Film Review – SPACE COWBOYS (2000)

Image result for space cowboys 2000SPACE COWBOYS (USA, 2000) ***½
      Distributor: Warner Bros.; Production Company: Clipsal Films / Mad Chance / Malpaso Productions / Village Roadshow Pictures / Warner Bros.; Release Date: 1 August 2000 (USA), 22 September 2000 (UK); Filming Dates: 19 July 1999 – 19 October 1999; Running Time: 130m; Colour: Technicolor; Sound Mix: DTS | Dolby Digital | SDDS; Film Format: 35mm, D-Cinema (Texas Instruments DLP 1280 x 1024, 1.9 : 1 anamorphic); Film Process: Panavision (anamorphic); Aspect Ratio: 2.35:1; BBFC Cert: PG.
      Director: Clint Eastwood; Writer: Ken Kaufman, Howard Klausner; Executive Producer: Tom Rooker; Producer: Clint Eastwood, Andrew Lazar; Director of Photography: Jack N. Green; Music Composer: Lennie Niehaus; Film Editor: Joel Cox; Casting Director: Phyllis Huffman; Production Designer: Henry Bumstead; Art Director: Jack G. Taylor Jr.; Set Decorator: Richard C. Goddard; Costumes: Deborah Hopper; Make-up: Tania McComas, Francisco X. Pérez; Sound: Bub Asman, Alan Robert Murray; Special Effects: John Palmer; Visual Effects: Nelson Cabrera, Susan Greenhow, Michael Owens, Lisa Todd, Judith Weaver.
      Cast: Clint Eastwood (Frank Corvin), Tommy Lee Jones (Hawk Hawkins), Donald Sutherland (Jerry O’Neill), James Garner (Tank Sullivan), James Cromwell (Bob Gerson), Marcia Gay Harden (Sara Holland), William Devane (Eugene Davis), Loren Dean (Ethan Glance), Courtney B. Vance (Roger Hines), Barbara Babcock (Barbara Corvin), Rade Serbedzija (General Vostov), Blair Brown (Dr. Anne Caruthers), Jay Leno (Jay Leno), Nils Allen Stewart (Tiny), Deborah Jolly (Cocktail Waitress), Toby Stephens (Young Frank), Eli Craig (Young Hawk), John Asher (Young Jerry), Matt McColm (Young Tank), Billie Worley (Young Gerson), Chris Wylde (Jason), Anne Stedman (Jason’s Girlfriend), James MacDonald (Capcom), Kate McNeil (Female Astronaut #1), Karen M. Waldron (Female Astronaut #2), John Linton (Male Astronaut #1), Mark Thomason (Mission Control Tech), Georgia Emelin (Jerry’s Girlfriend), Rick Scarry (State Department Official), Paul Pender (JBC Security Guard), Tim Halligan (Qualls), Manning Mpinduzi-Mott (Press Reporter #1), Steve Monroe (Waiter), Jean-Michel Henry (Centrifuge Tech), Steven West (Construction Tech), Cooper Huckabee (Trajectory Engineer), Hayden Tank (Boy at NASA Tour), Jock MacDonald (Press Reporter (1958)), Gerald Emerick (T-38 Pilot), Renee Olstead (Little Girl), Don Michaelson (NASA Doctor), Artur Cybulski (Press Reporter #2), Gordy Owens (Simsupe), Steve Stapenhorst (Vice President), Lauren Cohn (Teacher at NASA Tour), Michael Louden (Young Pilot #1), Deborah Hope (Female Engineer), Jon Hamm (Young Pilot #2), Lamont Lofton (KSC Guard), Aleksandr Kuznetsov (Russian Engineer (as Alexander Kuznetsov)), Erica Grant (Female Engineer).
      Synopsis: When a retired engineer is called upon to rescue a failing satellite, he insists that his equally old teammates accompany him into space.
      Comment: Highly entertaining, if wildly implausible, space rescue thriller. It coasts on the charisma of its four veteran leads and generates much humour out of their character interactions. Also impressive are the in-space special and visual effects. Eastwood directs with confidence and generates a fair amount of tension in the movie’s final act. If you can accept the premise you’ll find much to enjoy, just don’t scrutinise the plot too closely.

Film Review – TRUE CRIME (1999)

Image result for true crime 1999TRUE CRIME (USA, 1999) ***½
      Distributor: Warner Bros.; Production Company: Warner Bros. / The Zanuck Company / Malpaso Productions; Release Date: 19 March 1999 (USA), 14 May 1999 (UK); Filming Dates: 4 May 1998 – 26 June 1998; Running Time: 127m; Colour: Technicolor; Sound Mix: DTS | Dolby Digital | SDDS; Film Format: 35mm; Film Process: Spherical; Aspect Ratio: 1.85:1; BBFC Cert: 15.
      Director: Clint Eastwood; Writer: Larry Gross, Paul Brickman, Stephen Schiff (based on the novel by Andrew Klavan); Executive Producer: Tom Rooker; Producer: Clint Eastwood, Lili Fini Zanuck, Richard D. Zanuck; Director of Photography: Jack N. Green; Music Composer: Lennie Niehaus; Film Editor: Joel Cox; Casting Director: Phyllis Huffman; Production Designer: Henry Bumstead; Art Director: Jack G. Taylor Jr.; Set Decorator: Richard C. Goddard; Costumes: ; Make-up: Tania McComas; Sound: Bub Asman, Alan Robert Murray; Special Effects: John Frazier.
      Cast: Clint Eastwood (Steve Everett), Isaiah Washington (Frank Louis Beechum), LisaGay Hamilton (Bonnie Beechum), James Woods (Alan Mann), Denis Leary (Bob Findley), Bernard Hill (Warden Luther Plunkitt), Diane Venora (Barbara Everett), Michael McKean (Reverend Shillerman), Michael Jeter (Dale Porterhouse), Mary McCormack (Michelle Ziegler), Hattie Winston (Angela Russel), Penny Bae Bridges (Gail Beechum), Francesca Eastwood (Kate Everett), John Finn (Reedy), Laila Robins (Patricia Findley), Sydney Tamiia Poitier (Jane March), Erik King (Pussy Man), Graham Beckel (Arnold McCardle), Frances Fisher (D.A. Cecilia Nussbaum), Marissa Ribisi (Amy Wilson), Christine Ebersole (Bridget Rossiter), Anthony Zerbe (Henry Lowenstein), Nancy Giles (Leesha Mitchell), Tom McGowan (Tom Donaldson), William Windom (Neil), Don West (Dr. Roger Waters), Lucy Liu (Toy Shop Girl), Dina Eastwood (Wilma Francis), Leslie Griffith (Herself – TV Anchor), Dennis Richmond (TV Anchor), Frank Somerville (Afternoon News Anchor), Dan Green (Field Producer), Nicholas Bearde (Reuben Skycock), Frances Lee McCain (Mrs. Lowenstein), Cecil Williams (Reverend Williams), Casey Lee (Warren Russell), Jack Kehler (Mr. Ziegler), Colman Domingo (Wally Cartwright), Linda Hoy (Counter Woman at Pocum’s Grocery), Danny Kovacs (Atkins), Kelvin Han Yee (Zachary Platt), Kathryn Howell (Nurse), Beulah Stanley (Female Guard), George Maguire (Frederick Robertson), Bill Wattenburg (Radio Reporter), Cathy Fithian (Nancy Larson), Roland T. Abasolo (Guard), Michael Halton (Guard), Jade Marx-Berti (Waitress), Velica Marie Davis (Purse Whacker), John B. Scott (Colonel Drummond), Edward Silva (Colonel Hernandez), Jordan Sax (Colonel Badger), Rob Reece (Executioner), Walter Brown (Beechum Family Member).
      Synopsis: Can an over-the-hill journalist uncover the evidence that can prove a death row inmate’s innocence just hours before his execution?
      Comment: Taut, gripping race-against-time thriller may stretch credibility but is nonetheless well-crafted. Washington delivers a superb performance as the innocent man on death row, whilst Eastwood’s star quality cuts through as the alcoholic and womanising reporter out to clear his name. Hill gives a nicely balanced portrayal as the prison governor at odds with his conscience. A tighter script would have made this an absolute winner, but it too often relies on a significant suspension of disbelief from its audience. Fortunately, due to its strong cast, it just about delivers.

Film Review – ABSOLUTE POWER (1997)

Image result for absolute power 1997ABSOLUTE POWER (USA, 1997) **½
      Distributor: Columbia Pictures; Production Company: Castle Rock Entertainment / Malpaso Productions; Release Date: 4 February 1997 (USA), 30 May 1997 (UK); Filming Dates: 3 June 1996 – 14 August 1996; Running Time: 122m; Colour: Technicolor; Sound Mix: Dolby Digital | SDDS; Film Format: 35mm; Film Process: Panavision (anamorphic); Aspect Ratio: 2.39:1; BBFC Cert: 15.
      Director: Clint Eastwood; Writer: William Goldman (based on the novel by David Baldacci); Executive Producer: Tom Rooker; Producer: Clint Eastwood, Karen S. Spiegel; Associate Producer: Michael Maurer; Director of Photography: Jack N. Green; Music Composer: Lennie Niehaus; Film Editor: Joel Cox; Casting Director: Phyllis Huffman; Production Designer: Henry Bumstead; Art Director: Jack G. Taylor Jr.; Set Decorator: Richard C. Goddard, Anne D. McCulley; Costumes: Deborah Hopper; Make-up: Tania McComas, Francisco X. Pérez; Sound: Bub Asman, Alan Robert Murray; Special Effects: Steve Riley.
      Cast: Clint Eastwood (Luther Whitney), Gene Hackman (President Richmond), Ed Harris (Seth Frank), Laura Linney (Kate Whitney), Scott Glenn (Bill Burton), Dennis Haysbert (Tim Collin), Judy Davis (Gloria Russell), E.G. Marshall (Walter Sullivan), Melora Hardin (Christy Sullivan), Kenneth Welsh (Sandy Lord), Penny Johnson Jerald (Laura Simon), Richard Jenkins (Michael McCarty), Mark Margolis (Red Brandsford), Elaine Kagan (Valerie), Alison Eastwood (Art Student), Yau-Gene Chan (Waiter), George Orrison (Airport Bartender), Charles McDaniel (Medical Examiner), John Lyle Campbell (Repairman), Kimber Eastwood (White House Tour Guide), Eric Dahlquist Jr. (Oval Office Agent), Jack Stewart Taylor (Watergate Doorman), Joy Ehrlich (Reporter), Robert Harvey (Cop).
      Synopsis: A career thief witnesses a horrific crime involving the U.S. President.
      Comment: Highly implausible and lacking in pace, this is made watchable by the presence of Eastwood as the burglar who witnesses the crime and Harris as the cop who tries to hunt him down. Hackman is solid as ever as the President but is given little to work with by the script after the tense opening scenes. Davis’ performance is completely misjudged as if she is acting in another, more comedic, movie. The plot plays out in routine fashion and lacks heightened drama in its climax. A disappointing effort from Eastwood after a golden run.
      Notes: Marshall’s final appearance in a theatrical film.

Film Review – THE BRIDGES OF MADISON COUNTY (1995)

Image result for the bridges of madison countyTHE BRIDGES OF MADISON COUNTY (USA, 1995) ****
      Distributor: Warner Bros. Pictures; Production Company: Warner Bros. Pictures / Amblin Entertainment / Malpaso Productions; Release Date: 2 June 1995 (USA), 15 September 1995 (UK); Filming Dates: 15 September 1994 – 31 October 1994; Running Time: 135m; Colour: Technicolor; Sound Mix: DTS | Dolby Digital; Film Format: 35mm; Film Process: Spherical; Aspect Ratio: 1.85:1; BBFC Cert: 12.
      Director: Clint Eastwood; Writer: Richard LaGravenese (based on the novel by Robert James Waller); Producer: Clint Eastwood, Kathleen Kennedy; Associate Producer: Michael Maurer, Tom Rooker; Director of Photography: Jack N. Green; Music Composer: Lennie Niehaus; Music Supervisor: Peter Afterman (uncredited); Film Editor: Joel Cox; Casting Director: Ellen Chenoweth; Production Designer: Jeannine Oppewall; Art Director: William Arnold; Set Decorator: Jay Hart; Costumes: Colleen Kelsall; Make-up: Michael Hancock; Sound: Bub Asman, Alan Robert Murray; Special Effects: Steve Riley.
      Cast: Clint Eastwood (Robert Kincaid), Meryl Streep (Francesca Johnson), Annie Corley (Carolyn Johnson), Victor Slezak (Michael Johnson), Jim Haynie (Richard Johnson), Sarah Zahn (Young Carolyn), Christopher Kroon (Young Michael), Phyllis Lyons (Betty), Debra Monk (Madge), Richard Lage (Lawyer Peterson), Michelle Benes (Lucy Redfield), Alison Wiegert (Child #1), Brandon Bobst (Child #2), Pearl Faessler (Wife), R.E. ‘Stick’ Faessler (Husband), Tania Mishler (Waitress #1), Billie McNabb (Waitress #2), Art Breese (Cashier), Lana Schwab (Saleswoman), Larry Loury (UPS Driver), James Rivers (James Rivers Band), Mark A. Brooks (James Rivers Band), Peter Cho (James Rivers Band), Eddie Dejean Sr. (James Rivers Band), Jason C. Brewer (James Rivers Band), Kyle Eastwood (James Rivers Band), George Orrison (Café Patron), Ken Billeter (Café Patron), Judy Trask (Café Patron), David Trask (Café Patron), Edna Dolson (Café Patron), Dennis McCool (Café Patron), Michael C. Pommier (Café Patron), Jana Corkrean (Café Patron), M. Jane Seymour (Café Patron), Karla Jo Soper (Café Patron).
      Synopsis: Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson, for four days in the 1960s.
      Comment: A sublime example of how a top-class director and two wonderful central performances can elevate a standard sentimental romantic drama into something much more. Streep is utterly convincing as the Italian housewife falling for Eastwood’s travelling photographer. Eastwood the director knows Streep’s qualities as an actress to inhabit the roles she plays and maximises her contribution, whilst himself producing an atypical sensitive portrayal. Whilst the story offers nothing new to the genre, the interplay between the stars is so powerful as to carry the familiar material through to its logical conclusion.
      Notes: Streep received an Academy Award for Best Actress nomination in 1996 for her performance in the film.

Film Review – A PERFECT WORLD (1993)

A Perfect World (1993)A PERFECT WORLD (USA, 1993) ****
      Distributor: Warner Bros.; Production Company: Warner Bros. / Malpaso Productions; Release Date: 24 November 1993 (USA), 24 December 1993 (UK); Filming Dates: 29 April 1993 – 16 July 1993; Running Time: 138m; Colour: Technicolor; Sound Mix: Dolby Digital; Film Format: 35mm; Film Process: Panavision (anamorphic); Aspect Ratio: 2.39:1; BBFC Cert: 15.
      Director: Clint Eastwood; Writer: John Lee Hancock; Producer: Clint Eastwood, Mark Johnson, David Valdes; Director of Photography: Jack N. Green; Music Composer: Lennie Niehaus; Film Editor: Joel Cox, Ron Spang; Casting Director: Phyllis Huffman; Production Designer: Henry Bumstead; Art Director: Jack G. Taylor Jr.; Set Decorator: Alan Hicks; Costumes: Erica Edell Phillips; Make-up: James Lee McCoy, Francisco X. Pérez; Sound: Alan Robert Murray; Special Effects: John Frazier.
      Cast: Kevin Costner (Butch Haynes), Clint Eastwood (Red Garnett), Laura Dern (Sally Gerber), T.J. Lowther (Phillip Perry), Keith Szarabajka (Terry Pugh), Leo Burmester (Tom Adler), Paul Hewitt (Dick Suttle), Bradley Whitford (Bobby Lee), Ray McKinnon (Bradley), Jennifer Griffin (Gladys Perry), Leslie Flowers (Naomi Perry), Belinda Flowers (Ruth Perry), Darryl Cox (Mr. Hughes), Jay Whiteaker (Superman), Taylor Suzanna McBride (Tinkerbell), Christopher Reagan Ammons (Dancing Skeleton), Mark Voges (Larry), Vernon Grote (Prison Guard), James Jeter (Oldtimer), Ed Geldart (Fred Cummings), Bruce McGill (Paul Saunders), Nik Hagler (General Store Manager), Gary Moody (Local Sheriff), George Haynes (Farmer), Marietta Marich (Farmer’s Wife), Rodger Boyce (Mr. Willits), Lucy Lee Flippin (Lucy), Elizabeth Ruscio (Paula), David Kroll (Newscaster), Gabriel Folse (Officer Terrance), Gil Glasgow (Officer Pete), Dennis Letts (Governor), John Hussey (Governor’s Aide), Margaret Bowman (Trick ‘r Treat Lady), John M. Jackson (Bob Fielder), Connie Cooper (Bob’s Wife), Cameron Finley (Bob Fielder, Jr.), Katy Wottrich (Patsy Fielder), Marco Perella (Road Block Officer), Linda Hart (Eileen, Waitress), Brandon Smith (Officer Jones), George Orrison (Officer Orrison), Wayne Dehart (Mack), Mary Alice (Lottie), Kevin Jamal Woods (Cleveland), Tony Frank (Arch Andrews), Woody Watson (Lt. Hendricks).
      Synopsis: A kidnapped boy strikes up a friendship with his captor: an escaped convict on the run from the law, headed by an honourable U.S. Marshal.
      Comment: Intelligent and thoughtful pursuit movie which is driven by Costner’s complex central performance as the escaped prisoner on the run and the remarkable young Lowther as his 8-year-old hostage. Themes of father/son neglect are sensitively handled and the developing relationship between Costner and Lowther is the core of Hancock’s nicely judged script. Eastwood takes more of a back seat as he plays the Texas Ranger on Costner’s tail with Dern’s psychologist in tow. The climax is perfectly judged.

Film Review – IN THE LINE OF FIRE (1993)

Image result for in the line of fire 1993IN THE LINE OF FIRE (USA, 1993) *****
      Distributor: Columbia TriStar Films; Production Company: Columbia Pictures Corporation / Castle Rock Entertainment; Release Date: 8 July 1993 (USA), 27 August 1993 (UK); Filming Dates: 3 October 1992 – 11 January 1993; Running Time: 128m; Colour: Technicolor; Sound Mix: 70 mm 6-Track (70 mm prints) | Dolby SR (35 mm prints) | SDDS (8 channels) (35 mm prints); Film Format: 35 mm, 70 mm (blow-up); Film Process: Panavision (anamorphic); Aspect Ratio: 2.39:1; BBFC Cert: 15.
      Director: Wolfgang Petersen; Writer: Jeff Maguire; Executive Producer: Gail Katz, Wolfgang Petersen, David Valdes; Producer: Jeff Apple; Director of Photography: John Bailey; Music Composer: Ennio Morricone; Film Editor: Anne V. Coates; Casting Director: Janet Hirshenson, Jane Jenkins; Production Designer: Lilly Kilvert; Art Director: John Warnke; Set Decorator: Kara Lindstrom; Costumes: Erica Edell Phillips; Make-up: Werner Keppler, Barbara Lacy, James Lee McCoy; Sound: Gregg Baxter, Wylie Stateman; Special Effects: Rocky Gehr; Visual Effects: Nancy Bernstein, Robert M. Greenberg, George Merkert.
      Cast: Clint Eastwood (Frank Horrigan), John Malkovich (Mitch Leary), Rene Russo (Lilly Raines), Dylan McDermott (Al D’Andrea), Gary Cole (Bill Watts), Fred Dalton Thompson (Harry Sargent), John Mahoney (Sam Campagna), Gregory Alan Williams (Matt Wilder), Jim Curley (President), Sally Hughes (First Lady), Clyde Kusatsu (Jack Okura), Steve Hytner (Tony Carducci), Tobin Bell (Mendoza), Bob Schott (Jimmy Hendrickson), Juan A. Riojas (Raul), Elsa Raven (Booth’s Landlady), Arthur Senzy (Paramedic), Patrika Darbo (Pam Magnus), Mary Van Arsdel (Sally), Ryan Cutrona (LAPD Brass), Lawrence Lowe (FBI Technician), Brian Libby (FBI Supervisor), Eric Bruskotter (Young Agent), Patrick Caddell (Political Speaker), John Heard (Professor Riger), Alan Toy (Walter Wickland), Carl Ciarfalio (CIA Agent Collins), Walt MacPherson (Hunter), Robert Peters (Hunter), Tyde Kierney (Police Captain Howard), Anthony Peck (FBI Official), Rick Hurst (Bartender), Doris E. McMillon (D.C. News Anchor), Robert Sandoval (Bellboy), Joshua Malina (Agent Chavez), William G. Schilling (Sanford Riggs), Michael Kirk (Computer Technician / Bates), Richard G. Camphuis (Party Fat Cat), Marlan Clarke (Marge), Robert Alan Beuth (Man at Bank), Susan Lee Hoffman (Woman at Bank), Donna Hamilton (Reporter at Dulles), Bob Jimenez (Reporter at Hotel), Cylk Cozart (Agent Cozart), Michael Zurich (Agent Zurich), Rich DiDonato (Undercover Agent), Jeffrey Kurt Miller (Undercover Agent), Kirk Jordan (Agent).
      Synopsis: Secret Service agent Frank Horrigan (Eastwood) couldn’t save Kennedy, but he’s determined not to let a clever assassin (Malkovich) take out this president.
      Comment: Eastwood is at his absolute best in this crackerjack thriller that is expertly and efficiently directed by Petersen. Malkovich makes for a creepy villain whose verbal sparring with Eastwood adds depth to his psychotic assassin. Russo sparks charmingly with Eastwood, who delivers one of his strongest and deepest performances. Morricone’s score is evocative and helps heighten the tension. Ultimately, this is text-book filmmaking of the highest order that perfectly marries script, direction, cast and editing.
      Notes: 3 Nominations for Oscar: Best Supporting Actor (John Malkovich), Editing, Screenplay.

Film Review – UNFORGIVEN (1992)

Clint Eastwood and Jaimz Woolvett in Unforgiven (1992)UNFORGIVEN (USA, 1992) ****½
      Distributor: Warner Bros.; Production Company: Warner Bros. / Malpaso Productions; Release Date: 3 August 1992 (USA), 18 September 1992 (UK); Filming Dates: 26 August 1991 – 12 November 1991; Running Time: 131m; Colour: Technicolor; Sound Mix: Dolby (as Dolby Stereo); Film Format: 35mm; Film Process: Panavision (anamorphic); Aspect Ratio: 2.39:1; BBFC Cert: 15.
      Director: Clint Eastwood; Writer: David Webb Peoples; Executive Producer: David Valdes; Producer: Clint Eastwood; Associate Producer: Julian Ludwig; Director of Photography: Jack N. Green; Music Composer: Lennie Niehaus; Film Editor: Joel Cox; Casting Director: Phyllis Huffman; Production Designer: Henry Bumstead; Art Director: Adrian Gorton, Rick Roberts; Set Decorator: Janice Blackie-Goodine; Costumes: Glenn Wright; Make-up: Michael Hancock; Sound: Alan Robert Murray, Walter Newman; Special Effects: John Frazier.
      Cast: Clint Eastwood (Bill Munny), Gene Hackman (Little Bill Daggett), Morgan Freeman (Ned Logan), Richard Harris (English Bob), Jaimz Woolvett (The ‘Schofield Kid’), Saul Rubinek (W.W. Beauchamp), Frances Fisher (Strawberry Alice), Anna Levine (Delilah Fitzgerald), David Mucci (Quick Mike), Rob Campbell (Davey Bunting), Anthony James (Skinny Dubois), Tara Frederick (Little Sue), Beverley Elliott (Silky), Liisa Repo-Martell (Faith), Josie Smith (Crow Creek Kate), Shane Meier (Will Munny), Aline Levasseur (Penny Munny), Cherrilene Cardinal (Sally Two Trees), Robert Koons (Crocker), Ron White (Clyde Ledbetter), Mina E. Mina (Muddy Chandler), Henry Kope (German Joe Schultz), Jeremy Ratchford (Deputy Andy Russell), John Pyper-Ferguson (Charley Hecker), Jefferson Mappin (Fatty Rossiter), Walter Marsh (Barber), Garner Butler (Eggs Anderson), Larry Reese (Tom Luckinbill), Blair Haynes (Paddy McGee), Frank C. Turner (Fuzzy), Sam Karas (Thirsty Thurston), Lochlyn Munro (Texas Slim), Ben Cardinal (Johnny Foley), Philip Maurice Hayes (Lippy MacGregor), Michael Charrois (Wiggens), William Davidson (Buck Barthol), Paul Anthony McLean (Train Person #1), James Herman (Train Person #2), Michael Maurer (Train Person #3), Larry Joshua (Bucky), George Orrison (The Shadow), Greg Goossen (Fighter).
      Synopsis: A retired Old West gunslinger reluctantly takes on one last job, with the help of his old partner and a young man.
      Comment: Eastwood’s revisionist Western strips away the old mythology surrounding the gunfighters and the lawmen, delivering the vulnerable and violent reality of killing. The film is perfectly paced to capture the nuances in the script and the performances of a wonderful cast, with Hackman, Harris, Freeman and Eastwood all turning in note-perfect interpretations. Gentle acoustic score by Niehaus adds melancholy to the mix alongside wonderful location photography from Green utilising the beautiful landscapes of Alberta, Canada standing in for Wyoming. One of the all-time great Westerns.
      Notes: Winner of four Oscars: Best Picture; Actor in a Supporting Role (Hackman); Director and Film Editing. Only the third western to ever win the Best Picture Oscar. The other two being DANCES WITH WOLVES (1990) and CIMARRON (1931). The final screen credit reads, “Dedicated to Sergio and Don”, referring to Eastwood’s mentors, Sergio Leone and Don Siegel.

Film Review – CLIFFHANGER (1993)

Image result for cliffhanger 1993CLIFFHANGER (Italy/France/USA, 1993) ***½
      Distributor: Guild Film Distribution; Production Company: Carolco Pictures / Canal+ / Pioneer / RCS Video / Cliffhanger Productions; Release Date: 26 May 1993 (USA), 25 June 1993 (UK); Filming Dates: 11 April 1992 – 19 August 1992; Running Time: 113m; Colour: Technicolor; Sound Mix: 70 mm 6-Track (70 mm prints) | Dolby Digital (35 mm prints) (Europe) | Dolby SR (35 mm prints) (USA); Film Format: 35 mm, 70 mm (blow-up); Film Process: Panavision (anamorphic); Aspect Ratio: 2.39:1; BBFC Cert: 15.
      Director: Renny Harlin; Writer: Michael France, Sylvester Stallone (based on a story by Michael France from a premise by John Long); Executive Producer: Mario Kassar; Producer: Renny Harlin, Alan Marshall; Associate Producer: Jim Davidson, Tony Munafo; Director of Photography: Alex Thomson; Music Composer: Trevor Jones; Film Editor: Frank J. Urioste; Casting Director: Mindy Marin; Production Designer: John Vallone; Art Director: Maria-Teresa Barbasso, Aurelio Crugnola, Christiaan Wagener; Set Decorator: Robert Gould, Cynthia Sleiter; Costumes: Ellen Mirojnick; Make-up: Jeff Dawn; Sound: Scott Martin Gershin, Wylie Stateman, Gregg Baxter; Special Effects: R. Bruce Steinheimer; Visual Effects: John Bruno, Neil Krepela, Jay Riddle.
      Cast: Sylvester Stallone (Gabe Walker), John Lithgow (Qualen), Michael Rooker (Hal Tucker), Janine Turner (Jessie Deighan), Rex Linn (Richard Travers), Caroline Goodall (Kristel), Leon (Kynette), Craig Fairbrass (Delmar), Gregory Scott Cummins (Ryan), Denis Forest (Heldon), Michelle Joyner (Sarah), Max Perlich (Evan), Paul Winfield (Walter Wright), Ralph Waite (Frank), Trey Brownell (Brett), Zach Grenier (Davis), Vyto Ruginis (Matheson), Don S. Davis (Stuart), Scott Hoxby (Agent Hayes), John Finn (Agent Michaels), Bruce McGill (Treasury Agent), Rosemary Dunsmore (Treasury Secretary), Kim Robillard (Treasury Jet Pilot), Jeff McCarthy (Pilot), Mike Weis (Mike – Co-Pilot), Duncan Prentice (Treasury Helicopter Pilot), Kevin Donald (Ray), Jeff Blynn (Marvin), Thor (Thor).
      Synopsis: A botched mid-air heist results in suitcases full of cash being searched for by various groups throughout the Rocky Mountains.
      Comment: Highly enjoyable and exciting, if wildly overblown and often preposterous. Stallone is at his macho best as the lead mountain rescue climber with a chip on his shoulder and the group dynamics give you heroic characters to root for. Lithgow is deliciously over-the-top as the chief villain. Harlin directs with a great feel for action scenes and with flair and pace. Wonderful scenic photography and incredible stunt work. The memorable opening sequence is a real humdinger and superbly edited.
      Notes: Set in Colorado, but filmed in the Cortina d’Ampezzo-Dolomites mountains, because of their spectacular similarities to the Colorado Rockies. Dedicated to Wolfgang Gullich, Sylvester Stallone’s double in the film, who was killed in a car accident shortly after filming had finished.

Film Review – THE ROOKIE (1990)

Related imageTHE ROOKIE (USA, 1990) **
      Distributor: Warner Bros.; Production Company: Warner Bros. / Malpaso Productions / Kazanjian-Siebert Productions / Lighthouse Entertainment; Release Date: 6 December 1990 (USA), 18 January 1991 (UK); Filming Dates: 16 April 1990 – 13 July 1990; Running Time: 120m; Colour: Technicolor; Sound Mix: 70 mm 6-Track (70 mm prints) | Dolby Stereo (35 mm prints) (4 channels); Film Format: 35 mm (Eastman 5384), 70 mm (blow-up) (Eastman 5384); Film Process: Panavision (anamorphic); Aspect Ratio: 2.39:1; BBFC Cert: 18.
      Director: Clint Eastwood; Writer: Boaz Yakin, Scott Spiegel; Producer: Howard G. Kazanjian, Steven Siebert, David Valdes; Director of Photography: Jack N. Green; Music Composer: Lennie Niehaus; Film Editor: Joel Cox; Casting Director: Phyllis Huffman; Production Designer: Judy Cammer, Ken Kaufman; Art Director: Ed Verreaux; Set Decorator: Daniel Loren May; Costumes: Glenn Wright, Deborah Hopper; Make-up: Ralph Gulko, Michael Hancock; Sound: Robert G. Henderson, Alan Robert Murray; Special Effects: John Frazier; Visual Effects: Ken Kaufman.
      Cast: Clint Eastwood (Nick Pulovski), Charlie Sheen (David Ackerman), Raul Julia (Strom), Sônia Braga (Liesl), Tom Skerritt (Eugene Ackerman), Lara Flynn Boyle (Sarah), Pepe Serna (Lt. Raymond Garcia), Marco Rodríguez (Loco Martinez), Pete Randall (Cruz), Donna Mitchell (Laura Ackerman), Xander Berkeley (Ken Blackwell), Tony Plana (Morales), David Sherrill (Max), Hal Williams (Powell), Lloyd Nelson (Freeway Motorist), Pat DuVal (Interrogator #1), Mara Corday (Interrogator #2), Jerry Schumacher (Interrogator #3), Matt McKenzie (Wang), Joel Polis (Lance), Rodger LaRue (Maitre’D), Robert Dubac (Waiter), Anthony Charnota (Romano), Jordan Lund (Bartender), Paul Ben-Victor (Little Felix), Jeanne Mori (Connie Ling), Anthony Alexander (Alphonse), Paul Butler (Captain Hargate), Seth Allen (David as a Child), Coleby Lombardo (David’s Brother), Roberta Vasquez (Heather Torres), Joe Farago (Anchorman), Robert Harvey (Whalen), Nick Ballo (Vito), Jay Boryea (Sal), Marylou Kenworthy (Receptionist), George Orrison (Detective Orrison).
      Synopsis: A veteran detective gets stuck with a rookie cop when in pursuit of a German crook.
      Comment: Loud, violent, bubble-gum action thriller vehicle for Eastwood and Sheen. It spends all its money on its elaborate and destructive set-pieces, which by their very outlandish nature are wasted on a script that starts out okay then gets progressively dumber. Eastwood and Sheen occasionally spark off each other well, but as a whole, the cast is a collection of cardboard characters and the action is too nasty to be considered fun.
      Notes: The film featured over twice as many stuntmen as it did actors. Held the world record for the biggest ratio of stuntmen/actors. Reportedly, over eighty stuntmen worked on the movie.

Film Review – PINK CADILLAC (1989)

PINK CADILLAC (USA, 1989) **½
      Distributor: Warner Bros.; Production Company: Malpaso Productions / Warner Bros. Pictures; Release Date: 26 May 1989 (USA), November 1989 (UK); Filming Dates: 3 October 1988; Running Time: 122m; Colour: Technicolor; Sound Mix: Dolby; Film Format: 35mm; Film Process: Spherical; Aspect Ratio: 1.85:1; BBFC Cert: 15.
      Director: Buddy Van Horn; Writer: John Eskow; Executive Producer: Michael Gruskoff; Producer: David Valdes; Director of Photography: Jack N. Green; Music Composer: Steve Dorff; Film Editor: Joel Cox; Casting Director: Phyllis Huffman; Production Designer: Edward C. Carfagno; Set Decorator: Thomas L. Roysden; Costumes: Glenn Wright, Deborah Hopper; Make-up: Michael Hancock; Sound: Robert G. Henderson, Alan Robert Murray; Special Effects: Calvin Joe Acord, John Frazier, Harold Selig.
      Cast: Clint Eastwood (Tommy Nowak), Bernadette Peters (Lou Ann McGuinn), Timothy Carhart (Roy McGuinn), Tiffany Gail Robinson (McGuinn Baby), Angela Louise Robinson (McGuinn Baby), John Dennis Johnston (Waycross), Michael Des Barres (Alex), Jimmie F. Skaggs (Billy Dunston), Bill Moseley (Darrell), Michael Champion (Ken Lee), William Hickey (Mr. Barton), Geoffrey Lewis (Ricky Z), Gary Howard Klar (Randy Bates), Dirk Blocker (Policeman #1), Leonard R. Garner Jr. (Policeman #2), Robert L. Feist (Rodeo Announcer), Gary Leffew (John Capshaw), Robert Harvey (Skip Tracer in Diner), Gerry Bamman (Buddy), Julie Hoopman (Waitress), Travis Swords (Capshaw’s Attorney), Paul Benjamin (Judge), Randy Kirby (District Attorney), Linda Hoy (Lou Ann’s Attorney), Cliff Bemis (Jeff), Frances Fisher (Dinah), Bryan Adams (Gas Station Attendant), Sue Ann Gilfillan (Saleslady), John Fleck (Lounge Lizard), Bill Wattenburg (Pit Boss), Mara Corday (Stick Lady), Jim Carrey (Lounge Entertainer), Erik C. Westby (Room Service Waiter), Richie Allan (Derelict), Roy Conrad (Barker), Wayne Storm (Jack Bass), James Cromwell (Motel Desk Clerk), Sven-Ole Thorsen (Birthright Thug), Bill McKinney (Coltersville Bartender).
      Synopsis: Bounty hunter Tommy Nowak (Eastwood) is on the trail of Lou Ann McGuinn (Peters), a bail jumper last seen burning rubber in her husband’s pink Cadillac.
      Comment: Uneasy mix of violent action and comedy marks a change of pace for Eastwood who gives a broad performance as a bail-skip tracer who adopts a series of disguises to trap his targets. That is the only real note of interest in an otherwise familiar and not overly engaging story populated with caricatures and a simple plot that is drawn out over two hours of screen time. Peters, however, is good as Eastwood’s latest target in whose story he becomes embroiled. This is definitely a minor-league Eastwood vehicle and was a flop at the box office.