THE WAR OF THE WORLDS (UK, 2019) **½
Distributor: ITV Studios Global Entertainment; Production Company: Mammoth Screen / British Broadcasting Corporation (BBC) / Creasun Media American; Release Date: 17, 24 November & 1 December 2019; Running Time: 3 x 60m; Colour: Colour; Sound Mix: Stereo; Film Format: HD; Aspect Ratio: 2.00:1; BBFC Cert: 15.
Director: Craig Viveiros; Writer: Peter Harness (based on the novel by H.G. Wells; Producer: Betsan Morris Evans; Executive Producer:Jamie Brown, Peter Harness, Minglu Ma, Preethi Mavahalli, Damien Timmer, Craig Viveiros; Director of Photography: James Friend; Music Composer: Russ Davies; Film Editor: Adam Bosman, Josh Mallalieu; Production Designer: Pat Campbell; Casting: Karen Lindsay-Stewart; Costumes: Howard Burden; Make-up: Amy Stewart; Sound: Jonathan Seale; Special Effects Supervisor: Chris Reynolds; Visual Effects Supervisor: Stephen Coren, Sally Goldberg, Ivor Middleton.
Cast: Eleanor Tomlinson (Amy), Robert Carlyle (Ogilvy), Rafe Spall (George), Jonathan Aris (Priest), Rupert Graves (Frederick), Woody Norman (George Junior), Nicholas Le Prevost (Chamberlain), Susan Wooldridge (Mrs. Elphinstone), Taliyah Blair (Lillian), Reid Anderson (Stall Holder), Philip Gascoyne (Navy Officer), Charles De’Ath (Greaves), Joey Batey (Henderson), Sam Benjamin (Salesman), Freya Allan (Mary), Christopher Hatherall (Naval Lieutenant), Daniel Cerqueira (Stent), Aisling Jarrett-Gavin (Lucy), Bradley Cottrell (Newspaper Boy), Harry Melling (Artilleryman), Kieron Bimpson (Captain), Cokey Falkow (Army Officer), Milo Twomey (Sergeant Major), Michele Donockley (Red Planet Survivor).
Synopsis: Set in Edwardian England, this new adaptation of H.G. Wells’ seminal tale – the first alien invasion story in literature – follows George (Spall) and his partner Amy (Tomlinson) as they attempt to defy society and start a life together. The War of the Worlds tells their story as they face the escalating terror of an alien invasion, fighting for their lives against an enemy beyond their comprehension.
Comment: This adaptation of H.G.Wells’ classic novel plays loose with its source material and clumsily attempts to invent its own allegorical agenda with references to British colonialism. Rather than follow the novel’s linear narrative we jump between scenes set during the invasion and three years after into a post-apocalyptic landscape. The latter scenes only serve to slow the narrative and remove any fluidity and excitement that the invasion generates. Split across three hour-long episodes, the story feels overly stretched despite the occasional excitements and moments of tension. Tomlinson is good as the heroine who is conflicted between her bravery and responsibility to her unborn child. Spall is also okay as an everyman out of his depth. Carlyle, however, is wasted in a role that largely consigns him to the periphery of the action. What lets the production down is the writing, which is often stilted and provides a totally unsatisfying conclusion which clumsily attempts to be symbolic. Viveiros struggles to lift the material and settles for long moments of slow-motion action and introspection, which further dilute some of the set pieces. Technical attributes, however, are pretty good for the limited TV budget.
BERGERAC: ALL FOR LOVE (UK, 1991) ***½
Distributor: British Broadcasting Corporation (BBC); Production Company: British Broadcasting Corporation (BBC) / Seven Network; Release Date: 26 December 1991; Running Time: 106m; Colour: Colour; Sound Mix: Dolby; Film Format: 16mm; Aspect Ratio: 1.33:1; BBFC Cert: 12.
Director: Terry Marcel; Writer: John Milne; Producer: George Gallaccio; Director of Photography: John Walker; Music Composer: Ray Russell, Kevin Townend; Theme Music: George Fenton; Film Editor: Bernard Ashby; Production Designer: Merle Downie, Stephen Sharratt; Costumes: Jacky Levy; Make-up: Pauline Cox; Sound: Simon Wilson; Stunt Arranger: Rocky Taylor.
Cast:John Nettles (Jim Bergerac), Terence Alexander (Hungerford), Deborah Grant (Deborah Bergerac), Simon Williams (Rupert Draper), Suzan Crowley (Cressida Draper), Bill Nighy (Barry), Roger Sloman (Inspector Deffand), John Telfer (Willy Pettit), Al Ashton (DC Ramsden), David Kershaw (Ben Lomas), Jane Downs (Petra Crowe-Smith), Peter Watts (Ronnie), Philip Glenister (Philip), Bruno Madinier (Pascal), Charmaine Parsons (Ellie), Catherine Rabett (Jane), Iain Rattray (Club Waiter), Malcolm Gerard (Dentist), Gordon Salkilld (Barman).
Synopsis: After receiving a letter from Danielle ending their relationship, Jim Bergerac starts drinking again. To keep him out of trouble, Charlie takes him to Bath, where art dealer Rupert Draper will be buying a painting that Charlie was given as payment for a debt. Once in Bath, Jim falls for the charms of Rupert’s faithless wife, unaware that she is using him to take the rap for a murder, back in Jersey, where a body is found in the burnt-out remains of Rupert’s shop.
Comment: The last of six feature-length Bergerac specials and the last ever episode of the series was broadcast at Christmas 1991. Series 9 had seen a major shift in the series with Bergerac operating as a private investigator. As a result the series lost much of its charm and the constant switches of locale between Jersey and France did not help. However, for this final feature-length special the noir-ish elements hinted at through the preceding season finally gelled into one of the series’s strongest episoides. Nettles gives his best performance in the title role, with Bergerac having drifted back in to alcoholism and being made the patsy for an insurance con. Crowley makes a strong impression as the scheming femme fatale. Nighy is also on hand as a hired assassin who also falls under Crowley’s spell. The climax may feel a little contrived, but the episode delivers a compelling story and points to where the show could have gone had it not been cancelled.
BERGERAC: THERE FOR THE PICKING (UK, 1990) **
Distributor: British Broadcasting Corporation (BBC); Production Company: British Broadcasting Corporation (BBC) / Seven Network; Release Date: 26 December 1990; Running Time: 99m; Colour: Colour; Sound Mix: Dolby; Film Format: 16mm; Aspect Ratio: 1.33:1; BBFC Cert: 12.
Director: Gordon Flemyng; Writer: Desmond Lowden; Producer: George Gallaccio; Director of Photography: David Whitson; Music Composer: Ray Russell, Kevin Townend; Theme Music: George Fenton; Film Editor: Bernard Ashby, Paul Garrick; Production Designer: Bob Cove; Costumes: Barrie Sedwell; Make-up: Ann Ailes-Stevenson; Sound: Simon Wilson; Stunt Arranger: Clive Curtis.
Cast: John Nettles (Jim Bergerac), Terence Alexander (Hungerford), Sean Arnold (Crozier), John Telfer (Willy Pettit), David Kershaw (Ben Lomas), Thérèse Liotard (Danielle), Michael Mellinger (Albert Leufroid), Warren Saire (Roderick), Melanie Thaw (Sarah), Kenneth Cranham (Gascoigne), Simon Chandler (Sumner), Lawrence Davidson (Police Inspecteur), Leslie Clack (Cafe Owner), Altay Lawrence (Chris), Julian Freeman (Air Traffic Controller), David Hargreaves (Hazelton), Paula Topham (Mrs. Hazelton), Rupert Holliday-Evans (Baz), David Keyes (Hippy), Tim Meats (Bank Manager), Adam Morris (Bank Clerk), Graham Fletcher-Cook (Deggsy), Grant Oatley (Jake), Luke Hanson (Killick), Bill Moody (Laborde).
Synopsis: Jim Bergerac is now at the vineyard and it is grape-picking time. One of the young casual workers is English boy Roderick. However, he is also a computer hacking genius who is able to transfer 90% of the previous day’s takings on the Tokyo stock exchange into his own account. The son of the wealthy Hargreaves, he also targets Charlie and other Jersey residents. In addition to Roderick’s activities Jim is recalled to the island when a consignment of hand grenades is discovered in a cargo of whiskey and a French connection is suspected.
Comment: The fifth of six feature-length Bergerac specials, was broadcast at Christmas 1990 ahead of the final series of the show (series 9). With Bergerac now out of the police and relocated to the vineyards of France with his French girlfriend the series lost its core hook and charm. The result is this rather listless elongated episode, in which the only redeeming factor is Cranham’s charismatic performance as an arms trader also seeking insider deals on the stock market. The story gets bogged down in its shifting locations between Jersey and France. The separation of Bergerac from his job leaves nettles with little to work with as the lead. The finale and pay-off is weak and the show seemed to be running out of steam. This would be Sean Arnold’s last appearance in the series as Crozier. Melanie Thaw (daugher of John Thaw and Sheila Hancock) has an early role as one of the students working at the vineyard. Veteran TV director Flemyng also helmed the two 1960s Doctor Who feature films.
BERGERAC: SECOND TIME AROUND (UK, 1989) ***½
Distributor: British Broadcasting Corporation (BBC); Production Company: British Broadcasting Corporation (BBC) / Seven Network; Release Date: 23 December 1989; Running Time: 97m; Colour: Colour; Sound Mix: Dolby; Film Format: 16mm; Aspect Ratio: 1.33:1; BBFC Cert: 12.
Director: Peter Ellis; Writer: Ian Kennedy Martin; Producer: George Gallaccio; Director of Photography: John Walker; Music Composer: Ray Russell; Theme Music: George Fenton; Film Editor: Bernard Ashby; Production Designer: Martin Methven; Costumes: Barrie Sedwell; Make-up: Christine Greenwood; Sound: Malcolm Campbell; Stunt Arranger: Gareth Milne.
Cast: John Nettles (Jim Bergerac), Terence Alexander (Hungerford), Sean Arnold (Crozier), John Telfer (Willy Pettit), David Kershaw (Ben Lomas), David Schofield (David Mason), Jenifer Landor (Elizabeth Dufresne), Donald Sumpter (Harry Tilson), Prentis Hancock (Arthur Medley), Richard Hawley (Michael Fulton), Chris Langham (Devas), Andrew Sachs (Moise Davidson), Rupert Frazer (Ted Grob), Sarah Neville (Sally Collins), Derrick Branche (Damian Shore), Elizabeth Bradley (Mrs. Maurice), Lisa Climie (Wendy), Pavel Douglas (De Lavarre), Clare Byam-Shaw (Dr. Bonham).
Synopsis: David Mason murders Ted Grob by throwing him into a swimming pool, handcuffed to a patio recliner. Jim returns to duty to solve the murder and is asked by an ex-con who believes he was framed to go back over the details of the robbery of a courier company some years earlier which has a connection with the recent death.
Comment: The fourth of six feature-length Bergerac specials, this one broadcast at Christmas 1989 ahead of series 8. By this time changes were afoot in the series with Nettles’ Bergerac a much more reflective character following his split with long-time girlfriend Susan Young (an absent Louise Jameson); Sean Arnold’s Crozier has been promoted to Superintendent and is operationg from police HQ, without the services of secretary Peggy Masters and Jim’s ex-family are long gone to London. The stories had become tougher and the new approach is no more evident than in this flashy, violent heist thriller with its explosive finale. It’s well-written and typical of Kennedy Martin’s hard-nosed approach to crime series – he did, after all, create The Sweeney. There’s a strong performances from Schofield – in one of his unhinged bad guy roles – and Landor briefly gives Bergerac hope of a new love interest. Producer Gallaccio may have been trying to move the series away from its cosier approach by giving it the edge of the more action-orientated dramas of the period, but in doing so he had taken something of the character of the series away. As a result, the series lost some of its charms whilst gaining a bigger budget and slick action set-pieces.
BERGERAC: RETIREMENT PLAN (UK, 1988) ***
Distributor: British Broadcasting Corporation (BBC); Production Company: British Broadcasting Corporation (BBC) / Seven Network; Release Date: 27 December 1988; Running Time: 94m; Colour: Colour; Sound Mix: Dolby; Film Format: 16mm; Aspect Ratio: 1.33:1; BBFC Cert: 12.
Director: Edward Bennett; Writer: Edmund Ward; Producer: George Gallaccio; Director of Photography: John Walker; Music Composer: Ray Russell; Theme Music: George Fenton; Film Editor: Bernard Ashby; Production Designer: Phil Roberson; Costumes: Barrie Sedwell; Make-up: Benita Barrell; Sound: Malcolm Campbell; Stunt Arranger: Gareth Milne.
Cast: John Nettles (Jim Bergerac), Terence Alexander (Hungerford), Louise Jameson (Susan Young), Nicholas Ball (Gravel Beresford), James Laurenson (Raoul Fuegas), Sylvester Morand (Harry Lubeck), Constantine Gregory (Diego Ferrera), Sean Arnold (Crozier), Barrie Houghton (Reno), Danny Webb (Joe Grantham), Micha Bergese (Costello), Sue Lloyd (Eva Southurst), Carmen Du Sautoy (Marie Chantel), Anthony Calf (Simon Lorrilard), Matyelok Gibbs (Alice Thorwell), Bill Stewart (Gully), Paul Angelis (Jack Thorwell), John Telfer (Willy Pettit), David Kershaw (Ben Lomas), Nancy Mansfield (Peggy Masters), Hilary Mason (Miss Amberton), Robert McBain (George Beck), Dave Atkins (Wesley), Jonathan Oliver (Pathologist), Catherine Livesey (Woman House Buyer).
Synopsis: Jim is summoned from Jersey to spend Christmas on the Costa Del Sol where a pair of small-time British crooks have tried to muscle in on Charlie’s latest business venture. When Jim gets involved he finds himself in the middle of a local gang war whilst back on Jersey a group of French thieves are causing havoc and Susan’s life is put in danger.
Comment: The third of six feature-length Bergerac specials, this one broadcast at Christmas 1988 ahead of series 7. Series 6 had seen a new producer on board in George Gallaccio, who added a harder edge and more complex plots to the series. His desired style is fully evident in this episode which includes two separate plot threads. However, there is no connection between them, which gives the impression the special has been cobbled together from two distinct stories with characters disappearing without an explanation. The end result is a disjointed affair, despite the excellent supporting cast – notably Houghton’s piano-playing assassin and Du Sautoy’s high class thief – and the use of exotic Spanish locations.
BERGERAC: TREASURE HUNT (UK, 1987) ***
Distributor: British Broadcasting Corporation (BBC); Production Company: British Broadcasting Corporation (BBC) / Seven Network; Release Date: 26 December 1987; Running Time: 90m; Colour: Colour; Sound Mix: Dolby; Film Format: 16mm; Aspect Ratio: 1.33:1; BBFC Cert: 12.
Director: Robert Tronson; Writer: Rod Beacham; Producer: Jonathan Alwyn; Director of Photography: Kevin Rowley; Music Composer: Ray Russell; Theme Music: George Fenton; Film Editor: Bernard Ashby; Production Designer: Phil Roberson; Costumes: Barrie Sedwell; Make-up: Di Roberts; Sound: Simon Wilson; Visual Effects: Robert Thomas; Stunt Arranger: Gareth Milne.
Cast: John Nettles (Jim Bergerac), Terence Alexander (Hungerford), Liza Goddard (Philippa Vale), James Maxwell (Raymond Charteris), Peter Jeffrey (Rockwell), Lynette Davies (Miranda Bassett), David Horovitch (Simeon Fox), John Grillo (Cyril Clavering), Sean Arnold (Crozier), Louise Jameson (Susan Young), Greg Hicks (Gregory Ormond), Carol Harrison (Tina Bragg), Michael Melia (Inspector Petch), Rosemary Frankau (Museum Curator), Nancy Mansfield (Peggy Masters), Geoffrey Leesley (DC Terry Wilson), Jolyon Baker (DC Barry Goddard), Steve Paget (Sgt. Grieve), David Beckett (Vincent), Chris Donat (Security Assistant), Stuart Saunders (Sir Roger Carfax), John Cassady (Leao), John Crocker (Shop Keeper), Marilyn Le Conte (Desk Clerk), Penny Smith (Waitress at Garden Party), Theresa Fresson (Waitress at Cafe), Christopher Dunne (Chaplain), Dorothea Alexander (Lady with Dog), Gareth Milne (Tony Bragg).
Synopsis: Tony Bragg, suspected fence in a huge diamond heist is pushed to his death from his London flat. Bragg had visited Jersey some while earlier and Scotland Yard asks for Jim’s help. Then Philippa Vale arrives on the island with Bragg’s associate Ormond, who is also killed.
Comment: The second of six feature-length Bergerac specials (this one broadcast on Boxing Day 1987 just ahead of series 6). Unlike “Fires in the Fall” this episode sticks to the series formula and notably that which makes the Bergerac/Philippa Vale episodes so popular. Whilst the story is not as strong as the three previous standard episodes (“Ice Maiden”, “Return of the Ice Maiden” and “SPARTA”), this does at least progress the relationship between Nettles’ dedicated detective and Goddard’s charming and witty jewel thief. Their chemistry and Goddard’s note-perfect delivery shines through. The plot is convoluted, but not especially engaging and Jeffrey is wasted in a role that gives him little to do until the finale. Some of the humour is also a little laboured, despite the writer/director team having reunited from the previous episodes. The denouement is poor, but there is a neat coda, which suggests we’ll see Goddard’s Philippa again.
BERGERAC: FIRES IN THE FALL (UK, 1986) ***½
Distributor: British Broadcasting Corporation (BBC); Production Company: British Broadcasting Corporation (BBC) / Seven Network; Release Date: 26 December 1986; Running Time: 89m; Colour: Colour; Sound Mix: Dolby; Film Format: 16mm; Aspect Ratio: 1.33:1; BBFC Cert: 12.
Director: Tom Clegg; Writer: Chris Boucher; Producer: Jonathan Alwyn; Director of Photography: Alec Curtis, Adrian Smith; Music Composer: Ray Russell; Theme Music: George Fenton; Film Editor: Bernard Ashby, Paul Garrick; Production Designer: Ken Ledsham; Costumes: Andrew MacKenzie; Make-up: Marilyn MacDonald; Sound: Bill Chesneau; Visual Effects: Simon Tayler.
Cast: John Nettles (Jim Bergerac), Terence Alexander (Hungerford), Amanda Redman (Pauline Taylor), Barrie Ingham (Raoul Barnaby), Margaretta Scott (Roberta Jardine), Sean Arnold (Crozier), Louise Jameson (Susan Young), Donald Churchill (David MacKenzie), Paul Brooke (Malcolm Croxted), Ron Pember (Jack Plemont), Deborah Grant (Deborah Bergerac), Lindsay Heath (Kim Bergerac), Geoffrey Leesley (DC Terry Wilson), Jolyon Baker (DC Barry Goddard), Mela White (Diamante Lil), Nancy Mansfield (Peggy Masters), Jim McManus (Filing Clerk), Tony Westrope (Jeavans), Nicholas McArdle (Doctor), Guy Standeven (Vicar), Salomi Oxberry (Maria).
Synopsis: When an elderly millionairess puts her trust in a psychic who claims to speak to the dead, Jim is asked to debunk some supernatural myths.
Comment: The first of six feature-length Bergerac specials (broadcast at Christmas just ahead of series 5) builds on the approach tested in the earlier fourth series episode “What Dreams May Come?” by delving into the supernatural thriller genre. Like the earlier episode “Fires in the Fall” looks to explain these supernatural elements through a gradual reveal of its mystery. That it is both relatively successful, sometimes scary and often entertaining is testament to the directorial skills of Tom Clegg and the scripting of Chris Boucher. Ingham also adds greatly to the story with a creepy guest turn as a medium seemingly in contact with the dead. There’s also an early role for Redman as the put-upon niece of Scott’s wealthy retiree. All the series regulars are involved, with some lighter moments built around heating problems at the bureau. Whilst not totally satisfying, largely because it tries to introduce one twist too many during the finale, it remains a strong episode in a consistently entertaining series.
CRACKER (TV) (UK, 2006) ***½
Distributor: Granada Television; Production Company: Granada Television / ITV Productions; Release Date: 1 October 2006; Running Time: 109m; Colour: Colour; Sound Mix: Dolby Stereo; Film Format: Super 16; Aspect Ratio: 1.78:1; BBFC Cert: 15.
Director: Antonia Bird; Writer: Jimmy McGovern; Executive Producer: Andy Harries; Producer: John Chapman; Director of Photography: Florian Hoffmeister; Music Composer: Gillian Gilbert, Stephen Morris, Conboy Corker; Film Editor: Chris Barwell; Casting Director: Andy Pryor; Production Designer: Tom Bowyer; Art Director: Anna Pritchard; Costume Designer: Rhona Russell; Make-up: Jessica Taylor; Sound: Dennis Cartwright.
Cast: Robbie Coltrane (Fitz), Barbara Flynn (Judith Fitzgerald), Anthony Flanagan (Kenny Archer), Nisha Nayar (DS Saffron Saleh), Richard Coyle (DI Walters), Rafe Spall (DS McAllister), Kieran O’Brien (Mark Fitzgerald), Andrea Lowe (Elaine Archer), Stefanie Wilmore (Katy Fitzgerald), Lisa Eichhorn (Jean Molloy), Demetri Goritsas (Harry Peters), Sara Roache (Chief Super), Matt Rippy (Molloy – American Comedian), Leo Gregory (Wallet Thief), Rosina Carbone (Maria Fitzgerald).
Synopsis: Fitz returns to Manchester for his daughter’s wedding, but is soon involved in another murder investigation when an American comedian is killed, apparently without motive.
Comment: Ten years after the last special (CRACKER: WHITE GHOST) was broadcast, Cracker returned along with its creator and chief writer, Jimmy McGovern. The result is an absorbing and heavily political portrait of a former soldier struggling to come to terms with PTSD. Faced with self-loathing and a hatred for Americans due to their perceived support of the IRA and their response to Nine-Eleven. There are echoes of McGovern’s masterpiece TO BE A SOMEBODY in this story’s portrayal of the soldier’s descent into murder in order to extract his own form of justice. Coltrane slips easily back into his role of psychologist Fitz, called in by the police to help track down the murderer. Flanagan is also excellent as the damaged soldier. Where this story falls short in comparison to the series is in its portrait of the detectives – who here are two-dimensional in characterisation and lacking in the dark humour of their earlier counterparts. On the whole, though, this is a satisfying conclusion to the series and significantly better than the last couple of stories – although the finale, which again resorts to genre convention, lacks the finesse seen across the rest of the story.
CRACKER: WHITE GHOST (TV) (UK, 1996) **
Distributor: ITV – Independent Television; Production Company: A&E Television Networks / Granada Television; Release Date: 28 October 1996; Running Time: 100m; Colour: Colour; Sound Mix: Dolby Stereo; Film Format: 16mm; Aspect Ratio: 1.33:1; BBFC Cert: 15.
Director: Richard Standeven; Writer: Paul Abbott; Executive Producer: Sally Head, Delia Fine; Producer: Hilary Bevan Jones; Director of Photography: Dick Dodd; Music Composer: Rick Wentworth; Film Editor: Tony Cranstoun; Casting Director: Andrew Hall, Marilyn Johnson; Production Designer: Chris Wilkinson; Art Director: David Butterworth; Costume Designer: Tudor George; Make-up: Sue Milton, Anastasia Shirley; Sound: Nick Steer.
Cast: Robbie Coltrane (Fitz), Ricky Tomlinson (D.C.I. Wise), Barnaby Kay (Dennis Philby), Freda Foh Shen (D.C.I. Janet Lee Cheung), Michael Pennington (Commander Gordon Ellison), Rene Liu (Su Lin Tang), Benedict Wong (Peter Yang), Glen Goei (Dr. Frank Sunny), David Bradley (Frank Carter), Pik Sen Lim (Wei Wei).
Synopsis: A British businessman operating in Hong Kong has feelings of inferiority and turns to murder when he faces bankruptcy.
Comment: The first post-series Cracker special suffers from its location transfer to Hong Kong. Whilst this adds a sense of international scale, the production lacks the gritty northern interplay between the cast and is based around a storyline that is pure genre formula. Fitz again too easily comes up with the right deductive answers and this is a problem for maintaining any level of authenticity or dramatic tension. Tomlinson’s appearance is a token gesture and largely played for comedic effect – devaluing the character. This would be the last appearance of Coltrane as Fitz for ten years, until 2006’s CRACKER, which saw the return of creator and scriptwriter Jimmy McGovern.
CRACKER: TRUE ROMANCE (TV) (UK, 1995) **½
Distributor: ITV – Independent Television; Production Company: A&E Television Networks / Granada Television; Release Date: 20 & 27 November 1995; Running Time: 100m; Colour: Colour; Sound Mix: Dolby Stereo; Film Format: 16mm; Aspect Ratio: 1.66:1; BBFC Cert: 15.
Director: Tim Fywell; Writer: Paul Abbott; Executive Producer: Sally Head; Producer: Hilary Bevan Jones; Director of Photography: Dick Dodd; Music Composer: Rick Wentworth; Film Editor: Anthony Ham; Casting Director: Marilyn Johnson; Production Designer: Stephen Fineren; Art Director: Mark Stonehouse; Costume Designer: Tudor George; Make-up: Sue Milton; Sound: Phil Smith.
Cast: Robbie Coltrane (Fitz), Barbara Flynn (Judith Fitzgerald), Geraldine Somerville (D.S. Penhaligon), Ricky Tomlinson (D.C.I. Wise), Emily Joyce (Janice), Rosemary Martin (Irene Jackson), Robert Cavanah (D.C. Temple), Wil Johnson (D.C. Skelton), Clive Russell (Danny Fitzgerald), Kieran O’Brien (Mark), Fleur Bennett (Nena), Tess Thomson (Katie), Will Knightley (Pathologist).
Synopsis: A lab technician, working at the same university as Fitz, begins to electrocute male students in order to gain the attention of the psychologist.
Comment: The final story of the regular series run for Cracker is an overly-contrived thriller with strong echoes of FATAL ATTRACTION (1987) and BASIC INSTINCT (1992). As such it comes across more as derivative than innovative, separating this production from the best stories of the series by some distance. Joyce as the besotted and twisted killer lacks subtlety and depth in both the characterisation and performance. Coltrane’s Fitz acts out of character at numerous points in the story, betraying Abbott’s detached nature from Jimmy McGovern’s creation. Two specials followed – CRACKER: WHITE GHOST (1996) and CRACKER (2006).