Film Review – THE BEGUILED (1971)

Image result for the beguiled 1971THE BEGUILED (USA, 1971) ****
      Distributor: Universal Pictures (USA), Cinema International Corporation (CIC) (UK); Production Company: The Malpaso Company; Release Date: 31 March 1971 (USA), July 1971 (UK); Filming Dates: 9 April 1970; Running Time: 105m; Colour: Technicolor; Sound Mix: Mono (Westrex Recording System); Film Format: 35mm; Film Process: Spherical; Aspect Ratio: 1.85:1; BBFC Cert: 15 – moderate language, sex and violence.
      Director: Don Siegel; Writer: John B. Sherry, Grimes Grice (based on the novel “The Painted Devil” by Thomas Cullinan); Executive Producer: Jennings Lang; Producer: Don Siegel; Associate Producer: Claude Traverse; Director of Photography: Bruce Surtees; Music Composer: Lalo Schifrin; Film Editor: Carl Pingitore; Casting Director: Robert J. LaSanka; Production Designer: Ted Haworth; Art Director: Alexander Golitzen; Set Decorator: John P. Austin; Costumes: Helen Colvig; Make-up: Bud Westmore; Sound: John L. Mack, Waldon O. Watson.
      Cast: Clint Eastwood (John McBurney), Geraldine Page (Martha), Elizabeth Hartman (Edwina), Jo Ann Harris (Carol), Darleen Carr (Doris), Mae Mercer (Hallie), Pamelyn Ferdin (Amy), Melody Thomas Scott (Abigail), Peggy Drier (Lizzie), Patricia Mattick (Janie), Charlie Briggs (1st Confederate Captain), George Dunn (Sam Jefferson), Charles G. Martin (2nd Confederate Captain), Matt Clark (Scrogins), Patrick Culliton (Miles Farnswoth), Buddy Van Horn (Soldier).
      Synopsis: During the Civil War a wounded Union soldier who has been taken in at a Southern girls’ school. The girls become curious and then sensuous. But when jealousy sparks, the anger is ultimately focused on the soldier.
      Comment: This is a haunting tale in which Eastwood plays against type in an unsympathetic role. Themes of sexual repression and sodomy are well-handled by Siegel, never crossing the line into exploitation. Page is excellent as the headmistress with her own secrets. The production is handsomely mounted and beautifully photographed by Surtees. The sexual tension builds throughout the story as Eastwood manipulates the naivety of his saviours. He gives his best screen performance to date as a result.
      Notes: Remade in 2017.

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