleb O’Malley), Ben Caplan (Frank), Letitia Wright (Jules Skateboarder), Simon Hibbs (Sean O’Malley), Nathan Wiley (Sniper), Jamie Beamish (Nathan), Ben Nathan (Police Officer), David Alwyn (Platform Trooper), John Alastair (Officer O’Neal), Edward Bluemel (Gwen’s Boyfriend), Aoife Hinds (Jeanie), Alana Maria (Officer Jones), Pat Kiernan (Pat Kiernan), Natalie Duddridge (Natalie Duddridge), Jaime Menéndez (Enrique Mendez).
       Synopsis: An Insurance Salesman/Ex-Cop is caught up in a criminal conspiracy during his daily commute home.
      Comment: Preposterous thriller straight out of the “good ideas” department of the studio corporate wagon. It is almost a carbon-copy re-run of Neeson and Collet-Serra’s previous aeroplane-in-jeopardy collaboration NON-STOP. Whilst it is efficiently made and Neeson, as always, makes for a sympathetic hero, you find yourself scratching your head as to how this could actually be conceived as being in the least bit plausible. The set-pieces are so precisely choreographed they consistently ring false notes, resulting in the deflation of any suspense built through the competent direction and editing. This is formula product assembled for a forgiving modern audience that puts style and visual excitement ahead of intelligent story-telling.

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