Film Review – INTO THE BLUE (2005)

Into the Blue (2005) v1 by DrDarkDoomInto the Blue (2005; USA; DeLuxe; 110m) **½  d. John Stockwell; w. Matt Johnson; ph. Shane Hurlbut; m. Paul Haslinger.  Cast: Paul Walker, Jessica Alba, Scott Caan, Ashley Scott, Josh Brolin, James Frain, Tyson Beckford, Chris Taloa, Ramon Saunders, Adam Collins, Dwayne Adway, Javon Frazer, Peter R.V. Bowleg Jr., Clifford McIntosh, Gill Montie. A group of divers find themselves in deep trouble with a drug lord after they come upon the illicit cargo of a sunken airplane. Underwater action thriller aimed at the teen-plus market benefits from gorgeous locations and photography. However, it is dampened by a derivative script, familiar suspense and banal two-dimensional characters. Followed by a direct-to-video sequel INTO THE BLUE 2: THE REEF (2009). [15]

Film Review – THE DEEP (1977)

Image result for the deep 1977 movie posterDeep, The (1977; USA; Metrocolor; 123m) ***  d. Peter Yates; w. Peter Benchley, Tracy Keenan Wynn; ph. Christopher Challis; m. John Barry.  Cast: Robert Shaw, Jacqueline Bisset, Nick Nolte, Louis Gossett Jr., Eli Wallach, Dick Anthony Williams, Bob Minor, Robert Tessier, Earl Maynard, Teddy Tucker, Lee McClain, Peter Benchley, Peter Wallach, Colin Shaw. A pair of young vacationers are involved in a dangerous conflict with treasure hunters when they discover a way into a deadly wreck in Bermuda waters. Riding on the coat-tails of JAWS, this underwater adventure lacks the thrills and tight editing of its inspiration. The positives are the sumptuous photography, shot on location in Bermuda, and Barry’s lush score. Shaw is also at his abrasive best, whilst Nolte and Bisset look good for the camera. The version aired in the original ABC network telecast contained 53m of extra footage. Based on the novel by Peter Benchley. [PG]

Film Review – THE BIG STEAL (1949)

The Big Steal 1949 U.S. Half Sheet PosterBig Steal, The (1949; USA; B&W; 71m) ***  d. Don Siegel; w. Daniel Mainwaring (as Geoffrey Homes), Gerald Drayson Adams; ph. Harry J. Wild; m. Leigh Harline.  Cast: Robert Mitchum, Jane Greer, William Bendix, Patric Knowles, Ramon Novarro, Don Alvarado, John Qualen, Pascual García Peña. An army lieutenant accused of robbery pursues the real thief on a frantic chase through Mexico aided by the thief’s fiancee. Simple plot is essentially an elongated chase punctuated by fight scenes and gun battles. It is tightly directed in his to be trademark efficient manner by Siegel. Mitchum and Greer are the main sell here and they display strong chemistry trading witty dialogue. There is a lightness of touch to proceedings that tells its audience not to take things too seriously. The movie was filmed in Los Angeles and on location in Tehuacán, Puebla, Mexico. Based on the story “The Road to Carmichael’s” by Richard Wormser. [PG]

Film Review – CALL NORTHSIDE 777 (1948)

Image result for call northside 777Call Northside 777 (1948; USA; B&W; 112m) ***½  d. Henry Hathaway; w. Jerome Cady, Jay Dratler, Leonard Hoffman, Quentin Reynolds; ph. Joseph MacDonald; m. Alfred Newman.  Cast: James Stewart, Richard Conte, Lee J. Cobb, Helen Walker, E.G. Marshall, Kasia Orzazewski, Betty Garde, Moroni Olsen, John McIntire, Paul Harvey, Joanne De Bergh, Howard Smith, Michael Chapin, Samuel S. Hinds, George Pembroke. Chicago reporter P.J. McNeal re-opens a ten-year-old murder case. Documentary-style telling is a little stiff at times and the story is certainly slow to start but it gains significant momentum in its final act. Stewart is as dependable as ever as the hard-nosed reporter and Garde stands out in an interesting supporting cast. The photography is evocative in the film noir style of the day, with contrasting light and shadow making this a technically effective, if dramatically uneven, piece of film-making. First credited film role of McIntire. Based on articles by James P. McGuire. [U]

Film Review – UNFORGIVEN (1992)

Unforgiven (1992; USA; Technicolor; 131m) ****½  d. Clint Eastwood; w. David Webb Peoples; ph. Jack N. Green; m. Lennie Niehaus.  Cast: Clint Eastwood, Gene Hackman, Morgan Freeman, Richard Harris, Saul Rubinek, Frances Fisher, Rob Campbell, Anthony James, Shane Meier, Jaimz Woolvett, Anna Levine, David Mucci, Tara Frederick, Liisa Repo-Martell, Beverley Elliott. A retired Old West gunslinger reluctantly takes on one last job, with the help of his old partner and a young man. Eastwood’s revisionist Western strips away the old mythology surrounding the gunfighters and the lawmen, delivering the vulnerable and violent reality of killing. The film is perfectly paced to capture the nuances in the script and the performances of a wonderful cast, with Hackman, Harris, Freeman and Eastwood all turning in note perfect interpretations. Gentle acoustic score by Niehaus adds melancholy to the mix.  Winner of four Oscars: Best Picture; Actor in a Supporting Role (Hackman); Director and Film Editing. Only the third Western to ever win the Best Picture Oscar. The other two being DANCES WITH WOLVES (1990) and CIMARRON (1931). The final screen credit reads, “Dedicated to Sergio and Don”, referring to Eastwood’s mentors, Sergio Leone and Don Siegel. [15]

Film Review – THE ENEMY BELOW (1957)

Related imageEnemy Below, The (1957; USA; DeLuxe; 98m) ****  d. Dick Powell; w. Wendell Mayes; ph. Harold Rosson; m. Leigh Harline.  Cast: Robert Mitchum, Curt Jurgens, Russell Collins, Theodore Bikel, Doug McClure, David Hedison, Kurt Kreuger, Frank Albertson, Biff Elliot, Alan Dexter. During World War II, an American destroyer meets a German U-Boat. Both captains are good ones, and the engagement lasts for a considerable time. Suspenseful battle-of-wits war drama benefits from a tight script and strong direction from Powell. Mitchum and Jurgens excel as the duelling captains, who gain a mutual respect whilst trying to destroy each other in order to survive. Finds time to comment on the inhumanity and science of war. Won an Oscar for Special Effects (Walter Rossi). Based on the novel by D.A. Rayner. [PG]

Film Review – A TASTE OF HONEY (1961)

Image result for a taste of honey 1961Taste of Honey, A (1961; UK; B&W; 100m) ****  d. Tony Richardson; w. Shelagh Delaney, Tony Richardson; ph. Walter Lassally; m. John Addison.  Cast: Dora Bryan, Rita Tushingham, Robert Stephens, Murray Melvin, Paul Danquah, David Boliver. The moving story of a plain young girl who becomes pregnant by a black sailor, befriends a homosexual, and gradually becomes a woman. A good example of the “kitchen sink” drama with, for the time, daring themes of inter-racial relationships, homosexuality and promiscuity. It’s all splendidly photographed on location in Salford and Blackpool. Bryan scores as the self-centred, but ultimately soft-hearted mother of Tushingham’s rebellious teenager. Richardson directs with a sense of realism and an eye for evocative images. Based on Delaney’s play. [15]

Film Review – FARGO (1996)

Image result for fargo 1996 blurayFargo (1996; USA/UK; DuArt; 98m) ****½  d. Joel Coen, Ethan Coen; w. Joel Coen, Ethan Coen; ph. Roger Deakins; m. Carter Burwell.  Cast: Frances McDormand, William H. Macy, Steve Buscemi, Harve Presnell, Peter Stormare, Steve Reevis, Kristin Rudrud, John Carroll Lynch, Tony Denman, Gary Houston, Warren Keith, Larry Brandenburg, Bruce Bohne. Jerry Lundegaard’s inept crime falls apart due to his and his henchmen’s bungling and the persistent police work of the quite pregnant Marge Gunderson. A darkly comic and violent thriller set against a cold and snowy backdrop with winning performances from a strong cast. McDormand and Buscemi are standouts who make the most of the Coen Bothers’ Oscar winning screenplay. Followed by a 60m pilot for a TV series, which didn’t sell, but a series was eventually taken up in 2014. [18]

Film Review – DOUBLE INDEMNITY (1944)

Image result for double indemnityDouble Indemnity (1944; USA; B&W; 107m) *****  d. Billy Wilder; w. Billy Wilder, Raymond Chandler; ph. John F. Seitz; m. Miklós Rózsa.  Cast: Fred MacMurray, Barbara Stanwyck, Edward G. Robinson, Porter Hall, Jean Heather, Tom Powers, Gig Young, Richard Gaines, Fortunio Bonanova, Edmund Cobb, Byron Barr, John Philliber, Clarence Muse, Bess Flowers, Sam McDaniel. An insurance rep lets himself be talked into a murder/insurance fraud scheme that arouses an insurance investigator’s suspicions. Classic and highly influential film noir with a tight script, hardboiled and witty dialogue and first-rate performances. Stanwyck is the deceptive, but alluring, femme fatale and MacMurray the smitten salesman. Robinson is superb as the eccentric investigator. Based on the novel by James M. Cain. Remade as a TV Movie in 1973. [PG]

Film Review – SUCH DUST AS DREAMS ARE MADE ON (TV) (1973)

Image result for such dust as dreams are made onSuch Dust as Dreams Are Made On (TV) (1973; USA; Colour; 76m) ***  d. Jerry Thorpe; w. Howard Rodman; ph. Jack Woolf; m. Billy Goldenberg.  Cast: David Janssen, Martin Sheen, Margot Kidder, Will Geer, Marianna Hill, Sal Mineo, Mel Stewart, Kathleen Lloyd, Lawrence Cook, Karen Lamm, Les Lannom, S. John Launer, Bill McLean, Cheryl Ladd, Joe Hoover. A private detective is hired by a slightly wacky female to find her brother, who is AWOL from the navy. Janssen is excellent as the dour PI Harry Orwell, Whilst the character and script lacked the wry narration that would make the subsequent series so enjoyable, this is still a professionally packaged tale. Sheen and Mineo head a strong supporting cast in this made-for-TV movie was the first pilot for Harry O (1974-6). For some reason this pilot didn’t sell the show, but someone at ABC saw enough in it that a second pilot was made seven months later: SMILE JENNY, YOU’RE DEAD (1974). [15]