Film Review – JAWS (1975)

Image result for jaws 1975JAWS (USA, 1975) *****
PRODUCTION: Distributor: Universal Pictures (USA), Cinema International Corporation (CIC) (UK); Production Company: Zanuck-Brown Productions / Universal Pictures; Release Date: 20 June 1975 (USA), 25 December 1975 (UK); Filming Dates: 2 May 1974 – 18 September 1974 and October 1974 – December 1974; Running Time: 124m; Colour: Technicolor; Sound Mix: Mono (Westrex Recording System) | Dolby (Dolby Digital Surround 5.1) | Dolby Surround 7.1 (Blu-ray release); Film Format: 35mm; Film Process: Panavision (anamorphic); Aspect Ratio: 2.35:1; BBFC Cert: 12.
CREW: Director: Steven Spielberg; Writer: Peter Benchley, Carl Gottlieb (based on the novel by Peter Benchley); Producer: David Brown, Richard D. Zanuck; Director of Photography: Bill Butler; Music Composer: John Williams; Film Editor: Verna Fields; Casting Director: Shari Rhodes; Production Designer: Joe Alves; Set Decorator: John M. Dwyer; Costumes: Louise Clark, Robert Ellsworth, Irwin Rose; Make-up: Del Armstrong, John Chambers, Jim Gillespie; Sound: John R. Carter, Robert L. Hoyt; Special Effects: Robert A. Mattey.
CAST: Roy Scheider (Brody), Robert Shaw (Quint), Richard Dreyfuss (Hooper), Lorraine Gary (Ellen Brody), Murray Hamilton (Vaughn), Carl Gottlieb (Meadows), Jeffrey Kramer (Hendricks), Susan Backlinie (Chrissie), Jonathan Filley (Cassidy), Ted Grossman (Estuary Victim), Chris Rebello (Michael Brody), Jay Mello (Sean Brody), Lee Fierro (Mrs. Kintner), Jeffrey Voorhees (Alex Kintner), Craig Kingsbury (Ben Gardner), Robert Nevin (Medical Examiner), Peter Benchley (Interviewer).
SYNOPSIS: When a gigantic great white shark begins to menace the small island community of Amity, a police chief, a marine scientist and grizzled fisherman set out to stop it.
COMMENT: Brilliantly filmed and edited with not a minute of screen time wasted. It was credited as the movie that created the summer blockbuster, but this remains an everyman movie full of thrills. Spielberg’s inventive framing and decision to leave the shark largely unseen until the final act demonstrate his astute approach to genre direction. Great performance from Shaw, Scheider and Dreyfuss and memorable music score from Williams helps to heighten the tension. The movie remains today a textbook example on how to shoot a thriller and maximise character empathy through great direction to actors.
NOTES: Won three Oscars – for Editing, Music and Sound. Extended version runs to 130m. Followed by three sequels beginning with JAWS 2 (1978).

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