Film Review – BRONCO BILLY (1980)

Image result for bronco billy 1980BRONCO BILLY (USA, 1980) ***½
      Distributor: Warner Bros. (USA), Columbia-Warner Distributors (UK); Production Company: Warner Bros. / Second Street Films; Release Date: 11 June 1980 (USA), 17 July 1980 (UK); Filming Dates: October – November 1979; Running Time: 116m; Colour: DeLuxe; Sound Mix: Mono; Film Format: 35mm; Film Process: Spherical; Aspect Ratio: 1.85:1; BBFC Cert: PG.
      Director: Clint Eastwood; Writer: Dennis Hackin; Executive Producer: Robert Daley; Producer: Neal H. Dobrofsky, Dennis Hackin; Associate Producer: Fritz Manes; Director of Photography: David Worth; Music Supervisor: Snuff Garrett; Film Editor: Joel Cox, Ferris Webster; Art Director: Eugène Lourié; Set Decorator: Ernie Bishop; Costumes: Glenn Wright; Make-up: Thomas Tuttle; Sound: Bert Hallberg; Special Effects: Jeff Jarvis.
      Cast: Clint Eastwood (Bronco Billy), Sondra Locke (Antoinette Lily), Geoffrey Lewis (John Arlington), Scatman Crothers (Doc Lynch), Bill McKinney (Lefty LeBow), Sam Bottoms (Leonard James), Dan Vadis (Chief Big Eagle), Sierra Pecheur (Lorraine Running Water), Walter Barnes (Sheriff Dix), Woodrow Parfrey (Dr. Canterbury), Beverlee McKinsey (Irene Lily), Doug McGrath (Lt. Wiecker), Hank Worden (Station Mechanic), William Prince (Edgar Lipton), Pam Abbas (Mother Superior), Eyde Byrde (Maid Eloise), Douglas Copsey (Reporter at Bank), John Wesley Elliott Jr. (Sanatorium Attendant), Chuck Hicks (Cowboy at Bar), Bob Hoy (Cowboy at Bar), Jefferson Jewell (Boy at Bank), Dawneen Lee (Bank Teller), Don Mummert (Chauffeur), Lloyd Nelson (Sanatorium Policeman), George Orrison (Cowboy in Bar), Michael Reinbold (King), Tessa Richarde (Mitzi Fritts), Cha Cha Sandoval-McMahon (Doris Duke), Valerie Shanks (Sister Maria), Sharon Sherlock (License Clerk), James Simmerman (Bank Manager), Roger Dale Simmons (Reporter at Bank), Jenny Sternling (Reporter at Sanatorium), Chuck Waters (Bank Robber), Jerry Wills (Bank Robber).
      Synopsis: An idealistic, modern-day cowboy struggles to keep his Wild West show afloat in the face of hard luck and waning interest.
      Comment: Low-key but charming Eastwood comedy vehicle has much philosophical to say about corporate greed and the need for a simpler way of life using Western values as its basis. Its comedy is geared around the clash of counter-cultures and only occasionally lapses into more broader territory. A strong supporting cast is headed by Locke’s self-centred rich-heiress who falls in with Eastwood’s crew when suffering deception at the hands of Lewis’ gold-digging suitor. Eastwood directs with a sensitive eye for comic timing and delivers a charismatic lead performance.

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